SCENE I.-The Forest of Arden. Enter DUKE Senior, AMIENS, and other Lords, like Foresters. Duke S. Now, my co-mates, and brothers in exile, Hath not old custom made this life more sweet, Than that of painted pomp? Are not these woods More free from peril than the envious court? Here feel we not the penalty of Adam, The seasons' difference; as, the icy fang, And churlish chiding of the winter's wind, Which when it bites, and blows upon my body, Even till I shrink with cold, I smile, and say, This is no flattery: these are counsellors That feelingly persuade me what I am. Sweet are the uses of adversity, Which, like the toad, ugly and venomous, Wears yet a precious jewel in his head; And this our life, exempt from public haunt, Finds tongues in trees, books in the running brooks, Sermons in stones, and good in every thing. Ami. I would not change it. Happy is your To the which place a poor sequester'd stag, Duke S. But what said Jaques ? Did he not moralize this spectacle? 1 Lord. O! yes, into a thousand similes. First, for his weeping into the needless stream; "Poor deer," quoth he, "thou mak'st a testament As worldlings do, giving thy sum of more To that which had too much." Then, being there alone, Left and abandon'd of his velvet friend; Duke S. And did you leave him in this contemplation? 2 Lord. We did, my lord, weeping and commenting Upon the sobbing deer. Duke S. Show me the place. I love to cope him in these sullen fits, For then he's full of matter. Or with a base and boisterous sword enforce 2 Lord. I'll bring you to him straight. [Exeunt. Yet this I will not do, do how I can. SCENE II.-A Room in the Palace. Enter Duke FREDERICK, Lords, and Attendants. Duke F. Can it be possible that no man saw them? It cannot be some villains of my court Are of consent and sufferance in this. 1 Lord. I cannot hear of any that did see her. The ladies, her attendants of her chamber, Saw her a-bed; and in the morning early They found the bed untreasur'd of their mistress. 2 Lord. My lord, the roynish clown, at whom so oft Your grace was wont to laugh, is also missing. Your daughter and her cousin much commend Duke F. Send to his brother: fetch that gallant SCENE III.-Before OLIVER's House. Enter ORLANDO, and ADAM, meeting. Orl. Who's there? Adam. What! my young master?-O, my gentle master! O, my sweet master! O, you memory Of old sir Rowland! why, what make you here? No more do yours: your virtues, gentle master, O, what a world is this, when what is comely Orl. Why, what's the matter? O, unhappy youth! Your brother-(no, no brother; yet the son- Of him I was about to call his father,)— Hath heard your praises, and this night he means To burn the lodging where you used to lie, And you within it: if he fail of that, He will have other means to cut you off: I overheard him, and his practices. This is no place; this house is but a butchery: Orl. Why, whither, Adam, would'st thou have me go? Adam. No matter whither, so you come not here. Orl. What! would'st thou have me go and beg my food, I rather will subject me to the malice crowns, The thrifty hire I sav'd under your father, In all your business and necessities. Orl. O, good old man! how well in thee ap pears The constant service of the antique world, Adam. Master, go on, and I will follow thee SCENE IV.—The Forest of Arden. Enter ROSALIND for Ganymede, CELIA for Aliena, and Clown, alias TOUCHSTONE. Ros. O Jupiter! how weary are my spirits! Touch. I care not for my spirits, if my legs were not weary. Ros. I could find in my heart to disgrace my man's apparel, and to cry like a woman; but I must comfort the weaker vessel, as doublet and hose ought to show itself courageous to petticoat: therefore, courage, good Aliena. Cel. I pray you, bear with me: I can go no further. Touch. For my part, I had rather bear with you, than bear you: yet I should bear no cross, if I did bear you, for, I think, you have no money in your purse. Ros. Well, this is the forest of Arden. Touch. Ay, now I am in Arden; the more fool I: when I was at home I was in a better place, but travellers must be content. Ros. Ay, be so, good Touchstone.-Look you; who comes here? a young man, and an old, in solemn talk. Enter CORIN, and SILVIUS. Cor. That is the way to make her scorn you still. Sil. O Corin, that thou knew'st how I do love her! Cor. I partly guess, for I have lov'd ere now. Sil. No, Corin; being old, thou canst not guess, Though in thy youth thou wast as true a lover As ever sigh'd upon a midnight pillow: But if thy love were ever like to mine, As sure I think did never man love so, How many actions most ridiculous Hast thou been drawn to by thy fantasy? Cor. Into a thousand that I have forgotten. Or if thou hast not sat, as I do now, Or if thou hast not broke from company, [Exit SILVIUS. Ros. Alas, poor shepherd! searching of thy wound, I have by hard adventure found mine own. Touch. And I mine. I remember, when I was in love I broke my sword upon a stone, and bid him take that for coming a-night to Jane Smile: and I remember the kissing of her batler, and the cow's dugs that her pretty chapped hands had milked: and I remember the wooing of a peascod instead of her; from whom I took two cods, and, giving her them again, said with weeping tears, " Wear these for my sake." We, that are true lovers, run into strange capers; but as all is mortal in nature, so is all nature in love mortal in folly. Ros. Thou speakest wiser than thou art 'ware of. Touch. Nay, I shall ne'er be 'ware of mine own wit, Till I break my shins against it. Ros. Jove, Jove! this shepherd's passion Is much upon my fashion. Touch. And mine; but it grows something stale with me. My master is of churlish disposition, Besides, his cote, his flocks, and bounds of feed, Ros. What is he that shall buy his flock and pasture? Cor. That young swain that you saw here but erewhile, That little cares for buying any thing. Ros. I pray thee, if it stand with honesty, Buy thou the cottage, pasture, and the flock, And thou shalt have to pay for it of us. Cel. And we will mend thy wages. I like this place, Under the greenwood tree, Who loves to lie with me, And turn his merry note Unto the sweet bird's throat, But winter and rough weather. Jaq. More, more! I pr'ythee, more. Ami. It will make you melancholy, monsieur Jaques. Jaq. I thank it. More! I pr'ythee, more. I can suck melancholy out of a song, as a weasel sucks eggs. More! I pr'ythee, more. Ami. My voice is ragged; I know I cannot please you. Jaq. I do not desire you to please me; I do desire you to sing. Come, more; another stanza. Call you 'em stanzas? Ami. What you will, monsieur Jaques. Jaq. Nay, I care not for their names; they owe me nothing. Will you sing? Ami. More at your request, than to please myself. Jaq. Well then, if ever I thank any man, I'll thank you: but that they call compliment is like the encounter of two dog-apes; and when a man thanks me heartily, methinks, I have given him a penny, and he renders me the beggarly thanks. Come, sing; and you that will not, hold your tongues. Ami. Well, I'll end the song.-Sirs, cover the while; the duke will drink under this tree.-He hath been all this day to look you. Jaq. And I have been all this day to avoid him. He is too disputable for my company: I think of as many matters as he, but I give heaven thanks, and make no boast of them. Come, warble; come. SONG. Who doth ambition shun, [All together here. And loves to live i' the sun, Seeking the food he eats, And pleas'd with what he gets, Come hither, come hither, come hither: Here shall he see, etc. Jaq. I'll give you a verse to this note, that I made yesterday in despite of my invention. Ami. And I'll sing it. Jaq. Thus it goes: If it do come to pass, Ami. What's that ducdàme? Jaq. 'Tis a Greek invocation to call fools into a circle. I'll go sleep if I can; if I cannot, I'll rail against all the first-born of Egypt. Ami. And I'll go seek the duke: his banquet is prepared. [Exeunt severally. SCENE VI.-The Same. Enter ORLANDO, and ADAM. Adam. Dear master, I can go no further: O! 1 die for food. Here lie I down, and measure out my grave. Farewell, kind master. Orl. Why, how now, Adam! no greater heart in thee? Live a little; comfort a little; cheer thyself a little. If this uncouth forest yield any thing savage, I will either be food for it, or bring it for food to thee. Thy conceit is nearer death than thy powers. For my sake be comfortable; hold death awhile at the arm's end. I will here be with thee presently, and if I bring thee not something to eat, I will give thee leave to die; but if thou diest before I come, thou art a mocker of my labour. Well said! thou look'st cheerily; and I'll be with thee quickly. Yet thou liest in the bleak air: come, I will bear thee to some shelter, and thou shalt not die for lack of a dinner, if there live any thing in this desert. Cheerly, good Adam. [Exeunt. A motley fool; (a miserable world!) Who laid him down and bask'd him in the sun, Thus may we see," quoth he, "how the world wags: And I did laugh, sans intermission, Jaq. O, worthy fool!-One that hath been a courtier, And says, if ladies be but young and fair, so? The why is plain as way to parish church: Doth very foolishly, although he smart, The wise man's folly is anatomiz'd, Even by the squandering glances of the fool. To speak my mind, and I will through and through Duke S. Fie on thee! I can tell what thou wouldst do. Jaq. What, for a counter, would I do, but good? Duke S. Most mischievous foul sin, in chiding sin: For thou thyself hast been a libertine, As sensual as the brutish sting itself; And all th' embossed sores, and headed evils, That thou with licence of free foot hast caught, Would'st thou disgorge into the general world. Jaq. Why, who cries out on pride, That can therein tax any private party? Doth it not flow as hugely as the sea, Till that the weary very means do ebb? What woman in the city do I name, When that I say, the city-woman bears The cost of princes on unworthy shoulders? Who can come in, and say, that I mean her, When such a one as she, such is her neighbour! Or what is he of basest function, That says, his bravery is not on my cost, Thinking that I mean him, but therein suits His folly to the mettle of my speech? There then; how then? what then? Let me see wherein My tongue hath wrong'd him: if it do him right. Then he hath wrong'd himself; if he be free, Why then, my taxing like a wild goose flies, Unclaim'd of any man.-But who comes here? Enter ORLANDO, with his sword drawn. Orl. Forbear, and eat no more. Jaq. Why, I have eat none yet. Orl. Nor shalt not, till necessity be serv'd. Jaq. Of what kind should this cock come of! Duke S. Art thou thus bolden'd, man, by thy distress, Or else a rude despiser of good manners, Orl. You touch'd my vein at first: the thorny point Of bare distress hath ta'en from me the show |