Comedies. Two gentlemen of Verona |
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Page 34
Farmer does not notice this Also , in the Seventy - fifth :passage ; but had he done
so , he would , of course , have shown ... of any of the well - known the sense of
beauty , by the writers of Shakespeare's classical passages ; but a transfusion of
...
Farmer does not notice this Also , in the Seventy - fifth :passage ; but had he done
so , he would , of course , have shown ... of any of the well - known the sense of
beauty , by the writers of Shakespeare's classical passages ; but a transfusion of
...
Page 46
with that fine racy old poet , Chapman's “ Hymns to No alteration of the old copies
seems absolutely necesNight and to Cynthia , " which , though over - informed
sary . with learning , have many highly poetical passages ; among which the ...
with that fine racy old poet , Chapman's “ Hymns to No alteration of the old copies
seems absolutely necesNight and to Cynthia , " which , though over - informed
sary . with learning , have many highly poetical passages ; among which the ...
Page 45
Titania's exhortation to the fairies to wait this passage doubtless needed no
illustration . But modern heralds and commentators differ as to the alluCoventry ,
who played their iu Bottom is remarkable for a certain cloying sweetsion .
Titania's exhortation to the fairies to wait this passage doubtless needed no
illustration . But modern heralds and commentators differ as to the alluCoventry ,
who played their iu Bottom is remarkable for a certain cloying sweetsion .
Page 6
of phrase and harshness of rhythm , which seems to me to stamp many passages
as belonging to the epoch of MEASURE FOR MEASURE , or of LEAR . We miss ,
too , the gay and fanciful imagery which shows itself continually , alike amidst ...
of phrase and harshness of rhythm , which seems to me to stamp many passages
as belonging to the epoch of MEASURE FOR MEASURE , or of LEAR . We miss ,
too , the gay and fanciful imagery which shows itself continually , alike amidst ...
Page 44
So we now say , ' a passage of an in the next lin author ; ' and we said about a
century ago , the passages LEAR— “ the tric of a reign . ' When the Countess
mentions Helena's loss rived , as Collier of a father , she recollects her own loss
of a ...
So we now say , ' a passage of an in the next lin author ; ' and we said about a
century ago , the passages LEAR— “ the tric of a reign . ' When the Countess
mentions Helena's loss rived , as Collier of a father , she recollects her own loss
of a ...
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"like a wood woman" might indeed have meant "frantic" or "wild" (with grief) which Launce mentions referring to the "shoe" which he adopts for the sake of illustration. However, Shakespeare, even at his earliest writings, was vastly entertained by double entendres and his love of puns is so well documented. In that time in Italy, women wore platform shoes which were raised to elevate the shoes from the mud and other unpleasant "stuff". These were called "chopines" and the platforms were constructed of wood. The higher the platform, the higher the pretentiousness of the lady. Her height could have put her above many others. Since Launce has his father and mother represented as shoes, this second meaning is certainly not outside of the possibility for Shakespeare's intention. Naturally, it would have had the effect of a rather "localized" and "temporary" idea, but the fact of its having been very popular in that day makes it a candidate for the Bard's delight.
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Common terms and phrases
answer appears bear Beat beauty better Biron bring brother character comedy comes common copies Count daughter death desire doth Duke editions Enter Erit Exeunt expression eyes face fair fairy father fear folio follow fool Ford fortune give grace hand hast hath head hear heart heaven hold honour hope husband I'll Italy John keep kind King lady leave light live look lord madam marry master means mind mistress nature never night once original passage play Poet poor pray present printed probably reason SCENE seems sense Shakespeare speak Speed spirit stand stay sweet tell thank thee thing thou thou art thought true truth turn wife woman young youth
Popular passages
Page 23 - I am a Jew : Hath not a Jew eyes ? hath not a Jew hands, organs, dimensions, senses, affections, passions ? fed with the same food, hurt with the same weapons, subject to the same diseases, healed by the same means, warmed and cooled by the same winter and summer, as a Christian is ? if you prick us, do we not bleed ? if you tickle us, do we not laugh ? if you poison us, do we not die ? and if you wrong us, shall we not revenge ? if we are like you in the rest, we will resemble you in that. If a...
Page 47 - Of law there can be no less acknowledged, than that her seat is the bosom of God, her voice the harmony of the world ; all things in heaven and earth do her homage, the very least as feeling her care, and the greatest as not exempted from her power...
Page 14 - Shylock, we would have monies', You say so; You, that did void your rheum upon my beard, And foot me, as you spurn a stranger cur Over your threshold; monies is your suit. What should I say to you? Should I not say, Hath a dog money? is it possible, A cur can lend three thousand ducats'?
Page 26 - But love, first learned in a lady's eyes, Lives not alone immured in the brain; But with the motion of all elements, Courses as swift as thought in every power; And gives to every power a double power, Above their functions and their offices.
Bibliographic information
| Title | Comedies. Two gentlemen of Verona Volume 2 of Shakespeare's Plays: With His Life : Illustrated with Many Hundred Wood-cuts, Gulian Crommelin Verplanck Volume 2 of Shakespeare's Plays: With His Life, Gulian Crommelin Verplanck Volume 2 of Shakespeare's Plays: With His Life. Illustrated with Many Hundred Wood-cuts, Executed by H.W. Hewet, After Designs by Kenny Meadows, Harvey, and Others, Gulian Crommelin Verplanck |
| Author | William Shakespeare |
| Editor | Gulian Crommelin Verplanck |
| Illustrated by | Henry W. Hewet |
| Publisher | Harper & brothers, 1847 |
| Original from | Harvard University |
| Digitized | 9 Feb 2006 |
| Export Citation | BiBTeX EndNote RefMan |