Characters of Shakespeare's Plays |
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William Hazlitt. NIGHT'S DREAM has appeared in another work. April 15, 1817 CYMBELINE CYMBELINE is one of the most delightful of Shakespeare's.
William Hazlitt. NIGHT'S DREAM has appeared in another work. April 15, 1817 CYMBELINE CYMBELINE is one of the most delightful of Shakespeare's.
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William Hazlitt. CYMBELINE. CYMBELINE is one of the most delightful of Shakespeare's historical plays. Itmaybeconsideredasa dramatic romance, in which the moststrikingpartsofthe story are thrown into the form of a dialogue, and the ...
William Hazlitt. CYMBELINE. CYMBELINE is one of the most delightful of Shakespeare's historical plays. Itmaybeconsideredasa dramatic romance, in which the moststrikingpartsofthe story are thrown into the form of a dialogue, and the ...
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... CYMBELINE is not violent ortragical, but of the mostpleasing and amiable kind.A certaintender gloom o'erspreads the whole. Posthumus is the ostensible hero of the piece, but its greatest charm is the character of Imogen. Posthumus is ...
... CYMBELINE is not violent ortragical, but of the mostpleasing and amiable kind.A certaintender gloom o'erspreads the whole. Posthumus is the ostensible hero of the piece, but its greatest charm is the character of Imogen. Posthumus is ...
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... Cymbeline, for instance, the principal interest arises out of the unalterable fidelity of Imogen to her husband underthe mosttrying circumstances. Nowthe other parts of the picture arefilled up with subordinate examples of the ...
... Cymbeline, for instance, the principal interest arises out of the unalterable fidelity of Imogen to her husband underthe mosttrying circumstances. Nowthe other parts of the picture arefilled up with subordinate examples of the ...
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... Cymbeline, areallso many lines of the same story, tending to the same point. The effectofthis coincidenceisrather felt thanobserved; and as the impression existsunconsciously inthe mind of the reader, so it probably aroseinthe same ...
... Cymbeline, areallso many lines of the same story, tending to the same point. The effectofthis coincidenceisrather felt thanobserved; and as the impression existsunconsciously inthe mind of the reader, so it probably aroseinthe same ...
Contents
Section 20 | |
Section 21 | |
Section 22 | |
Section 23 | |
Section 24 | |
Section 25 | |
Section 26 | |
Section 27 | |
Section 9 | |
Section 10 | |
Section 11 | |
Section 12 | |
Section 13 | |
Section 14 | |
Section 15 | |
Section 16 | |
Section 17 | |
Section 18 | |
Section 19 | |
Section 28 | |
Section 29 | |
Section 30 | |
Section 31 | |
Section 32 | |
Section 33 | |
Section 34 | |
Section 35 | |
Section 36 | |
Section 37 | |
Section 38 | |
Other editions - View all
Characters of Shakespeare's Plays: & Lectures on the English Poets William Hazlitt No preview available - 2015 |
Common terms and phrases
admirable affections allthe andhis andthe andto Antony Apemantus atthe Banquo beauty Bolingbroke breath Brutus bythe Caesar Caliban Cassius character circumstances Claudio comedy Cordelia Coriolanus critic Cymbeline daughter death Desdemona dost doth dramatic eyes Falstaff feeling fool friends fromthe genius give Gonerill grace hast hath Hazlitt hear heart heaven hehas heis Henry hisown honour Hubert human Iago imagination inhis inthe inthis intothe isan isin isthe Itis Juliet king lady Lear likea look lord Macbeth Malvolio Michael Cassio MIDSUMMER'S NIGHT DREAM mind moral nature never night ofher ofhis ofit ofthe oftheir onthe Othello passages passion Perdita play pleasure poet poetry prince Regan revenge Richard Richard III Romeo scene Shakespeare sleep speak speech spirit sweet tenderness thathe thee themost Thereis things thou art thought TITUS ANDRONICUS tobe tohave tohis tothe tragedy truth whichhe William Hazlitt withthe youth