Characters of Shakespeare's Plays |
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... Macbeth andRichard III which isan exceedingly ingenious piece ofanalytical criticism. Richardson's Essays include but a few of Shakespeare's principal characters.The only work which seemed to supersede the necessity ofan attempt like ...
... Macbeth andRichard III which isan exceedingly ingenious piece ofanalytical criticism. Richardson's Essays include but a few of Shakespeare's principal characters.The only work which seemed to supersede the necessity ofan attempt like ...
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... upofhis plots. We think thecontrary istrue; and we might citein proof of this remarknotonly thepresent play, butthe conclusion of LEAR, ofROMEO AND JULIET, of MACBETH, of OTHELLO, even of HAMLET, and of CYMBELINE ...
... upofhis plots. We think thecontrary istrue; and we might citein proof of this remarknotonly thepresent play, butthe conclusion of LEAR, ofROMEO AND JULIET, of MACBETH, of OTHELLO, even of HAMLET, and of CYMBELINE ...
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William Hazlitt. JULIET, of MACBETH, of OTHELLO, even of HAMLET, and of other plays of less moment, in which the last act is crowded with decisive events brought about by natural and striking means. The pathos in CYMBELINE is not violent ...
William Hazlitt. JULIET, of MACBETH, of OTHELLO, even of HAMLET, and of other plays of less moment, in which the last act is crowded with decisive events brought about by natural and striking means. The pathos in CYMBELINE is not violent ...
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... the hanging', his answer conveys at once a tacit reproof of her hypocrisy, and a useful lessonof humanity: —Your Highness Shall fromthis practice but make hard your heart. MACBETH The poet's eye in a fine frenzy rolling Doth.
... the hanging', his answer conveys at once a tacit reproof of her hypocrisy, and a useful lessonof humanity: —Your Highness Shall fromthis practice but make hard your heart. MACBETH The poet's eye in a fine frenzy rolling Doth.
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... MACBETH and Lear, Othello andHamlet, areusually reckoned Shakespeare's four principal tragedies. Lear stands first for the profound intensity of the passion; Macbeth for the wildness of the imagination and the rapidity of the action ...
... MACBETH and Lear, Othello andHamlet, areusually reckoned Shakespeare's four principal tragedies. Lear stands first for the profound intensity of the passion; Macbeth for the wildness of the imagination and the rapidity of the action ...
Contents
Section 20 | |
Section 21 | |
Section 22 | |
Section 23 | |
Section 24 | |
Section 25 | |
Section 26 | |
Section 27 | |
Section 9 | |
Section 10 | |
Section 11 | |
Section 12 | |
Section 13 | |
Section 14 | |
Section 15 | |
Section 16 | |
Section 17 | |
Section 18 | |
Section 19 | |
Section 28 | |
Section 29 | |
Section 30 | |
Section 31 | |
Section 32 | |
Section 33 | |
Section 34 | |
Section 35 | |
Section 36 | |
Section 37 | |
Section 38 | |
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Characters of Shakespeare's Plays: & Lectures on the English Poets William Hazlitt No preview available - 2015 |
Common terms and phrases
admirable affections allthe andhis andthe andto Antony Apemantus atthe Banquo beauty Bolingbroke breath Brutus bythe Caesar Caliban Cassius character circumstances Claudio comedy Cordelia Coriolanus critic Cymbeline daughter death Desdemona dost doth dramatic eyes Falstaff feeling fool friends fromthe genius give Gonerill grace hast hath Hazlitt hear heart heaven hehas heis Henry hisown honour Hubert human Iago imagination inhis inthe inthis intothe isan isin isthe Itis Juliet king lady Lear likea look lord Macbeth Malvolio Michael Cassio MIDSUMMER'S NIGHT DREAM mind moral nature never night ofher ofhis ofit ofthe oftheir onthe Othello passages passion Perdita play pleasure poet poetry prince Regan revenge Richard Richard III Romeo scene Shakespeare sleep speak speech spirit sweet tenderness thathe thee themost Thereis things thou art thought TITUS ANDRONICUS tobe tohave tohis tothe tragedy truth whichhe William Hazlitt withthe youth