Characters of Shakespeare's Plays |
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... affections. We think aslittleof their persons asthey do themselves, because we areletinto the secrets oftheir hearts, which are more important. Wearetoo much interestedin their affairstostopto look at theirfaces, except bystealthandat ...
... affections. We think aslittleof their persons asthey do themselves, because we areletinto the secrets oftheir hearts, which are more important. Wearetoo much interestedin their affairstostopto look at theirfaces, except bystealthandat ...
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... affections. The impression which her lofty determination of character makes on the mindof Macbeth iswell describedwhere he exclaims: —Bringforthmen childrenonly; For thy undaunted mettle should compose Nothing but males! Nor dothe pains ...
... affections. The impression which her lofty determination of character makes on the mindof Macbeth iswell describedwhere he exclaims: —Bringforthmen childrenonly; For thy undaunted mettle should compose Nothing but males! Nor dothe pains ...
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... affections are at a stand;our sympathies arerepulsed anddefeated inall directions. The onlypassion which influences the story is that of Angelo; andyethe seemsto have a much greater passion forhypocrisy thanforhis mistress.Neither are ...
... affections are at a stand;our sympathies arerepulsed anddefeated inall directions. The onlypassion which influences the story is that of Angelo; andyethe seemsto have a much greater passion forhypocrisy thanforhis mistress.Neither are ...
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... throwit down for your deliverance As franklyas a pin. Claudio. Thanks, dear Isabel. Isabella. Beready, Claudio, for your death tomorrow. Claudio. Yes.—Has he affections in him,That thus can make him bite the law by the nose? When he.
... throwit down for your deliverance As franklyas a pin. Claudio. Thanks, dear Isabel. Isabella. Beready, Claudio, for your death tomorrow. Claudio. Yes.—Has he affections in him,That thus can make him bite the law by the nose? When he.
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Contents
Section 20 | |
Section 21 | |
Section 22 | |
Section 23 | |
Section 24 | |
Section 25 | |
Section 26 | |
Section 27 | |
Section 9 | |
Section 10 | |
Section 11 | |
Section 12 | |
Section 13 | |
Section 14 | |
Section 15 | |
Section 16 | |
Section 17 | |
Section 18 | |
Section 19 | |
Section 28 | |
Section 29 | |
Section 30 | |
Section 31 | |
Section 32 | |
Section 33 | |
Section 34 | |
Section 35 | |
Section 36 | |
Section 37 | |
Section 38 | |
Other editions - View all
Characters of Shakespeare's Plays: & Lectures on the English Poets William Hazlitt No preview available - 2015 |
Common terms and phrases
admirable affections allthe andhis andthe andto Antony Apemantus atthe Banquo beauty Bolingbroke breath Brutus bythe Caesar Caliban Cassius character circumstances Claudio comedy Cordelia Coriolanus critic Cymbeline daughter death Desdemona dost doth dramatic eyes Falstaff feeling fool friends fromthe genius give Gonerill grace hast hath Hazlitt hear heart heaven hehas heis Henry hisown honour Hubert human Iago imagination inhis inthe inthis intothe isan isin isthe Itis Juliet king lady Lear likea look lord Macbeth Malvolio Michael Cassio MIDSUMMER'S NIGHT DREAM mind moral nature never night ofher ofhis ofit ofthe oftheir onthe Othello passages passion Perdita play pleasure poet poetry prince Regan revenge Richard Richard III Romeo scene Shakespeare sleep speak speech spirit sweet tenderness thathe thee themost Thereis things thou art thought TITUS ANDRONICUS tobe tohave tohis tothe tragedy truth whichhe William Hazlitt withthe youth