Characters of Shakespeare's Plays |
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... and his passion for individual liberty werealike precocious.In 1791, atthe age ofthirteen, hecomposed and published in TheShrewsbury Chroniclea letter of protest against the calumniators of Dr. Priestley: a performance which, forthe ...
... and his passion for individual liberty werealike precocious.In 1791, atthe age ofthirteen, hecomposed and published in TheShrewsbury Chroniclea letter of protest against the calumniators of Dr. Priestley: a performance which, forthe ...
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... and his sisterSarah, a lady wearing past her first youth but yet addicted to keeping a numberof beaux to her string. Hazlitt, attracted to her from the first,—he made a gloomy lover andhis subsequentperformances inthat part ...
... and his sisterSarah, a lady wearing past her first youth but yet addicted to keeping a numberof beaux to her string. Hazlitt, attracted to her from the first,—he made a gloomy lover andhis subsequentperformances inthat part ...
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... andhis understanding promoted: butit scarcely yields eitherthe light or the music which Hazlitt communicates in hislater and more famousessays. For thethird point, Hazlitthad made enemies nor had ever been cautious of makingthem ...
... andhis understanding promoted: butit scarcely yields eitherthe light or the music which Hazlitt communicates in hislater and more famousessays. For thethird point, Hazlitthad made enemies nor had ever been cautious of makingthem ...
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... andhis indignant temper charged Heaven with them as wrongsnot only public but personal to himself. In thewriting of theCharacters he had found a partial drug for despair. But hisenemies, as soon asmight be, took hold of the anodyne ...
... andhis indignant temper charged Heaven with them as wrongsnot only public but personal to himself. In thewriting of theCharacters he had found a partial drug for despair. But hisenemies, as soon asmight be, took hold of the anodyne ...
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... and his predilections among them, was already putting into practice what he did not trouble to theorize. But when it comes to setting out the theory, grasping theworthof the principle, statingit and fighting for it, I think ...
... and his predilections among them, was already putting into practice what he did not trouble to theorize. But when it comes to setting out the theory, grasping theworthof the principle, statingit and fighting for it, I think ...
Contents
Section 20 | |
Section 21 | |
Section 22 | |
Section 23 | |
Section 24 | |
Section 25 | |
Section 26 | |
Section 27 | |
Section 9 | |
Section 10 | |
Section 11 | |
Section 12 | |
Section 13 | |
Section 14 | |
Section 15 | |
Section 16 | |
Section 17 | |
Section 18 | |
Section 19 | |
Section 28 | |
Section 29 | |
Section 30 | |
Section 31 | |
Section 32 | |
Section 33 | |
Section 34 | |
Section 35 | |
Section 36 | |
Section 37 | |
Section 38 | |
Other editions - View all
Characters of Shakespeare's Plays: & Lectures on the English Poets William Hazlitt No preview available - 2015 |
Common terms and phrases
admirable affections allthe andhis andthe andto Antony Apemantus atthe Banquo beauty Bolingbroke breath Brutus bythe Caesar Caliban Cassius character circumstances Claudio comedy Cordelia Coriolanus critic Cymbeline daughter death Desdemona dost doth dramatic eyes Falstaff feeling fool friends fromthe genius give Gonerill grace hast hath Hazlitt hear heart heaven hehas heis Henry hisown honour Hubert human Iago imagination inhis inthe inthis intothe isan isin isthe Itis Juliet king lady Lear likea look lord Macbeth Malvolio Michael Cassio MIDSUMMER'S NIGHT DREAM mind moral nature never night ofher ofhis ofit ofthe oftheir onthe Othello passages passion Perdita play pleasure poet poetry prince Regan revenge Richard Richard III Romeo scene Shakespeare sleep speak speech spirit sweet tenderness thathe thee themost Thereis things thou art thought TITUS ANDRONICUS tobe tohave tohis tothe tragedy truth whichhe William Hazlitt withthe youth