Characters of Shakespeare's Plays |
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... andto followthe impulse of his unrestrained eagerness to impressthem upon his readers. Upon this, Hazlitt, no doubt, would have commented, 'Well, andwhy not?I choose tounderstand drama through my FEELINGS.' To surrender to greatart was ...
... andto followthe impulse of his unrestrained eagerness to impressthem upon his readers. Upon this, Hazlitt, no doubt, would have commented, 'Well, andwhy not?I choose tounderstand drama through my FEELINGS.' To surrender to greatart was ...
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... andto what every one elsefeels, that each character isa species, instead ofbeingan individual. He in fact found thegeneral speciesor DIDACTICform in Shakespeare's characters, which wasall he soughtor cared for;hedid notfindthe ...
... andto what every one elsefeels, that each character isa species, instead ofbeingan individual. He in fact found thegeneral speciesor DIDACTICform in Shakespeare's characters, which wasall he soughtor cared for;hedid notfindthe ...
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... and to any one,not feeling thefullforce of that epithet, which suggests animagelike 'the sleepy eyeoflove', the allusion to ... andto balance one period againstanother, as the writer of heroic verseisto keep to lines of tensyllables with ...
... and to any one,not feeling thefullforce of that epithet, which suggests animagelike 'the sleepy eyeoflove', the allusion to ... andto balance one period againstanother, as the writer of heroic verseisto keep to lines of tensyllables with ...
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... andto come.' He is afine antithesis tothemorality and the hypocrisy of the other characters of the play.Barnardine isCaliban transported from Prospero's wizard island to the forests of Bohemia MEASURE FOR MEASURE ...
... andto come.' He is afine antithesis tothemorality and the hypocrisy of the other characters of the play.Barnardine isCaliban transported from Prospero's wizard island to the forests of Bohemia MEASURE FOR MEASURE ...
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Contents
Section 20 | |
Section 21 | |
Section 22 | |
Section 23 | |
Section 24 | |
Section 25 | |
Section 26 | |
Section 27 | |
Section 9 | |
Section 10 | |
Section 11 | |
Section 12 | |
Section 13 | |
Section 14 | |
Section 15 | |
Section 16 | |
Section 17 | |
Section 18 | |
Section 19 | |
Section 28 | |
Section 29 | |
Section 30 | |
Section 31 | |
Section 32 | |
Section 33 | |
Section 34 | |
Section 35 | |
Section 36 | |
Section 37 | |
Section 38 | |
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Characters of Shakespeare's Plays: & Lectures on the English Poets William Hazlitt No preview available - 2015 |
Common terms and phrases
admirable affections allthe andhis andthe andto Antony Apemantus atthe Banquo beauty Bolingbroke breath Brutus bythe Caesar Caliban Cassius character circumstances Claudio comedy Cordelia Coriolanus critic Cymbeline daughter death Desdemona dost doth dramatic eyes Falstaff feeling fool friends fromthe genius give Gonerill grace hast hath Hazlitt hear heart heaven hehas heis Henry hisown honour Hubert human Iago imagination inhis inthe inthis intothe isan isin isthe Itis Juliet king lady Lear likea look lord Macbeth Malvolio Michael Cassio MIDSUMMER'S NIGHT DREAM mind moral nature never night ofher ofhis ofit ofthe oftheir onthe Othello passages passion Perdita play pleasure poet poetry prince Regan revenge Richard Richard III Romeo scene Shakespeare sleep speak speech spirit sweet tenderness thathe thee themost Thereis things thou art thought TITUS ANDRONICUS tobe tohave tohis tothe tragedy truth whichhe William Hazlitt withthe youth