Characters of Shakespeare's Plays |
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... readers. Upon this, Hazlitt, no doubt, would have commented, 'Well, andwhy not?I choose tounderstand drama through my FEELINGS.' To surrender to greatart was,forhim,and defnitely, a part of the critic's function—' A genuine criticism.
... readers. Upon this, Hazlitt, no doubt, would have commented, 'Well, andwhy not?I choose tounderstand drama through my FEELINGS.' To surrender to greatart was,forhim,and defnitely, a part of the critic's function—' A genuine criticism.
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William Hazlitt. defnitely, a part of the critic's function—' A genuine criticism should, as I take it, repeat the colours, the light and shade, the soul and body of a work.' This contention, for which Hazlittfought all his life and ...
William Hazlitt. defnitely, a part of the critic's function—' A genuine criticism should, as I take it, repeat the colours, the light and shade, the soul and body of a work.' This contention, for which Hazlittfought all his life and ...
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... critic—at anyrate of a criticofpoetry—is, as Jeffrey puts the antithesis, to FEEL rather thanto KNOW; while to be delicately sensitive and sympathetic counts more than to be wellinformed; nevertheless learning remains respectable.He who ...
... critic—at anyrate of a criticofpoetry—is, as Jeffrey puts the antithesis, to FEEL rather thanto KNOW; while to be delicately sensitive and sympathetic counts more than to be wellinformed; nevertheless learning remains respectable.He who ...
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... critic who takes his author steadilyasa dramatist and not as a philosopher, or a propagandist, or a lawyer's clerk, ora disappointed lover, or for his acquaintance with botany, politics, cyphers, Christian Science, anyofthe thousand and ...
... critic who takes his author steadilyasa dramatist and not as a philosopher, or a propagandist, or a lawyer's clerk, ora disappointed lover, or for his acquaintance with botany, politics, cyphers, Christian Science, anyofthe thousand and ...
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... critic to give'reasons for thefaithwhich we English have in Shakespeare'. Certainly, nowriter among ourselves has shown either thesame enthusiastic admiration ofhisgenius, or the samephilosophical acuteness in pointing outhis ...
... critic to give'reasons for thefaithwhich we English have in Shakespeare'. Certainly, nowriter among ourselves has shown either thesame enthusiastic admiration ofhisgenius, or the samephilosophical acuteness in pointing outhis ...
Contents
Section 20 | |
Section 21 | |
Section 22 | |
Section 23 | |
Section 24 | |
Section 25 | |
Section 26 | |
Section 27 | |
Section 9 | |
Section 10 | |
Section 11 | |
Section 12 | |
Section 13 | |
Section 14 | |
Section 15 | |
Section 16 | |
Section 17 | |
Section 18 | |
Section 19 | |
Section 28 | |
Section 29 | |
Section 30 | |
Section 31 | |
Section 32 | |
Section 33 | |
Section 34 | |
Section 35 | |
Section 36 | |
Section 37 | |
Section 38 | |
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Characters of Shakespeare's Plays: & Lectures on the English Poets William Hazlitt No preview available - 2015 |
Common terms and phrases
admirable affections allthe andhis andthe andto Antony Apemantus atthe Banquo beauty Bolingbroke breath Brutus bythe Caesar Caliban Cassius character circumstances Claudio comedy Cordelia Coriolanus critic Cymbeline daughter death Desdemona dost doth dramatic eyes Falstaff feeling fool friends fromthe genius give Gonerill grace hast hath Hazlitt hear heart heaven hehas heis Henry hisown honour Hubert human Iago imagination inhis inthe inthis intothe isan isin isthe Itis Juliet king lady Lear likea look lord Macbeth Malvolio Michael Cassio MIDSUMMER'S NIGHT DREAM mind moral nature never night ofher ofhis ofit ofthe oftheir onthe Othello passages passion Perdita play pleasure poet poetry prince Regan revenge Richard Richard III Romeo scene Shakespeare sleep speak speech spirit sweet tenderness thathe thee themost Thereis things thou art thought TITUS ANDRONICUS tobe tohave tohis tothe tragedy truth whichhe William Hazlitt withthe youth