Characters of Shakespeare's Plays |
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... death, burstinto a storm ofweeping that would not be controlled. On Hazlitt, bound upheart and soulin what he regarded as thecause of French and European liberty and enlightenment,Waterloo, thefallof the Emperor, the restoration of the ...
... death, burstinto a storm ofweeping that would not be controlled. On Hazlitt, bound upheart and soulin what he regarded as thecause of French and European liberty and enlightenment,Waterloo, thefallof the Emperor, the restoration of the ...
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... death she exclaims: Oh, forsuch means, Though on't, I would adventure. And when Pisanio, enlarging onthe consequences, tells her she mustchange —Fear and niceness, Thehandmaids ofall women,or more truly, Womanits pretty self, into a ...
... death she exclaims: Oh, forsuch means, Though on't, I would adventure. And when Pisanio, enlarging onthe consequences, tells her she mustchange —Fear and niceness, Thehandmaids ofall women,or more truly, Womanits pretty self, into a ...
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... death. The action is desperate and the reaction is dreadful. It is a huddling together offierce extremes,a war of opposite natureswhich of them shall destroy the other. There is nothing but what has a violent end or violent beginnings ...
... death. The action is desperate and the reaction is dreadful. It is a huddling together offierce extremes,a war of opposite natureswhich of them shall destroy the other. There is nothing but what has a violent end or violent beginnings ...
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... death. Macbeth, after the death of Banquo, wishesfor his presence in extravagant terms, 'To him and all we thirst,' and when his ghost appears, cries out,'Avaunt and quit mysight,' and being gone,heis 'himself again'.Macbeth resolves ...
... death. Macbeth, after the death of Banquo, wishesfor his presence in extravagant terms, 'To him and all we thirst,' and when his ghost appears, cries out,'Avaunt and quit mysight,' and being gone,heis 'himself again'.Macbeth resolves ...
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... death of Portia, which he does not learn till after the reconciliation, 'How'scap'd Ikilling when Icrostyou so?' gives doubleforce to all thathas gone before. The scene between Brutus and Portia, where she endeavours to extort the ...
... death of Portia, which he does not learn till after the reconciliation, 'How'scap'd Ikilling when Icrostyou so?' gives doubleforce to all thathas gone before. The scene between Brutus and Portia, where she endeavours to extort the ...
Contents
Section 20 | |
Section 21 | |
Section 22 | |
Section 23 | |
Section 24 | |
Section 25 | |
Section 26 | |
Section 27 | |
Section 9 | |
Section 10 | |
Section 11 | |
Section 12 | |
Section 13 | |
Section 14 | |
Section 15 | |
Section 16 | |
Section 17 | |
Section 18 | |
Section 19 | |
Section 28 | |
Section 29 | |
Section 30 | |
Section 31 | |
Section 32 | |
Section 33 | |
Section 34 | |
Section 35 | |
Section 36 | |
Section 37 | |
Section 38 | |
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Characters of Shakespeare's Plays: & Lectures on the English Poets William Hazlitt No preview available - 2015 |
Common terms and phrases
admirable affections allthe andhis andthe andto Antony Apemantus atthe Banquo beauty Bolingbroke breath Brutus bythe Caesar Caliban Cassius character circumstances Claudio comedy Cordelia Coriolanus critic Cymbeline daughter death Desdemona dost doth dramatic eyes Falstaff feeling fool friends fromthe genius give Gonerill grace hast hath Hazlitt hear heart heaven hehas heis Henry hisown honour Hubert human Iago imagination inhis inthe inthis intothe isan isin isthe Itis Juliet king lady Lear likea look lord Macbeth Malvolio Michael Cassio MIDSUMMER'S NIGHT DREAM mind moral nature never night ofher ofhis ofit ofthe oftheir onthe Othello passages passion Perdita play pleasure poet poetry prince Regan revenge Richard Richard III Romeo scene Shakespeare sleep speak speech spirit sweet tenderness thathe thee themost Thereis things thou art thought TITUS ANDRONICUS tobe tohave tohis tothe tragedy truth whichhe William Hazlitt withthe youth