Characters of Shakespeare's Plays |
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... ne peut renaitre pour moi, ni s'effacer jamais dans ma memoire. When I gotthere the organ was playing the 100thPsalm, and when it wasdone Mr. Coleridge rose and gave out his text, 'And he went up into the mountain to pray,
... ne peut renaitre pour moi, ni s'effacer jamais dans ma memoire. When I gotthere the organ was playing the 100thPsalm, and when it wasdone Mr. Coleridge rose and gave out his text, 'And he went up into the mountain to pray,
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... into a'battered seraph', there was an estrangement.But Hazlitt never forgot hisobligation. My soulhas indeed remained in its original bondage, dark, obscure,with longings infiniteand unsatisfed;my heart, shut up inthe prisonhouse ofthis ...
... into a'battered seraph', there was an estrangement.But Hazlitt never forgot hisobligation. My soulhas indeed remained in its original bondage, dark, obscure,with longings infiniteand unsatisfed;my heart, shut up inthe prisonhouse ofthis ...
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... into practice what he did not trouble to theorize. But when it comes to setting out the theory, grasping theworthof the principle, statingit and fighting for it, I think Hazlittmayfairly claimfirst share in the credit. He didnot, whenhe ...
... into practice what he did not trouble to theorize. But when it comes to setting out the theory, grasping theworthof the principle, statingit and fighting for it, I think Hazlittmayfairly claimfirst share in the credit. He didnot, whenhe ...
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... into thekingdom of nature,—on the otherhand,he carriesnatureinto theregions of fancy, lying beyond theconfines of reality.We arelost in astonishment atseeingthe extraordinary, the wonderful, and the unheardof,in such intimate nearness ...
... into thekingdom of nature,—on the otherhand,he carriesnatureinto theregions of fancy, lying beyond theconfines of reality.We arelost in astonishment atseeingthe extraordinary, the wonderful, and the unheardof,in such intimate nearness ...
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... into laughter, it may sometimes also givevent to itself in antithetical comparisons. 'Besides,the rightsof the poeticalform have not been duly weighed. Shakespeare, who was always sureof his object, tomove ina sufficiently powerful ...
... into laughter, it may sometimes also givevent to itself in antithetical comparisons. 'Besides,the rightsof the poeticalform have not been duly weighed. Shakespeare, who was always sureof his object, tomove ina sufficiently powerful ...
Contents
Section 20 | |
Section 21 | |
Section 22 | |
Section 23 | |
Section 24 | |
Section 25 | |
Section 26 | |
Section 27 | |
Section 9 | |
Section 10 | |
Section 11 | |
Section 12 | |
Section 13 | |
Section 14 | |
Section 15 | |
Section 16 | |
Section 17 | |
Section 18 | |
Section 19 | |
Section 28 | |
Section 29 | |
Section 30 | |
Section 31 | |
Section 32 | |
Section 33 | |
Section 34 | |
Section 35 | |
Section 36 | |
Section 37 | |
Section 38 | |
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Characters of Shakespeare's Plays: & Lectures on the English Poets William Hazlitt No preview available - 2015 |
Common terms and phrases
admirable affections allthe andhis andthe andto Antony Apemantus atthe Banquo beauty Bolingbroke breath Brutus bythe Caesar Caliban Cassius character circumstances Claudio comedy Cordelia Coriolanus critic Cymbeline daughter death Desdemona dost doth dramatic eyes Falstaff feeling fool friends fromthe genius give Gonerill grace hast hath Hazlitt hear heart heaven hehas heis Henry hisown honour Hubert human Iago imagination inhis inthe inthis intothe isan isin isthe Itis Juliet king lady Lear likea look lord Macbeth Malvolio Michael Cassio MIDSUMMER'S NIGHT DREAM mind moral nature never night ofher ofhis ofit ofthe oftheir onthe Othello passages passion Perdita play pleasure poet poetry prince Regan revenge Richard Richard III Romeo scene Shakespeare sleep speak speech spirit sweet tenderness thathe thee themost Thereis things thou art thought TITUS ANDRONICUS tobe tohave tohis tothe tragedy truth whichhe William Hazlitt withthe youth