Characters of Shakespeare's Plays |
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... is familiar tousby thistime as thegage flungto didactic criticism by the 'impressionist', and in ourday, in the generation just closed or closing, with a Walter Pater or a Jules Lemaitre forchallenger, the betting has run on the ...
... is familiar tousby thistime as thegage flungto didactic criticism by the 'impressionist', and in ourday, in the generation just closed or closing, with a Walter Pater or a Jules Lemaitre forchallenger, the betting has run on the ...
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... the other man's of the sixteenth century, than Milton's in comparison with any one's of the seventeenth. Some few men are absolute and can only be judged absolutely. (3) For thethird merit—ifthe ... is observed by Mr. Pope, that 'If ever.
... the other man's of the sixteenth century, than Milton's in comparison with any one's of the seventeenth. Some few men are absolute and can only be judged absolutely. (3) For thethird merit—ifthe ... is observed by Mr. Pope, that 'If ever.
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... is the very structureof his style.Johnson wrote a kindof rhyming prose, in whichhe wasasmuch compelled to finish the differentclauses of his sentences, andto balance one period ... the periodical revolution in his style carries the weight.
... is the very structureof his style.Johnson wrote a kindof rhyming prose, in whichhe wasasmuch compelled to finish the differentclauses of his sentences, andto balance one period ... the periodical revolution in his style carries the weight.
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... the last act is crowded with decisive events brought about by natural and striking means. The pathos in CYMBELINE is not violent ortragical, but of the mostpleasing and amiable kind.A certaintender gloom o'erspreads the whole. Posthumus is ...
... the last act is crowded with decisive events brought about by natural and striking means. The pathos in CYMBELINE is not violent ortragical, but of the mostpleasing and amiable kind.A certaintender gloom o'erspreads the whole. Posthumus is ...
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... the depth of herlove, her truthand constancy. Our admiration of her beautyis excited withas little consciousness as possible on her part. There are two delicious descriptions given of her, onewhen she is ... The flow'r that's likethyface, ...
... the depth of herlove, her truthand constancy. Our admiration of her beautyis excited withas little consciousness as possible on her part. There are two delicious descriptions given of her, onewhen she is ... The flow'r that's likethyface, ...
Contents
Section 20 | |
Section 21 | |
Section 22 | |
Section 23 | |
Section 24 | |
Section 25 | |
Section 26 | |
Section 27 | |
Section 9 | |
Section 10 | |
Section 11 | |
Section 12 | |
Section 13 | |
Section 14 | |
Section 15 | |
Section 16 | |
Section 17 | |
Section 18 | |
Section 19 | |
Section 28 | |
Section 29 | |
Section 30 | |
Section 31 | |
Section 32 | |
Section 33 | |
Section 34 | |
Section 35 | |
Section 36 | |
Section 37 | |
Section 38 | |
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Characters of Shakespeare's Plays: & Lectures on the English Poets William Hazlitt No preview available - 2015 |
Common terms and phrases
admirable affections allthe andhis andthe andto Antony Apemantus atthe Banquo beauty Bolingbroke breath Brutus bythe Caesar Caliban Cassius character circumstances Claudio comedy Cordelia Coriolanus critic Cymbeline daughter death Desdemona dost doth dramatic eyes Falstaff feeling fool friends fromthe genius give Gonerill grace hast hath Hazlitt hear heart heaven hehas heis Henry hisown honour Hubert human Iago imagination inhis inthe inthis intothe isan isin isthe Itis Juliet king lady Lear likea look lord Macbeth Malvolio Michael Cassio MIDSUMMER'S NIGHT DREAM mind moral nature never night ofher ofhis ofit ofthe oftheir onthe Othello passages passion Perdita play pleasure poet poetry prince Regan revenge Richard Richard III Romeo scene Shakespeare sleep speak speech spirit sweet tenderness thathe thee themost Thereis things thou art thought TITUS ANDRONICUS tobe tohave tohis tothe tragedy truth whichhe William Hazlitt withthe youth