Characters of Shakespeare's Plays |
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... lady wearing past her first youth but yet addicted to keeping a numberof beaux to her string. Hazlitt, attracted to her from the first,—he made a gloomy lover andhis subsequentperformances inthat part wereunedifying—for some years ...
... lady wearing past her first youth but yet addicted to keeping a numberof beaux to her string. Hazlitt, attracted to her from the first,—he made a gloomy lover andhis subsequentperformances inthat part wereunedifying—for some years ...
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... lady! Imogen. Ifalse? thy conscience witness, Iachimo, Thou didst accuse him of incontinency, Thou then look'dst like a villain: now methinks, Thy favour's good enough. Some jay of Italy, Whosemother was her painting, hath betrayed him ...
... lady! Imogen. Ifalse? thy conscience witness, Iachimo, Thou didst accuse him of incontinency, Thou then look'dst like a villain: now methinks, Thy favour's good enough. Some jay of Italy, Whosemother was her painting, hath betrayed him ...
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... ladies. Pisanio. Goodmadam, hear me— Imogen.Talk thy tongue weary, speak: I have heard I am a strumpet, and mine ear, Therein false struck, can take no greater wound,Nor tentto bottomthat.— When Pisanio, who had been charged to kill his ...
... ladies. Pisanio. Goodmadam, hear me— Imogen.Talk thy tongue weary, speak: I have heard I am a strumpet, and mine ear, Therein false struck, can take no greater wound,Nor tentto bottomthat.— When Pisanio, who had been charged to kill his ...
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... Lady Macbeth, whose obdurate strength of will andmasculine firmnessgive her the ascendancy overher husband's faltering virtue. Sheat once seizes on the opportunitythat offers forthe accomplishment of all their wishedfor greatness ...
... Lady Macbeth, whose obdurate strength of will andmasculine firmnessgive her the ascendancy overher husband's faltering virtue. Sheat once seizes on the opportunitythat offers forthe accomplishment of all their wishedfor greatness ...
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... Lady Macbeth does by the force of passion! Herfaultseems to have been an excessof that strong principleof selfinterest andfamily aggrandizement, not amenable tothe common feelings ofcompassion and justice, which is somarked a feature in ...
... Lady Macbeth does by the force of passion! Herfaultseems to have been an excessof that strong principleof selfinterest andfamily aggrandizement, not amenable tothe common feelings ofcompassion and justice, which is somarked a feature in ...
Contents
Section 20 | |
Section 21 | |
Section 22 | |
Section 23 | |
Section 24 | |
Section 25 | |
Section 26 | |
Section 27 | |
Section 9 | |
Section 10 | |
Section 11 | |
Section 12 | |
Section 13 | |
Section 14 | |
Section 15 | |
Section 16 | |
Section 17 | |
Section 18 | |
Section 19 | |
Section 28 | |
Section 29 | |
Section 30 | |
Section 31 | |
Section 32 | |
Section 33 | |
Section 34 | |
Section 35 | |
Section 36 | |
Section 37 | |
Section 38 | |
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Characters of Shakespeare's Plays: & Lectures on the English Poets William Hazlitt No preview available - 2015 |
Common terms and phrases
admirable affections allthe andhis andthe andto Antony Apemantus atthe Banquo beauty Bolingbroke breath Brutus bythe Caesar Caliban Cassius character circumstances Claudio comedy Cordelia Coriolanus critic Cymbeline daughter death Desdemona dost doth dramatic eyes Falstaff feeling fool friends fromthe genius give Gonerill grace hast hath Hazlitt hear heart heaven hehas heis Henry hisown honour Hubert human Iago imagination inhis inthe inthis intothe isan isin isthe Itis Juliet king lady Lear likea look lord Macbeth Malvolio Michael Cassio MIDSUMMER'S NIGHT DREAM mind moral nature never night ofher ofhis ofit ofthe oftheir onthe Othello passages passion Perdita play pleasure poet poetry prince Regan revenge Richard Richard III Romeo scene Shakespeare sleep speak speech spirit sweet tenderness thathe thee themost Thereis things thou art thought TITUS ANDRONICUS tobe tohave tohis tothe tragedy truth whichhe William Hazlitt withthe youth