Characters of Shakespeare's Plays |
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... moral odiousness, harrows upthe mind unmercifully,and tortures even our senses by the exhibition of the most insupportable and hateful spectacles, isoneof much greaterimportance. He has never, infact, varnished over wild and ...
... moral odiousness, harrows upthe mind unmercifully,and tortures even our senses by the exhibition of the most insupportable and hateful spectacles, isoneof much greaterimportance. He has never, infact, varnished over wild and ...
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... morality is introducedin the same simple, unobtrusive manner. Imogen will not let her companions stay away from thechaseto attend herwhen sick, and gives her reasonforit: Stick toyourjournal course; THE BREACH OF CUSTOM ISBREACHOF ALL ...
... morality is introducedin the same simple, unobtrusive manner. Imogen will not let her companions stay away from thechaseto attend herwhen sick, and gives her reasonforit: Stick toyourjournal course; THE BREACH OF CUSTOM ISBREACHOF ALL ...
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... moral argument' which the author has maintained in the intervals of passion or blended with the more powerful impulses of nature, is hardly surpassed in anyof his plays. But thereis in general awantof passion; the affections are at a ...
... moral argument' which the author has maintained in the intervals of passion or blended with the more powerful impulses of nature, is hardly surpassed in anyof his plays. But thereis in general awantof passion; the affections are at a ...
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... morality (commonly so called) is made up of antipathies; and histalent consisted in sympathy with human nature,in allitsshapes, degrees, depressions, and elevations. The object of the pedantic moralist is to findout the bad in ...
... morality (commonly so called) is made up of antipathies; and histalent consisted in sympathy with human nature,in allitsshapes, degrees, depressions, and elevations. The object of the pedantic moralist is to findout the bad in ...
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Contents
Section 20 | |
Section 21 | |
Section 22 | |
Section 23 | |
Section 24 | |
Section 25 | |
Section 26 | |
Section 27 | |
Section 9 | |
Section 10 | |
Section 11 | |
Section 12 | |
Section 13 | |
Section 14 | |
Section 15 | |
Section 16 | |
Section 17 | |
Section 18 | |
Section 19 | |
Section 28 | |
Section 29 | |
Section 30 | |
Section 31 | |
Section 32 | |
Section 33 | |
Section 34 | |
Section 35 | |
Section 36 | |
Section 37 | |
Section 38 | |
Other editions - View all
Characters of Shakespeare's Plays: & Lectures on the English Poets William Hazlitt No preview available - 2015 |
Common terms and phrases
admirable affections allthe andhis andthe andto Antony Apemantus atthe Banquo beauty Bolingbroke breath Brutus bythe Caesar Caliban Cassius character circumstances Claudio comedy Cordelia Coriolanus critic Cymbeline daughter death Desdemona dost doth dramatic eyes Falstaff feeling fool friends fromthe genius give Gonerill grace hast hath Hazlitt hear heart heaven hehas heis Henry hisown honour Hubert human Iago imagination inhis inthe inthis intothe isan isin isthe Itis Juliet king lady Lear likea look lord Macbeth Malvolio Michael Cassio MIDSUMMER'S NIGHT DREAM mind moral nature never night ofher ofhis ofit ofthe oftheir onthe Othello passages passion Perdita play pleasure poet poetry prince Regan revenge Richard Richard III Romeo scene Shakespeare sleep speak speech spirit sweet tenderness thathe thee themost Thereis things thou art thought TITUS ANDRONICUS tobe tohave tohis tothe tragedy truth whichhe William Hazlitt withthe youth