Characters of Shakespeare's Plays |
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... Poets)thatwillfascinate so long as English prose isread. 'Somehow thatperiod [the timejust after theFrench Revolution] was not a time when NOTHING WAS GIVEN FOR NOTHING. The mind opened, and a softness might be perceived coming over the ...
... Poets)thatwillfascinate so long as English prose isread. 'Somehow thatperiod [the timejust after theFrench Revolution] was not a time when NOTHING WAS GIVEN FOR NOTHING. The mind opened, and a softness might be perceived coming over the ...
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... poetry should feelso likewise.... He seems pretty generally, indeed, inastateof happy intoxication—and hasborrowed from hisgreat original, not indeedthe forceorbrilliancy of his fancy,but something of itsplayfulness, and alarge share of ...
... poetry should feelso likewise.... He seems pretty generally, indeed, inastateof happy intoxication—and hasborrowed from hisgreat original, not indeedthe forceorbrilliancy of his fancy,but something of itsplayfulness, and alarge share of ...
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... poetry of Shakespeare wasinspiration: indeed, heisnot somuch animitator, asan instrument of nature; anditisnot so ... poets havea constant resemblance, which showsthat they received themfrom one another, and were butmultipliers of the ...
... poetry of Shakespeare wasinspiration: indeed, heisnot somuch animitator, asan instrument of nature; anditisnot so ... poets havea constant resemblance, which showsthat they received themfrom one another, and were butmultipliers of the ...
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... poet), began aworkof a similarkind about fortyyears ago,buthe only livedtofinish aparallel between thecharacters of Macbeth andRichard III which isan exceedingly ingenious piece ofanalytical criticism. Richardson's Essays include but a ...
... poet), began aworkof a similarkind about fortyyears ago,buthe only livedtofinish aparallel between thecharacters of Macbeth andRichard III which isan exceedingly ingenious piece ofanalytical criticism. Richardson's Essays include but a ...
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... poets, who, in thelanguage ofLessing, are thorough masters of the legal style of love. He paints, in a most inimitable manner,the gradual progress fromthefirst origin. "He gives",asLessing says,"a living pictureofall the most minute ...
... poets, who, in thelanguage ofLessing, are thorough masters of the legal style of love. He paints, in a most inimitable manner,the gradual progress fromthefirst origin. "He gives",asLessing says,"a living pictureofall the most minute ...
Contents
Section 20 | |
Section 21 | |
Section 22 | |
Section 23 | |
Section 24 | |
Section 25 | |
Section 26 | |
Section 27 | |
Section 9 | |
Section 10 | |
Section 11 | |
Section 12 | |
Section 13 | |
Section 14 | |
Section 15 | |
Section 16 | |
Section 17 | |
Section 18 | |
Section 19 | |
Section 28 | |
Section 29 | |
Section 30 | |
Section 31 | |
Section 32 | |
Section 33 | |
Section 34 | |
Section 35 | |
Section 36 | |
Section 37 | |
Section 38 | |
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Characters of Shakespeare's Plays: & Lectures on the English Poets William Hazlitt No preview available - 2015 |
Common terms and phrases
admirable affections allthe andhis andthe andto Antony Apemantus atthe Banquo beauty Bolingbroke breath Brutus bythe Caesar Caliban Cassius character circumstances Claudio comedy Cordelia Coriolanus critic Cymbeline daughter death Desdemona dost doth dramatic eyes Falstaff feeling fool friends fromthe genius give Gonerill grace hast hath Hazlitt hear heart heaven hehas heis Henry hisown honour Hubert human Iago imagination inhis inthe inthis intothe isan isin isthe Itis Juliet king lady Lear likea look lord Macbeth Malvolio Michael Cassio MIDSUMMER'S NIGHT DREAM mind moral nature never night ofher ofhis ofit ofthe oftheir onthe Othello passages passion Perdita play pleasure poet poetry prince Regan revenge Richard Richard III Romeo scene Shakespeare sleep speak speech spirit sweet tenderness thathe thee themost Thereis things thou art thought TITUS ANDRONICUS tobe tohave tohis tothe tragedy truth whichhe William Hazlitt withthe youth