Characters of Shakespeare's Plays |
From inside the book
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... the most accurate manner, with only afewapparent violations of costume, the spirit of theancient Romans, ofthe French in their wars with the English, ofthe English themselves during a great partof their history, ofthe Southern Europeans ...
... the most accurate manner, with only afewapparent violations of costume, the spirit of theancient Romans, ofthe French in their wars with the English, ofthe English themselves during a great partof their history, ofthe Southern Europeans ...
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... the most insupportable and hateful spectacles, isoneof much greaterimportance. He has never, infact, varnished over wild and bloodthirsty passions witha pleasing exterior,—never clothed crimeand want of principle with a false show ...
... the most insupportable and hateful spectacles, isoneof much greaterimportance. He has never, infact, varnished over wild and bloodthirsty passions witha pleasing exterior,—never clothed crimeand want of principle with a false show ...
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... the most exquisite refinement or sublimity produced an effect onhis mind, onlyasthey could be translatedintothelanguage of measured prose. Tohim an excess of beauty wasa fault; foritappeared to himlike an excrescence; and his ...
... the most exquisite refinement or sublimity produced an effect onhis mind, onlyasthey could be translatedintothelanguage of measured prose. Tohim an excess of beauty wasa fault; foritappeared to himlike an excrescence; and his ...
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William Hazlitt. NIGHT'S DREAM has appeared in another work. April 15, 1817 CYMBELINE CYMBELINE is one of the most delightful of Shakespeare's.
William Hazlitt. NIGHT'S DREAM has appeared in another work. April 15, 1817 CYMBELINE CYMBELINE is one of the most delightful of Shakespeare's.
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... The most straggling and seemingly casual incidents are contrived in sucha manner as to lead atlast to the most complete development of the catastrophe. The easeand conscious unconcern with which this is effected only makestheskill more ...
... The most straggling and seemingly casual incidents are contrived in sucha manner as to lead atlast to the most complete development of the catastrophe. The easeand conscious unconcern with which this is effected only makestheskill more ...
Contents
Section 20 | |
Section 21 | |
Section 22 | |
Section 23 | |
Section 24 | |
Section 25 | |
Section 26 | |
Section 27 | |
Section 9 | |
Section 10 | |
Section 11 | |
Section 12 | |
Section 13 | |
Section 14 | |
Section 15 | |
Section 16 | |
Section 17 | |
Section 18 | |
Section 19 | |
Section 28 | |
Section 29 | |
Section 30 | |
Section 31 | |
Section 32 | |
Section 33 | |
Section 34 | |
Section 35 | |
Section 36 | |
Section 37 | |
Section 38 | |
Other editions - View all
Characters of Shakespeare's Plays: & Lectures on the English Poets William Hazlitt No preview available - 2015 |
Common terms and phrases
admirable affections allthe andhis andthe andto Antony Apemantus atthe Banquo beauty Bolingbroke breath Brutus bythe Caesar Caliban Cassius character circumstances Claudio comedy Cordelia Coriolanus critic Cymbeline daughter death Desdemona dost doth dramatic eyes Falstaff feeling fool friends fromthe genius give Gonerill grace hast hath Hazlitt hear heart heaven hehas heis Henry hisown honour Hubert human Iago imagination inhis inthe inthis intothe isan isin isthe Itis Juliet king lady Lear likea look lord Macbeth Malvolio Michael Cassio MIDSUMMER'S NIGHT DREAM mind moral nature never night ofher ofhis ofit ofthe oftheir onthe Othello passages passion Perdita play pleasure poet poetry prince Regan revenge Richard Richard III Romeo scene Shakespeare sleep speak speech spirit sweet tenderness thathe thee themost Thereis things thou art thought TITUS ANDRONICUS tobe tohave tohis tothe tragedy truth whichhe William Hazlitt withthe youth