Characters of Shakespeare's Plays |
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... truth,thatthefirst qualification ofa critic—at anyrate of a criticofpoetry—is, as Jeffrey puts the antithesis, to FEEL rather thanto KNOW; while to be delicately sensitive and sympathetic counts more than to be wellinformed ...
... truth,thatthefirst qualification ofa critic—at anyrate of a criticofpoetry—is, as Jeffrey puts the antithesis, to FEEL rather thanto KNOW; while to be delicately sensitive and sympathetic counts more than to be wellinformed ...
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... truth; not only does he transport himself to distant ages and foreign nations, and pourtray in the most accurate manner, with only afewapparent violations of costume, the spirit of theancient Romans, ofthe French in their wars with the ...
... truth; not only does he transport himself to distant ages and foreign nations, and pourtray in the most accurate manner, with only afewapparent violations of costume, the spirit of theancient Romans, ofthe French in their wars with the ...
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... truth,thatthe physician may enrich his observations fromthem in the same manneras from realcases. 'And yetJohnson has objected to Shakespeare,that his pathos isnot alwaysnatural andfree from affectation. There are, it istrue, passages ...
... truth,thatthe physician may enrich his observations fromthem in the same manneras from realcases. 'And yetJohnson has objected to Shakespeare,that his pathos isnot alwaysnatural andfree from affectation. There are, it istrue, passages ...
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... truth and vividness.—Shakespeare excelled in the openings of hisplays: that of Macbeth isthe most strikingof any. The wildness of the scenery, the sudden shiftingof the situations and characters, the bustle,the expectations excited ...
... truth and vividness.—Shakespeare excelled in the openings of hisplays: that of Macbeth isthe most strikingof any. The wildness of the scenery, the sudden shiftingof the situations and characters, the bustle,the expectations excited ...
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... truth and identity which is observed in the midst of the giddy whirl andrapid careerof events. Macbeth in Shakespearenomore loses his identityof character in the fluctuations of fortune orthe storm of passion, thanMacbeth in himself ...
... truth and identity which is observed in the midst of the giddy whirl andrapid careerof events. Macbeth in Shakespearenomore loses his identityof character in the fluctuations of fortune orthe storm of passion, thanMacbeth in himself ...
Contents
Section 20 | |
Section 21 | |
Section 22 | |
Section 23 | |
Section 24 | |
Section 25 | |
Section 26 | |
Section 27 | |
Section 9 | |
Section 10 | |
Section 11 | |
Section 12 | |
Section 13 | |
Section 14 | |
Section 15 | |
Section 16 | |
Section 17 | |
Section 18 | |
Section 19 | |
Section 28 | |
Section 29 | |
Section 30 | |
Section 31 | |
Section 32 | |
Section 33 | |
Section 34 | |
Section 35 | |
Section 36 | |
Section 37 | |
Section 38 | |
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Characters of Shakespeare's Plays: & Lectures on the English Poets William Hazlitt No preview available - 2015 |
Common terms and phrases
admirable affections allthe andhis andthe andto Antony Apemantus atthe Banquo beauty Bolingbroke breath Brutus bythe Caesar Caliban Cassius character circumstances Claudio comedy Cordelia Coriolanus critic Cymbeline daughter death Desdemona dost doth dramatic eyes Falstaff feeling fool friends fromthe genius give Gonerill grace hast hath Hazlitt hear heart heaven hehas heis Henry hisown honour Hubert human Iago imagination inhis inthe inthis intothe isan isin isthe Itis Juliet king lady Lear likea look lord Macbeth Malvolio Michael Cassio MIDSUMMER'S NIGHT DREAM mind moral nature never night ofher ofhis ofit ofthe oftheir onthe Othello passages passion Perdita play pleasure poet poetry prince Regan revenge Richard Richard III Romeo scene Shakespeare sleep speak speech spirit sweet tenderness thathe thee themost Thereis things thou art thought TITUS ANDRONICUS tobe tohave tohis tothe tragedy truth whichhe William Hazlitt withthe youth