Characters of Shakespeare's Plays |
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William Hazlitt. text, 'And he went up into the mountain to pray, HIMSELF, ALONE.' As he gave out this text, his voice 'rose like a stream of distilled perfumes', and when he came to the two last words, whichhe pronounced loud, deep ...
William Hazlitt. text, 'And he went up into the mountain to pray, HIMSELF, ALONE.' As he gave out this text, his voice 'rose like a stream of distilled perfumes', and when he came to the two last words, whichhe pronounced loud, deep ...
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... He returned to England in 1803, with formed tastes and predilections, very few of which he afterwardsmodified,muchless forsook. We next find him making a tourasa portraitpainter through thenorth ofEngland, where(aswastobe expected) he ...
... He returned to England in 1803, with formed tastes and predilections, very few of which he afterwardsmodified,muchless forsook. We next find him making a tourasa portraitpainter through thenorth ofEngland, where(aswastobe expected) he ...
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... which he chose for hisView of the English Stage in1818;the Characters beinganything but 'critical' in thesensethere connoted. Jeffrey notedthisinthe forefront of a sympathetic article inthe Edinburgh. It is, intruth, rather an encomium ...
... which he chose for hisView of the English Stage in1818;the Characters beinganything but 'critical' in thesensethere connoted. Jeffrey notedthisinthe forefront of a sympathetic article inthe Edinburgh. It is, intruth, rather an encomium ...
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... he speaksfrom her, as that she speaks through him. His CHARACTERS are somuch nature herself, that it is a sort of injury to call them byso distant a name ascopiesof her. Thoseof other poets havea constant resemblance, which showsthat ...
... he speaksfrom her, as that she speaks through him. His CHARACTERS are somuch nature herself, that it is a sort of injury to call them byso distant a name ascopiesof her. Thoseof other poets havea constant resemblance, which showsthat ...
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... He has never, infact, varnished over wild and bloodthirsty passions witha pleasing exterior,—never clothed crimeand want of principle with a false show ofgreatnessofsoul; and in that respect he is every waydeserving of praise. Twice he ...
... He has never, infact, varnished over wild and bloodthirsty passions witha pleasing exterior,—never clothed crimeand want of principle with a false show ofgreatnessofsoul; and in that respect he is every waydeserving of praise. Twice he ...
Contents
Section 20 | |
Section 21 | |
Section 22 | |
Section 23 | |
Section 24 | |
Section 25 | |
Section 26 | |
Section 27 | |
Section 9 | |
Section 10 | |
Section 11 | |
Section 12 | |
Section 13 | |
Section 14 | |
Section 15 | |
Section 16 | |
Section 17 | |
Section 18 | |
Section 19 | |
Section 28 | |
Section 29 | |
Section 30 | |
Section 31 | |
Section 32 | |
Section 33 | |
Section 34 | |
Section 35 | |
Section 36 | |
Section 37 | |
Section 38 | |
Other editions - View all
Characters of Shakespeare's Plays: & Lectures on the English Poets William Hazlitt No preview available - 2015 |
Common terms and phrases
admirable affections allthe andhis andthe andto Antony Apemantus atthe Banquo beauty Bolingbroke breath Brutus bythe Caesar Caliban Cassius character circumstances Claudio comedy Cordelia Coriolanus critic Cymbeline daughter death Desdemona dost doth dramatic eyes Falstaff feeling fool friends fromthe genius give Gonerill grace hast hath Hazlitt hear heart heaven hehas heis Henry hisown honour Hubert human Iago imagination inhis inthe inthis intothe isan isin isthe Itis Juliet king lady Lear likea look lord Macbeth Malvolio Michael Cassio MIDSUMMER'S NIGHT DREAM mind moral nature never night ofher ofhis ofit ofthe oftheir onthe Othello passages passion Perdita play pleasure poet poetry prince Regan revenge Richard Richard III Romeo scene Shakespeare sleep speak speech spirit sweet tenderness thathe thee themost Thereis things thou art thought TITUS ANDRONICUS tobe tohave tohis tothe tragedy truth whichhe William Hazlitt withthe youth