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men will always be tempted to deviate from their duty, and will, therefore, always want a monitor to recall them; and a new book often seizes the attention of the public, without any other claim than that it is new. There is likewise in composition, as in other things, a perpetual vicissitude of fashion; and truth is recommended at one time to regard, by appearances which at another would expose it to neglect; the author, therefore, who has judgment to discern the taste of his contemporaries, and skill to gratify it, will have always an opportunity to deserve well of mankind, by conveying instruction to them in a grateful vehicle.

There are likewise many modes of composition, by which a moralist may deserve the name of an original writer: he may familiarize his system by dialogues after the manner of the ancients, or subtilize it into a series of syllogistic arguments: he may enforce his doctrine by seriousness and solemnity, or enliven it by sprightliness and gaiety; he may deliver his sentiments in naked precepts, or illustrate them by historical examples; he may detain the studious by the artful concatenation of a continued discourse, or relieve the busy by short strictures, and unconnected essays.

To excel in any of these forms of writing, will require a particular cultivation of the genius; whoever can attain to excellence, will be certain to engage a set of readers, whom no other method would have equally allured; and he that communicates truth with success, must be numbered among the first benefactors to mankind.

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The same observation may be extended likewise to the passions: their influence is uniform, and their effects nearly the same in every human breast: a man loves and hates, desires and avoids, exactly like his neighbour; resentment and ambition, avarice and indolence, discover themselves by the same symptoms, in minds distant a thousand years from one another.

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Nothing, therefore, can be more unjust, than to charge an author with plagiarism, merely because he assigns to every cause its natural effect; and makes his personages act, as others in like circumstances have always done. There are conceptions in which all men will agree, though each derives them from his own observation: whoever has been in love, will represent a lover impatient of every idea that interrupts his meditations on his mistress, retiring to shades and solitude, that he may muse without disturbance on his approaching happiness, or associating himself with some friend that flatters his passion, and talking away the hours of absence upon his darling subject. Whoever has been so unhappy as to have felt the miseries of long-continued hatred, will, without any assistance from ancient volumes, be able to relate how the passions are kept in perpetual agitation, by the recollection of injury and meditations of revenge; how the blood boils at the name of the enemy, and life is worn away in contrivances of mischief.

Every other passion is alike simple and limited, if it be considered only with regard to the breast which it inhabits; the anatomy of the mind, as that of

the body, must perpetually exhibit the same appearances; and though by the continued industry of successive inquirers, new movements will be from time to time discovered, they can affect only the minuter parts, and are commonly of more curiosity than importance.

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It will now be natural to inquire, by what arts are the writers of the present and future ages to attract the notice and favour of mankind. They are to observe the alterations which time is always making in the modes of life, that they may gratify every generation with a picture of themselves. Thus love is uniform, but courtship is perpetually varying the different arts of gallantry, which beauty has inspired, would of themselves be sufficient to fill a volume; sometimes balls and serenades, sometimes tournaments and adventures, have been employed to melt the hearts of ladies, who in another century have been sensible of scarce any other merit than that of riches, and listened only to jointures and pin-money. Thus the ambitious man has at all times been eager of wealth and power; but these hopes have been gratified in some countries by supplicating the people, and in others by flattering the prince: honour in some states has been only the reward of military achievements, in others it has been gained by noisy turbulence and popular clamours. Avarice has worn a different form, as she actuated the usurer of Rome, and the stockjobber of England; and idleness itself, how little soever inclined to the trouble of invention, has been forced from time to time to change its amuse

ments, and contrive different methods of wearing out the day.

Here then is the fund, from which those who study mankind may fill their compositions with an inexhaustible variety of images and allusions: and he must be confessed to look with little attention upon scenes thus perpetually changing, who cannot catch some of the figures before they are made vulgar by reiterated descriptions.

It has been discovered by Sir Isaac Newton, that the distinct and primogenial colours are only seven; but every eye can witness, that from various mixtures, in various proportions, infinite diversifications of tints may be produced. In like manner, the passions of the mind, which put the world in motion, and produce all the bustle and eagerness of the busy crowds that swarm upon the earth; the passions, from whence arise all the pleasures and pains that we see and hear of, if we analyze the mind of man, are very few; but those few agitated and combined, as external causes shall happen to operate, and modified by prevailing opinions and accidental caprices, make such frequent alterations on the surface of life, that the show, while we are busied in delineating it, vanishes from the view, and a new set of objects succeed, doomed to the same shortness of duration with the former: thus curiosity may always find employment, and the busy part of mankind will furnish the contemplative with the materials of speculation to the end of time.

The complaint, therefore, that all topics are pre-occupied, is nothing more than the murmur of

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ignorance or idleness, by which some discourage others and some themselves; the mutability of mankind will always furnish writers with new images, and the luxuriance of fancy may always embellish them with new decorations.

N° 99. TUESDAY, OCTOBER 16, 1753.

-Magnis tamen excidit ausis.—OVID.

But in the glorious enterprise he dy'd.—ADDISON.

IT has always been the practice of mankind, to judge! of actions by the event. The same attempts, conducted in the same manner, but terminated by different success, produce different judgments: they who attain their wishes, never want celebrators of their wisdom and their virtue; and they that miscarry, are quickly discovered to have been defective not only in mental but in moral qualities. The world will never be long without some good reason to hate the unhappy their real faults are immediately detected; and if those are not sufficient to sink them into infamy, an additional weight of calumny will be superadded; he that fails in his endeavours after wealth or power, will not long retain either honesty or courage.

This species of injustice has so long prevailed in universal practice, that it seems likewise to have in

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