Thinking About ExhibitionsAn anthology of writings on exhibition practice from artists, critics, curators and art historians plus artist-curators. It addresses the contradictions posed by museum and gallery sited exhibitions, as well as investigating the challenge of staging art presentations, displays or performances, in settings outside of traditional museum or gallery locales. |
Contents
INTRODUCTION | 1 |
PART I THE FUTURE OF HISTORY | 4 |
PART II STAGING SPECTATORS | 57 |
PART III GRAMMATIC ACTS | 113 |
PART IV CURATORS OR CATERERS | 158 |
PART V SPATIAL PLAY | 210 |
PART VI THE EXHIBITION CONDITION | 259 |
328 | |
335 | |
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Common terms and phrases
aesthetic Africa architecture art exhibitions art history art museum art objects art’s artists artwork artworld audience become Canadian catalogue Centre Centre Georges Pompidou Centre Pompidou century collection concept contemporary art context critical cultural curator curatorial d’art Daniel Buren dealers discourse display documenta essay example exhibition space exhibitionary complex expositions frame function gallery’s Harald Szeemann idea identity Indian Art individual installation institutions Jac Wall Judith Barry Latin American art Lawler London Louise Lawler material means memory metaphor Modern Art Musée museological Museum of Modern NAMES Project NAMES Project Quilt National Gallery native organized painting panels Paris Penza perspective Photograph courtesy picture political position postmodern present production question Quilt relations representation rhetoric role Sandy Nairne sculpture social specific synecdoche Szeemann Tenq traditional transformation Vietnam Veterans Memorial viewer visitors visual white cube women’s York