Politics and the NovelThe classic investigation of the role of revolutionary ideas in fiction. Mr. Howe establishes the role of the political novel and traces its growth into the twentieth century; he explains why American novels failed to integrate ideology; and he discusses political fiction after World War II. An intelligent, penetrating, lucid, graceful, persuasive, and altogether splendid book. --New Republic. With an Introduction by David Bromwich. |
Contents
Preface to the 1967 edition | ix |
The Idea of the Political Novel | 17 |
The Politics of Survival | 27 |
Copyright | |
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Common terms and phrases
19th century action Adams American anarchism anarchists Bazarov become believe Blithedale Blithedale Romance Bostonians characters claim Conrad conservatism critics culture Darkness at Noon Democracy desire Dostoevsky emotion experience Fabrizio feeling figure force Haldin Hawthorne Hawthorne's Henry James hero heroism Hollingsworth human Hyacinth ideal ideas ideology imagination impulse intellectual irony James kind Kirillov knows Koestler liberal literary litical live Lucien Leuwen Malraux means ment merely modern moral Mosca movement never Nezhdanov Nostromo novelist Oceania Old Bolshevik Orwell Orwell's party passion peasants perhaps political novel possible Princess Princess Casamassima problem radical Razumov realized relation remarkable revolution revolutionary Rubashov Rudin Russian Sanseverina seems seldom sense sexual Shatov Silone Silone's skepticism Slavophile social society Spina Stavrogin Stendhal Stepan Trofimovitch struggle suffering theme tion totalitarian Turgenev turn utopian Verena vision Western Eyes Winston Smith writer wrote Zenobia



