Art and Obscenity

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I.B.Tauris, Nov 22, 2006 - Art - 192 pages
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Explicit material is more widely available in the internet age than ever before, yet the concept of ‘obscenity’ remains as difficult to pin down as it is to approach without bias: notions of what is ‘obscene’ shift with societies’ shifting mores, and our responses to explicit or disturbing material can be highly subjective. In this intelligent and sensitive book, Kerstin Mey grapples with the work of twentieth-century artists practising at the edges of acceptability, from Hans Bellmer through to Nobuyoshi Araki, from Robert Mapplethorpe to Annie Sprinkle, and from Hermann Nitsch to Paul McCarthy. Mey refuses sweeping statements and ‘knee-jerk’ responses, arguing with dexterity that some works, regardless of their ‘high art’ context, remain deeply problematic, whilst others are both groundbreaking and liberating.
 

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Contents

List of Illustrations
Acknowledgements
Introduction
On the definition of the category of the obscene
2 Transgressive Rituals
3 Abjection and Disease
Aesthetic Simulations
The cadaver as fascinosum
7 Obscenity and the Documentary Tradition
8 Recycled Fantasies
9 Know Thyself?
10 Digital Counter Currents
11 Cyberobscene
Notes
Bibliography
Index

Radical liberation?

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About the author (2006)

Kerstin Mey is Lecturer in History and Theory of Art at Duncan of Jordanstone College of Art and Design, University of Dundee.

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