Synge and Edwardian Ireland

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OUP Oxford, 2012 - History - 257 pages
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The dramatic career of the Irish playwright J.M. Synge, from his first plays in 1902 to his premature death in 1909, almost exactly coincided with the years of Edward VII's reign. Those years have long been studied in a British context, but Synge and Edwardian Ireland is the first book to explore the cultural life of Edwardian Ireland as a distinctive period. By emphasizing several less familiar Irish contexts for Synge's work - including a new sociological awareness, the rise of a local celebrity culture, an international theatre context, the arts and crafts movement, Irish classical music, and comedic writing by Somerville and Ross - this collection shows how the Revival's preoccupation with folk culture intersected with the new networks of mass communication in the late imperial world. Although Synge is best known as a dramatist, this book concentrates on his prose and the ethnography of his photographs, the work in which his engagement with Edwardian Ireland can be most significantly seen. Often misunderstood as apolitical, Synge's writings and photography display a romantic resistance to modernity alongside their more accurate observations of contemporary conditions. It is through this ambivalent modernity that his work continued to haunt not just advocates like W.B. Yeats but even Synge's critics, including Padraig Pearse and James Joyce, all of whom were forced to come to imaginative terms with Synge through their own work. This book aims to change readers' sense of Synge's significance, and by doing so to illuminate in a quite new way the era of Edwardian Ireland during this period of rapid modernization.

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About the author (2012)

Brian Cliff is Lecturer in Irish Studies and English at Trinity College, Dublin where he is a director of the undergraduate degree programme in Irish Studies. He has published extensively on contemporary Irish literature and is the co-editor (with Eibhear Walshe) of Representing the Troubles: Texts and Images, 1970-2000 (Dublin: Four Courts Press, 2004).

Nicholas Grene is Professor of English Literature at Trinity College Dublin and a Member of the Royal Irish Academy. His books include The Politics of Irish Drama (Cambridge University Press, 1999), Shakespeare's Serial History Plays (Cambridge University Press, 2002) and Yeats's Poetic Codes (Oxford University Press, 2008). He has co-edited two volumes in the Irish Theatrical Diaspora series, Irish Theatre on Tour (Carysfort Press, 2005), with Chris Morash, and Interactions: Dublin Theatre Festival, 1957-2007 (Carysfort Press, 2008), with Patrick Lonergan.

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