Margaret Fuller, Critic: Writings from the New-York Tribune, 1844-1846Judith Mattson Bean, Joel Myerson Ardent feminist, leader of the transcendentalist movement, participant in the European revolutions of 1848-49, and an inspiration for Zenobia in Hawthorne's Blithedale Romance and the caricature Miranda in James Russell Lowell's Fable for Critics, Margaret Fuller was one of the most influential personalities of her day. |
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... nature of literature in the tradition of Germaine de Stäel, Fuller read contextually; her aesthetic and social comments were intertwined. Her preference for dialogic, intertextual discourse creates a need on the part of the modern ...
... natural laws, an idea that appealed to those who held that the poor were a divinely ordained part of society. In response ... nature,” which assumed that nations possessed individual mental and moral characteristics emerging in national ...
... nature of work: manual work, mechanized work, and the intellectual work of authorship. All forms of intellectual work were challenged by Adam Smith's popular theories of productive (manual) labor and “unproductive” intellectual labor ...
... nature arises from the new location, audience, and media. In the Tribune she writes for multilayered New York and national audiences rather than a highly educated literati. Fuller, like Greeley, was persuaded that the newspaper could be ...
... Nature,” have there been sold by thousands in a short time, while one edition has needed seven years to get circulated here. Several of his Orations and Essays from “The Dial” have also been republished there, and met with a reverent ...
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Margaret Fuller, Critic: Writings from the New-York Tribune, 1844-1846 Margaret Fuller Limited preview - 2000 |