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The tumult, and am still. The sound of war
Has lost its terrors ere it reaches me;

Grieves, but alarms me not. I mourn the pride
And avarice, that make man a wolf to man;
Hear the faint echo of those brazen throats,
By which he speaks the language of his heart,
And sigh, but never tremble at the sound.
He travels and expatiates; as the bee
From flower to flower, so he from land to land;
The manners, customs, policy of all
Pay contribution to the store he gleans;
He sucks intelligence in every clime,
And spreads the honey of his deep research
At his return-a rich repast for me.
He travels, and I too. I tread his deck,
Ascend his topmast, through his peering eyes
Discover countries, with a kindred heart
Suffer his woes, and share in his escapes;
While fancy, like the finger of a clock,
Runs the great circuit, and is still at home.
COWPER.

THE SPRING.

THE Spring-she is a blessed thing!
She is the mother of the flowers;
She is the mate of birds and bees,
The partner of their revelries,

Our star of hope through wintry hours.

The many children, when they see
Her coming, by the budding thorn,
They leap upon the cottage floor,
They shout beside the cottage door,
And run to meet her night and morn.

They are soonest with her in the woods,
Peeping, the wither'd leaves among,

To find the earliest fragrant thing
That dares from the cold earth to spring,
Or catch the earliest wild-bird's song.

The little brooks run on in light,
As if they had a chase of mirth;
The skies are blue, the air is balm;
Our very hearts have caught the charm
That sheds a beauty over earth.

The aged man is in the field,

The maiden 'mong her garden flowers;
The sons of sorrow and distress
Are wand'ring in forgetfulness

Of wants that fret and care that lowers.

She comes with more than present good-
With joys to store for future years,
From which, in striving crowds apart,
The bow'd in spirit, bruised in heart,
May glean up hope with grateful tears.

Up-let us to the fields away,

And breathe the fresh and balmy air:
The bird is building in the tree,

The flower has open'd to the bee,

And health and love and peace are there.

MRS. HOWITT.

THE NIGHTINGALE.

No cloud, no relique of the sunken day
Distinguishes the west; no long thin slip
Of sullen light, no obscure trembling hues.
Come, we will rest on this old, mossy bridge!
You see the glimmer of the stream beneath,
But hear no murmuring: it flows silently
O'er its soft bed of verdure. All is still,
A balmy night! and though the stars be dim,

Yet let us think upon the vernal showers
That gladden the green earth, and we shall find
A pleasure in the dimness of the stars.
And hark! the Nightingale begins its song,
Most musical, most melancholy Bird!
A melancholy Bird? Oh! idle thought!
In nature there is nothing melancholy.

But some night-wandering man, whose heart was pierced

With the resemblance of a grievous wrong,
Or slow distemper, or neglected love,

(And so, poor wretch! fill'd all things with himself,

And made all gentle sounds tell back the tale
Of his own sorrow) he, and such as he,
First named these notes a melancholy strain:
And many a poet echoes the conceit;

Poet who hath been building up the rhyme
When he had better far have stretch'd his limbs
Beside a brook in mossy forest-dell,

By sun or moon-light, to the influxes
Of shapes and sounds and shifting elements
Surrendering his whole spirit, of his song
And of his fame forgetful! So his fame
Should share in Nature's immortality,
A venerable thing! and so his song
Should make all Nature lovelier, and itself
Be loved like Nature! But 'twill not be so;
And youths and maidens most poetical,
Who lose the deepening twilights of the spring
In ball-rooms and hot theatres, they still
Full of meek sympathy must heave their sighs
O'er Philomela's pity-pleading strains.

My Friend, and thou, our Sister! we have learnt
A different lore: we may not thus profane
Nature's sweet voices, always full of love
And joyance! "Tis the merry Nightingale
That crowds, and hurries, and precipitates
With fast thick warble his delicious notes,
As he were fearful that an April night

Would be too short for him to utter forth
His love-chant, and disburden his full soul
Of all its music!

And I know a grove
Of large extent, hard by a castle huge,
Which the great lord inhabits not; and so
This grove is wild with tangling underwood,
And the trim walks are broken up, and grass,
Thin grass and king-cups grow within the paths.
But never elsewhere in one place I knew
So many Nightingales; and far and near,
In wood and thicket, over the wide grove,
They answer and provoke each other's songs,
With skirmish and capricious passagings,
And murmurs musical and swift jug-jug;
And one, low piping, sounds more sweet than all,
Stirring the air with such an harmony,

That should you close your eyes, you might almost
Forget it was not day! On moonlight bushes,
Whose dewy leafits are but half disclosed,
You may perchance behold them on the twigs,
Their bright, bright eyes, their eyes both bright and
full,

Glistening, while many a glow-worm in the shade
Lights up her love-torch.

A most gentle Maid,
Who dwelleth in her hospitable home
Hard by the castle, and at latest eve
(Even like a lady vowed and dedicate

To something more than nature in the grove)
Glides thro' the pathways; she knows all their notes,
That gentle Maid! and oft a moment's space,
What time the Moon was lost behind a cloud,
Hath heard a pause of silence; till the Moon
Emerging, hath awakened earth and sky
With one sensation, and these wakeful birds
Have all burst forth in choral minstrelsy,
As if one quick and sudden gale had swept

An hundred airy harps! And she hath watch'd
Many a Nightingale perch'd giddily,

On blos'my twig still swinging from the breeze,
And to that motion tune his wanton song,
Like tipsy joy that reels with tossing head

Farewell, O Warbler! till to-morrow eve,
And you, my friends! farewell, a short farewell!
We have been loitering long and pleasantly,
And now for our dear homes.-That strain again?
Full fain it would delay me! My dear babe,
Who, capable of no articulate sound,
Mars all things with his imitative lisp,
How he would place his hand beside his ear
His little hand, the small fore-finger up,

And bid us listen! And I deem it wise

To make him Nature's playmate. He knows well
The evening-star; and once, when he awoke
In most distressful mood, (some inward pain
Had made up that strange thing, an infant's dream)
I hurried with him to our orchard-plot

And he beheld the Moon, and, hush'd at once,
Suspends his sobs, and laughs most silently,
While his fair eyes, that swam with undropt tears,
Did glitter in the yellow moonbeam! Well!—
It is a father's tale: but if that Heaven

Should give me life, his childhood shall grow up
Familiar with these songs, that with the night
He may associate joy! Once more, farewell,
Sweet Nightingale! Once more, my friends, farewell.
COLERIDGE.

AN ITALIAN SUNSET.

The Moon is up, and yet it is not night-
Sunset divides the sky with her a sea
Of glory streams along the Alpine height
Of blue Friuli's mountains; Heaven is free
From clouds, but of all colours seem to be

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