The Trombone

Front Cover
Yale University Press, Jan 1, 2006 - Music - 399 pages
This is the first comprehensive study of the trombone in English. It covers the instrument, its repertoire, the way it has been played, and the social, cultural, and aesthetic contexts within which it has developed. The book explores the origins of the instrument, its invention in the fifteenth century, and its story up to modern times, also revealing hidden aspects of the trombone in different eras and countries.
The book looks not only at the trombone within classical music but also at its place in jazz, popular music, popular religion, and light music. Trevor Herbert examines each century of the trombone's development and details the fundamental impact of jazz on the modern trombone. By the late twentieth century, he shows, jazz techniques had filtered into the performance idioms of almost all styles of music and transformed ideas about virtuosity and lyricism in trombone playing.
 

Contents

The instrument its parts and their development
9
Trombone technique
30
The origins of the trombone
45
Players and cultures in the later Renaissance
68
Performances and repertoires in the sixteenth and seventeenth centuries
83
Decline survival and rehabilitation the seventeenth and eighteenth centuries
109
Didacticism and the idea of virtuosity
127
The trombone in the modern orchestra
151
Jazz
261
Modernism postmodernism and retrospection
283
Surviving instruments from before 1800
309
Centres of trombone repertoire in the seventeenth and eighteenth centuries
318
Slide trombone methods an indicative list
325
Valve trombone methods an indicative list
329
Orchestral trombone sections c 1780c 1930
331
C G Conn endorsements from c 1928
335

Valve trombones and other nineteenthcentury introductions
182
Popular music
204
The Moravians and other popular religions
229
Orchestral trombone playing in the age of sound recordings
241
Notes
341
Bibliography
365
Index
385
Copyright

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About the author (2006)

Trevor Herbert is professor of music at the Open University. Formerly a professional trombone player, he is the author of The British Brass Band: A Musical and Cultural History and The Cambridge Companion to Brass Instruments.

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