Wes Anderson’s Symbolic Storyworld: A Semiotic Analysis

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Bloomsbury Publishing USA, Oct 18, 2018 - Performing Arts - 224 pages
Wes Anderson's Symbolic Storyworld presents a theoretical investigation of whatmakes the films of Wes Anderson distinctive. Chapter by chapter, it relentlessly pulls apart each of Anderson's narratives to pursue the proposition that they all share the same deep underlying symbolic values – a common symbolic storyworld. Taking the polemical strategy of outlining and employing Claude Lévi-Strauss's distinguished (and notorious) work on myth and kinship to analyze eight of Anderson's films, Warren Buckland unearths the peculiar symbolic structure of each film, plus the circuits of exchange, tangible and intangible gift giving, and unusual kinship systems that govern the lives of Anderson's characters. He also provides an analysis of Wes Anderson's visual and aural style, identifying several distinctive traits of Anderson's mise en scène.
 

Contents

List of Figures
Film Theory Film Analysis
Bottle Rocket
The Royal Tenenbaums
The Life Aquatic with Steve
The Darjeeling Limited and Hotel
Fantastic Mr
Moonrise Kingdom
The Grand
The Symbolic Storyworld of Wes Anderson
Works Cited
Index
Copyright

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About the author (2018)

Warren Buckland is Reader in Film Studies at Oxford Brookes University, UK. He is the author of Film Theory: Rational Reconstructions (2012), Directed by Steven Spielberg (2006), and The Cognitive Semiotics of Film (2000).

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