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Page 118
... hand , one can use the Proposition fruit- fully and creatively , finding out what to retain , what to reject , what needs rearranging , what needs amplification in the creator's mind . So employed , the Proposition can save one months ...
... hand , one can use the Proposition fruit- fully and creatively , finding out what to retain , what to reject , what needs rearranging , what needs amplification in the creator's mind . So employed , the Proposition can save one months ...
Page 178
... hand toward himself . But the best way for the man at the desk to do this is to wave his hand , not while he is saying " Come here ! " nor after he has 178 Playwriting HINTS FOR THE ONE-ACT PLAY.
... hand toward himself . But the best way for the man at the desk to do this is to wave his hand , not while he is saying " Come here ! " nor after he has 178 Playwriting HINTS FOR THE ONE-ACT PLAY.
Page 239
... hand - bag was found , a cloak - room at a railway station might serve to conceal a social indiscretion - has probably , indeed , been used for that purpose before now - but it could hardly be regarded as an assured basis for a ...
... hand - bag was found , a cloak - room at a railway station might serve to conceal a social indiscretion - has probably , indeed , been used for that purpose before now - but it could hardly be regarded as an assured basis for a ...
Contents
The Theater vs Life | 1 |
Sources for Ideas for Plays | 17 |
Plot 1 | 35 |
Copyright | |
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acter Aeschylus ALGERNON audience become beginning Behrman's bench Biography cause Cecily central character Chalk Garden char CHARLIE CHASUBLE Cherry Orchard Claudius comedy curtain Cyrano Cyrano de Bergerac deed Desdemona DESDEMONA OTHELLO dialogue drama dramatist Driscoll Earnest end of Act example fact farce father feel full-length play Ghost Gregers Gwendolen Hamlet Hedda Gabler Hialmar Hippolytus Hobart Ibsen important incident interest Jack JERRY kill kind King KURT Lady Bracknell Lael Lear living look Lovborg MARION marriage marry material matter Mercutio Miss Prism murder never NOLAN NORA novel one-act play Othello PETER Phaedra playwriting plot Polonius possible present Proposition and climax Purvis question relationship resulting action Romeo and Juliet Rosalind scene second character Shakespeare situation Smitty Sophocles speak speech stage story subplot succeed Symbolism talk tell Tesman theater theme Theseus thing tion tragedy tragic hero Tybalt wife woman write young