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Page 179
... once . Of course , the material of the play does not always make such pantomimic effects feasible.26 * In the one - acter there is not a moment to spare in making the persons of the drama familiar to the audience . Now , since it is ...
... once . Of course , the material of the play does not always make such pantomimic effects feasible.26 * In the one - acter there is not a moment to spare in making the persons of the drama familiar to the audience . Now , since it is ...
Page 275
... once . And even after the misfortune of the letter's delay , had Romeo had the wisdom to seek out Friar Laurence , his death and Juliet's might have been avoided . The hero of a tragedy can never be merely the victim of circumstance ...
... once . And even after the misfortune of the letter's delay , had Romeo had the wisdom to seek out Friar Laurence , his death and Juliet's might have been avoided . The hero of a tragedy can never be merely the victim of circumstance ...
Page 347
... once . Feydie . ” ( Hysterically grateful for the mercy of • Adaptation by Maurice Valency . having something to do at once , of being busy Of Many Things 347.
... once . Feydie . ” ( Hysterically grateful for the mercy of • Adaptation by Maurice Valency . having something to do at once , of being busy Of Many Things 347.
Contents
The Theater vs Life | 1 |
Sources for Ideas for Plays | 17 |
Plot 1 | 35 |
Copyright | |
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acter Aeschylus ALGERNON audience become beginning Behrman's bench Biography cause Cecily central character Chalk Garden char CHARLIE CHASUBLE Cherry Orchard Claudius comedy curtain Cyrano Cyrano de Bergerac deed Desdemona DESDEMONA OTHELLO dialogue drama dramatist Driscoll Earnest end of Act example fact farce father feel full-length play Ghost Gregers Gwendolen Hamlet Hedda Gabler Hialmar Hippolytus Hobart Ibsen important incident interest Jack JERRY kill kind King KURT Lady Bracknell Lael Lear living look Lovborg MARION marriage marry material matter Mercutio Miss Prism murder never NOLAN NORA novel one-act play Othello PETER Phaedra playwriting plot Polonius possible present Proposition and climax Purvis question relationship resulting action Romeo and Juliet Rosalind scene second character Shakespeare situation Smitty Sophocles speak speech stage story subplot succeed Symbolism talk tell Tesman theater theme Theseus thing tion tragedy tragic hero Tybalt wife woman write young