Shakespeare, Memory and Performance
Peter Holland, Director Shakespeare Institute and Professor of Shakespeare Studies Peter Holland
Cambridge University Press, Nov 2, 2006 - Literary Criticism - 357 pages
"Remember thee? Ay, thou poor ghost, while memory holds a seat." In this distracted globe. Hamlet's lines pun on the globe as both his skull and the Globe Theatre. But what does memory have to do with Shakespeare and performances past and present? This is the first collection of essays to provide a meeting between the flourishing fields of memory studies and Shakespeare performance studies. The chapters explore a wide range of topics, from the means by which editors of Shakespeare plays try to help their readers remember performance to the ways actors sometimes forget Shakespeare?s lines, from the evocative memories instilled in the archives of costumes to the photographing of props that act as memories of performances past. The fifteen contributors are leaders in the field of Shakespeare performance studies and their considerations of the possibilities of the subject open up a rich new vein in Shakespeare studies.
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Shakespeares memorial aesthetics
memorial repetition in Marlowe
27 Antony Sher Richard in Richard III 1984
37 The cover of the 1997 Arden edition of Othello
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actors Aeneas Aeneas’s Aeneid annotation Antony Sher archive Arden audience Ben Greet Bergner body Braunmuller Braunmuller’s Brooke Cambridge University Press camera cinema citation costume cultural death deﬁned deﬁnition Director drama early modern editing editors Elisabeth Bergner English event experience feel festival ﬁgure ﬁlm ﬁlm’s ﬁnal ﬁnally ﬁnd ﬁrst forgetting Gielgud Globe Greet grief Hamlet handkerchief Henry Iago identiﬁed inﬂuence John Judi Dench King Lear Lady Macbeth lines literary live London look Marlowe’s Memorial Theatre Michael Michael Almereyda Midsummer Night’s Dream Minack mourning museum Olivier Olivier’s Othello outdoor Oxford past performance Peter photograph play’s production reading reﬂects rehearsal remember Richard Richard II role Rosalind Routledge Royal Shakespeare Company scene screen script seems sense Shakespeare Memorial Shakespeare Memorial Theatre Shakespeare’s plays Sher signiﬁcant speciﬁc spectator speech stage story television theatre’s theatrical there’s things What’s Woodland Players words York