Elements of Public Speech |
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Page 59
... observer and made thousands of records as a result of his effort . His close observation enabled him to enjoy and appreciate things in nature which the average slipshod observer missed altogether . To be a good observer and make the ...
... observer and made thousands of records as a result of his effort . His close observation enabled him to enjoy and appreciate things in nature which the average slipshod observer missed altogether . To be a good observer and make the ...
Page 230
... observer's standpoint , stage fright is too much nervous force and too much muscular activity . It is a good thing to eliminate fear , but to com- pletely eliminate the surplus nervous energy which affects a speaker would be undesirable ...
... observer's standpoint , stage fright is too much nervous force and too much muscular activity . It is a good thing to eliminate fear , but to com- pletely eliminate the surplus nervous energy which affects a speaker would be undesirable ...
Page 268
... observer will notice that many people in talking do not move the lips to any appreci- able extent . Try saying the word " fly . " If it was done cor- rectly , the lower lip had to be placed against the edge of the upper teeth , letting ...
... observer will notice that many people in talking do not move the lips to any appreci- able extent . Try saying the word " fly . " If it was done cor- rectly , the lower lip had to be placed against the edge of the upper teeth , letting ...
Contents
INTRODUCTORY ཁ ཌ སྶ ཨཽ ཉ སྒྱུ 8 སྶ 124 | 3 |
METHODS OF SPEAKING | 11 |
THE SPEAKER | 22 |
Copyright | |
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action after-dinner speech appeal argument arouse attention audience begin body BRANDER MATTHEWS breath Bruce Barton central idea Chap chapter circumflex communicating meaning conclusion concrete definite demand Demosthenes desire E. H. HARRIMAN effective emotions EXERCISES experience expression Extempore Speaking eyes fact feel force gesture hand Henry Ward Beecher honor human humor illustrations impression individual inflection interest introduction Ivory Soap language Laughter listener lives logical manner matter ment mental imagery mind muscles nation nature never occasion orator outline pause personality phrase platform possible practice problem proposition Psychology public speaking question reading reason relaxed sense sentence Shurter speaker specific purpose speech material stage fright story student suggestion talk tell tend things thought tion tone Toussaint L'Ouverture vivid VOCABULARY DRILL voice Walter Dill Scott Wendell Phillips words