Making Beats: The Art of Sample-Based Hip-Hop

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Wesleyan University Press, Jul 26, 2004 - Music - 226 pages
Despite having created one of the most important musical cultures of the last fifty years, hip-hop composers who use digital sampling are rarely taken seriously as artists. But hip-hop deejays and producers have collectively developed an artistic system that features a complex aesthetic, a detailed array of social protocols, a rigorous set of ethical expectations and a rich historical consciousness.

Based on ten years of research among hip-hop producers, Making Beats is the first work of scholarship to explore the goals, methods and values of this surprisingly insular community. Focusing on a variety of subjects—from hip-hop artists’ pedagogical methods to the Afro-diasporic roots of the sampling process to the social significance of “digging” for rare records—Joseph G. Schloss examines the way hip-hop artists have managed to create a form of expression that reflects their creative aspirations, moral beliefs, political values and cultural realities.
 

Contents

01 Schloss 1100
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02 Schloss 101198
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03 Schloss 199226 BM
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