Mimesis and Alterity: A Particular History of the Senses

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Routledge, May 30, 2018 - Social Science - 246 pages

In this ambitious and accomplished work, Taussig explores the complex and interwoven concepts of mimesis, the practice of imitation, and alterity, the opposition of Self and Other. The book moves from the nineteenth-century invention of mimetically capacious machines, such as the camera, to the fable of colonial ‘first contact’ and the alleged mimetic power of ‘primitives’. Twenty years after the original publication, Taussig revisits the work in a new preface which contextualises the impact of Mimesis and Alterity. Drawing on the ideas of Benjamin, Adorno and Horckheimer and ethnographic accounts of the Cuna, Taussig demonstrates how the history of mimesis is deeply tied to colonialism and the idea of alterity has become increasingly unstable. Vigorous and unorthodox, this cross-cultural discussion continues to deepen our understanding of the relationship between ethnography, racism and society.

 

Contents

Preface
Acknowledgements
A Report to the Academy
In Some Way or Another One Can Protect Oneself From Evil Spirits by Portraying Them
Physiognomic Aspects of Visual Worlds
Spacing
The Magic of Mimesis
The Organization of Mimesis
Alterity
The Color of Alterity
The Search for the White Indian
The Magic of Western Gear
The Talking Machine
His Masters Voice
Reflection
Sympathetic Magic in a PostColonial

With the Wind of World History in Our Sails
Spirit of the Mime Spirit of the Gift
Mimetic Worlds Invisible Counterparts
The Origin of the World
Notes
Bibliography
Index
Copyright

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About the author (2018)

Michael Taussig is 1933 Professor of Anthropology at Columbia University, USA, and is affiliated with the European Graduate School in Switzerland.

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