Textile Traditions of Mesoamerica and the Andes: An Anthology

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Margot Blum Schevill, Janet Catherine Berlo, Edward B. Dwyer
University of Texas Press, Jul 5, 2010 - Art - 527 pages

In this volume, anthropologists, art historians, fiber artists, and technologists come together to explore the meanings, uses, and fabrication of textiles in Mexico, Guatemala, Ecuador, Peru, and Bolivia from Precolumbian times to the present. Originally published in 1991 by Garland Publishing, the book grew out of a 1987 symposium held in conjunction with the exhibit "Costume as Communication: Ethnographic Costumes and Textiles from Middle America and the Central Andes of South America" at the Haffenreffer Museum of Anthropology, Brown University.

 

Contents

The Communicative Power of Cloth and Its Creation
5
Mesoamerica
19
Spinning and Weaving as Female Gender Identity in PostClassic Mexico
21
Communicative Imagery in Guatemalan Indian Dress
47
A Line at a Time Innovative Patterning in the Isthmus of Isthmian Mexico
65
Dress and CivilReligious Hierarchy in Solola Guatemala
91
Dress and the Human Landscape in Guatemala The Case of Tecpan Guatemala
107
Womans Clothing as a Code in Comalapa Guatemala
129
Weaving and Dyeing Technology
283
DualLease Weaving An Andean Loom Technology
285
Resist Dyeing in Mexico Comments on Its History Significance and Prevalence
311
The Ikat Shawl Traditions of Northern Peru and Southern Ecuador
339
The Dyes Used in Guatemalan Textiles A Diachronic Approach
361
The Marketing of Textiles
381
Export Markets and Their Effects on Indigenous Craft Production The Case of the Weavers of Teotitlan del Valle Mexico
383
The Marketing of Maya Textiles in Highland Chiapas Mexico
405

Central Andes of South America
145
We Are Sons of Atahualpa and We Will Win Traditional Dress in Otavalo and Saraguro Ecuador
147
Regional Dress of the Colca Valley Peru A Dynamic Tradition
181
Nature versus Culture The Image of the Uncivilized WildMan in Textiles from the Department of Cuzco Peru
207
Clothes and Identity in the Central Andes Province of Abancay Peru
233
Ethnic Dress and Calcha Festivals Bolivia
263
Conclusion
437
Beyond Bricolage Women and Aesthetic Strategies in Latin American Textiles
439
Additional References
482
Glossary
485
Index
497
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About the author (2010)

Margot Blum Schevill is a textile consultant for the P. Hearst Museum of Anthropology at the University of California, Berkeley, and the Fine Arts Museums of San Francisco. Janet Catherine Berlo is Professor of Art History at the University of Missouri-St. Louis. Edward B. Dwyer is Associate Provost at the Rhode Island School of Design.

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