ANALYSE ET CRÉATION MUSICALESToute interprétation du musicien suppose une analyse et toute analyse induit une interprétation. Chacun de ceux qui parlent et agissent sur l'œuvre est un " interprète ", un " analyste ". L'œuvre étant la somme de ses réalisations, elle est donc " partie " de ces interventions, de même que celles-ci sont " parties " de l'œuvre. Esclave ou démiurge, l'interprète est pris entre deux tentations. Il se tourne tantôt vers les premières secondes de la conception, vers l'insécable, la fusion originale, tantôt vers les ultimes instants de la réalisation, vers l'aboutissement. |
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Page 21
... theory of composition : rules and choices in a musical grammar Michel IMBERTY Psychanalyse de la création musicale ou psychanalyse de l'œuvre musicale ? Essai sur la répétition François - Bernard MÂCHE Du rêve au réveil John SLOBODA Do ...
... theory of composition : rules and choices in a musical grammar Michel IMBERTY Psychanalyse de la création musicale ou psychanalyse de l'œuvre musicale ? Essai sur la répétition François - Bernard MÂCHE Du rêve au réveil John SLOBODA Do ...
Page 23
... theory of music in European and extra - European traditions is mainly based on treatises whose aim is to propose and to discuss musical rules for musicians who are interested in learning the art of composing music . In other words , the ...
... theory of music in European and extra - European traditions is mainly based on treatises whose aim is to propose and to discuss musical rules for musicians who are interested in learning the art of composing music . In other words , the ...
Page 25
... theories which tend to conceive a grammar as something absolute . In our research we always took into consideration ... theory the different historical languages are all linked to a unique deep structure . Is it plausible to think that ...
... theories which tend to conceive a grammar as something absolute . In our research we always took into consideration ... theory the different historical languages are all linked to a unique deep structure . Is it plausible to think that ...
Page 26
... theory is not universal enough for this purpose . The rules of a grammar do not govern all the possible structural choices of a repertoire . A grammar leaves a wide space to choices not linked to rules , but to the tastes of the ...
... theory is not universal enough for this purpose . The rules of a grammar do not govern all the possible structural choices of a repertoire . A grammar leaves a wide space to choices not linked to rules , but to the tastes of the ...
Page 29
... theory on infant games [ Piaget 1945 ] , Sigmund Freud in his studies on dream , and the anthropological tradition in its interpretation of mythical narrations and primitive rituals [ Sperber 1974 ] , define as << symbolic >> thinking ...
... theory on infant games [ Piaget 1945 ] , Sigmund Freud in his studies on dream , and the anthropological tradition in its interpretation of mythical narrations and primitive rituals [ Sperber 1974 ] , define as << symbolic >> thinking ...
Contents
Section 24 | 315 |
Section 25 | 328 |
Section 26 | 333 |
Section 27 | 344 |
Section 28 | 354 |
Section 29 | 381 |
Section 30 | 382 |
Section 31 | 402 |
Section 9 | 112 |
Section 10 | 119 |
Section 11 | 130 |
Section 12 | 136 |
Section 13 | 161 |
Section 14 | 167 |
Section 15 | 178 |
Section 16 | 204 |
Section 17 | 209 |
Section 18 | 223 |
Section 19 | 240 |
Section 20 | 246 |
Section 21 | 253 |
Section 22 | 263 |
Section 23 | 285 |
Section 32 | 427 |
Section 33 | 439 |
Section 34 | 443 |
Section 35 | 466 |
Section 36 | 471 |
Section 37 | 507 |
Section 38 | 523 |
Section 39 | 525 |
Section 40 | 549 |
Section 41 | 565 |
Section 42 | 568 |
Section 43 | 571 |
Section 44 | 572 |
Section 45 | 574 |
Other editions - View all
Common terms and phrases
accentuated accompaniment Alain LOUVIER analysis appoggiaturas aspects bars based Beethoven Berlioz Chopin Cisternino coda cognitive composer compositeur composition compositionnelle conception context création développement différentes Dufourt duration dynamics éléments exemple facts first formalisation forme formelle François Bayle given grammar graph Gretchen harmonic Heinrich Schenker Hugues Dufourt improvisation informatique instruments interpretation intuition John Chowning l'analyse musicale l'auditeur l'informatique l'interprétation l'œuvre l'ordinateur level listener Liszt meaning means mélodie melody Messiaen mesure Michel DECOUST Miles Davis modèle music musicologie musique musique contemporaine musique électroacoustique narrative niveau notation notes œuvres partition pattern pensée perception performance phrase piano pièce présent problème process processus programme psychanalyse pulsations réalisation recording relation René Thom répétition représentation result rhythm rhythmic Risset rules same schéma Schenker section segments sémiose séquence session shows signifiant sonagramme sonore sound structure subject suono symphonie synthèse technique tempo thématique théorie théorique Theory time tonal type valse variation work Xenakis