The Post-utopian Imagination: American Culture in the Long 1950s

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Greenwood Publishing Group, 2002 - Literary Criticism - 226 pages
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In America, the long 1950s were marked by an intense skepticism toward utopian alternatives to the existing capitalist order. This skepticism was closely related to the climate of the Cold War, in which the demonization of socialism contributed to a dismissal of all alternatives to capitalism. This book studies how American novels and films of the long 1950s reflect the loss of the utopian imagination and mirror the growing concern that capitalism brought routinization, alienation, and other dehumanizing consequences. The volume relates the decline of the utopian vision to the rise of late capitalism, with its expanding globalization and consumerism, and to the beginnings of postmodernism.

In addition to well-known literary novels, such as NabokoV's "Lolita, " Booker explores a large body of leftist fiction, popular novels, and the films of Alfred Hitchcock and Walt Disney. The book argues that while the canonical novels of the period employ a utopian aesthetic, that aesthetic tends to be very weak and is not reinforced by content. The leftist novels, on the other hand, employ a realist aesthetic but are utopian in their exploration of alternatives to capitalism. The study concludes that the utopian energies in cultural productions of the long 1950s are very weak, and that these works tend to dismiss utopian thinking as na DEGREESDive or even sinister. The weak utopianism in these works tends to be reflected in characteristics associated with postmodernism.

 

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Contents

America as UtopiaOr Not
1
Soiled Torn and Dead The Bleak Vision of American Literary Fiction in the Long 195Os
31
UnAmerican Activities American Realism and the Utopian Imagination of Leftist Fiction in the Long 1950s
67
Monsters Cowboys and Criminals Jim Thompson and the Dark Turn in American Popular Culture in the Long 1950s
101
American Film in the Long 1950s From Hitchcock to Disney
143
Postscript
191
Notes
197
Works Cited
205
Index
221
Copyright

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Page 41 - Dutch sailors' eyes— a fresh, green breast of the new world. Its vanished trees, the trees that had made way for Gatsby's house, had once pandered in whispers to the last and greatest of all human dreams; for a transitory enchanted moment man must have held his breath in the presence of this continent, compelled into an aesthetic contemplation he neither understood nor desired, face to face for the last time in history with something commensurate to his capacity for wonder.
Page 129 - Pas-tiche is, like parody, the imitation of a peculiar or unique, idiosyncratic style, the wearing of a linguistic mask, speech in a dead language. But it is a neutral practice of such mimicry, without any of parody's ulterior motives, amputated of the satiric impulse, devoid of laughter and of any conviction that alongside the abnormal tongue you have momentarily borrowed, some healthy linguistic normality still exists.
Page 18 - In the colonial countries, the spirit of indulgence is dominant at the core of the bourgeoisie; and this is because the national bourgeoisie identifies itself with the Western bourgeoisie, from whom it has learnt its lessons. It follows the Western bourgeoisie along its path of negation and decadence without ever having emulated it in its first stages of exploration and invention, stages which are an acquisition of that Western bourgeoisie whatever the circumstances.
Page 1 - muddle through," beneath the stagnation of those who have closed their minds to the future, is the pervading feeling that there simply are no alternatives, that our times have witnessed the exhaustion not only of Utopias, but of any new departures as well. Feeling the press of complexity upon the emptiness of life, people are fearful of the thought that at any moment things might be thrust out of control.
Page 37 - This is the worst of trying to tell Here you all are, each moored with two good addresses, like a hulk with two anchors, a butcher round one corner, a policeman round another, excellent appetites, and temperature normal ~ you hear normal from year's end to year's end.
Page 70 - [A]ll class consciousness — or in other words, all ideology in the strongest sense, including the most exclusive forms of ruling-class consciousness just as much as that of oppositional or oppressed classes — -is in its very nature Utopian.
Page 36 - I felt I was entering the past — the real past, no history or junk like that.
Page 104 - In other words, schizophrenic experience is an experience of isolated, disconnected, discontinuous material signifiers which fail to link up into a coherent sequence. The schizophrenic thus does not know personal identity in our sense, since our feeling of identity depends on our sense of the persistence of the "I" and the "me

About the author (2002)

M. KEITH BOOKER is Professor of English at the University of Arkansas. He is the author of numerous articles and books on modern literature and theory, including Dystopian Literature: A Theory and Research Guide (Greenwood, 1994), Joyce, Bakhtin, and the Literary Tradition (1996), A Practical Introduction to Literary Theory and Criticism (1996), Colonial Power, Colonial Texts: India in the Modern British Novel (1997), The African Novel in English (Heinemann, 1998), The Modern British Novel of the Left (Greenwood, 1998), The Modern American Novel of the Left (Greenwood, 1999), Film and the American Left (Greenwood, 1999), Ulysses, Capitalism, and Colonialism (Greenwood, 2000), and Monsters, Mushroom Clouds, and the Cold War (Greenwood, 2001).

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