Russian Essays on Shakespeare and His ContemporariesAleksandr Tikhonovich Parfenov, Joseph G. Price In explaining the plays of Shakespeare to the audiences and readers of the former Soviet Union, the editors chose essays they thought were significant, in light of the historical and cultural perspectives they contained. These perspectives are felt necessary for a complete understanding of Shakespeare's plays by the modern reader. The outward-directed essays help explain the origins of Shakespeare's importance to Russian theater and literature in the nineteenth century, as well as his pervasive influence through decades of communism. |
From inside the book
Results 1-5 of 34
Page 19
... epic and the subjectivity of lyrics — external events and a person's feelings at moments of high anxiety created by conflicts of various kinds . Moreover , it is possible to say that no other dramatist achieved such a unity of the epic ...
... epic and the subjectivity of lyrics — external events and a person's feelings at moments of high anxiety created by conflicts of various kinds . Moreover , it is possible to say that no other dramatist achieved such a unity of the epic ...
Page 20
... epic subject is the basis of the action in the play . The only difference in Pericles is that the narrative nature of the play is clear from the prologue given by Gower , a poet in the Middle Ages . Other plays of Shakespeare have an epic ...
... epic subject is the basis of the action in the play . The only difference in Pericles is that the narrative nature of the play is clear from the prologue given by Gower , a poet in the Middle Ages . Other plays of Shakespeare have an epic ...
Page 21
... epics in that each of them is a dramati- cally graphic history of different heroes and heroines shown in all the ... epic could be fit in . The majority of the events are staged directly . But some of them have to be told through the ...
... epics in that each of them is a dramati- cally graphic history of different heroes and heroines shown in all the ... epic could be fit in . The majority of the events are staged directly . But some of them have to be told through the ...
Page 22
... epic and lyrical are organically merged in it . Two other stories are dramatic in the whole sense of the word : the story of the Ghost about how the king was poisoned follows all the rules of drama . The tension keeps increasing in it ...
... epic and lyrical are organically merged in it . Two other stories are dramatic in the whole sense of the word : the story of the Ghost about how the king was poisoned follows all the rules of drama . The tension keeps increasing in it ...
Page 23
... epic breadth of action in Shakespeare's plays makes them come alive and seem natural and give the reader and spectator the impression they are real . And though the epic nature of his plays is an archaic element , to attribute it ...
... epic breadth of action in Shakespeare's plays makes them come alive and seem natural and give the reader and spectator the impression they are real . And though the epic nature of his plays is an archaic element , to attribute it ...
Contents
19 | |
38 | |
NineteenthCentury Attitudes | 78 |
Three Shakespearean Stories in Nineteenth Century Russia | 97 |
Shakespeare and the Advent of Modern Prose | 113 |
On the Typology of Contemporary Shakespearean Production | 127 |
Metamorphoses Theatricality | 133 |
A New Dating for Shakespeares The Phoenix and the Turtle and the Identification of Its Protagonists | 146 |
The Pastoral in Marlowe Raleigh Shakespeare and Donne | 185 |
List of Contributors | 201 |
Index | 204 |
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Common terms and phrases
action Antony appeared artistic Belvoir Ben Jonson Blount Boris Godunov bourgeois Caesar century characters Chester volume collision comedy connected contemporary Coriolanus countess culture death depiction Desdemona Donne Donne's drama dramatist earl Elizabeth Englands Helicon English prose epic epoch epos Essays Falstaff fate feelings Folger French tragedies Grosart Hamlet human Iago Ibid John Donne John Salisbury Jonson Julius Caesar King Lear later Leskov lines live London copy Loves Martyr lyrical Macbeth Marlowe Marlowe's Marx Mary Sidney Matchett mind Moscow nature Othello passion pastoral Phoenix platonic poem poetic poetry poets Polnoe sobranie sochinenii printed published Pushkin Renaissance Romantic Rome Russian literature Rutland satiric scene scholars Shake Shakespeare Shakespeare's plays Shakespeare's prose Shakespeare's tragedies Sidney social society song Soviet speare's stage stanza story theater Timon of Athens tion tradition tragic translations Turgenev Turtle verse Volpone Volpone's words writers
Popular passages
Page 69 - O now, for ever, Farewell the tranquil mind ! Farewell content ! Farewell the plumed troop, and the big wars, That make ambition virtue ! O, farewell ! Farewell the neighing steed, and the shrill trump, The spirit-stirring drum, the ear-piercing fife, The royal banner ; and all quality. Pride, pomp, and circumstance of glorious war ! And O, you mortal engines, whose rude throats The immortal Jove's dread clamours counterfeit, Farewell ! Othello's occupation's gone ! lago.
Page 35 - The man that hath no music in himself, Nor is not mov'd with concord of sweet sounds, Is fit for treasons, stratagems, and spoils : The motions of his spirit are dull as night, And his affections dark as Erebus. Let no such man be trusted.
Page 120 - I have of late— but wherefore I know not— lost all my mirth, forgone all custom of exercises; and indeed it goes so heavily with my disposition that this goodly frame, the earth, seems to me a sterile promontory; this most excellent canopy, the air, look you, this brave o'erhanging firmament, this majestical roof fretted with golden fire, why, it appears no other thing to me than a foul and pestilent congregation of vapours.
Page 97 - He was the least of an egotist that it was possible to be. He was nothing in himself, but he was all that others were, or that they could become.
Page 36 - When that I was and a little tiny boy, With hey, ho, the wind and the rain; A foolish thing was but a toy, For the rain it raineth every day.
Page 35 - Ha, ha ! keep time. — How sour sweet music is When time is broke and no proportion kept ! So is it in the music of men's lives...
Page 188 - IF all the world and love were young, And truth in every shepherd's tongue, These pretty pleasures might me move To live with thee and be thy love.
Page 117 - Merciful Heaven, Thou rather with thy sharp and sulphurous bolt Split'st the unwedgeable and gnarled oak Than the soft myrtle: but man, proud man, Drest in a little brief authority, Most ignorant of what he's most assured, His glassy essence, like an angry ape, Plays such fantastic tricks before high heaven As make the angels weep; who, with our spleens, Would all themselves laugh mortal.
Page 188 - The shepherd swains shall dance and sing For thy delight each May morning: If these delights thy mind may move, Then live with me and be my love.
Page 26 - If I do prove her haggard, Though that her jesses were my dear heart-strings, I'd whistle her off, and let her down the wind, To prey at fortune.
References to this book
Painting Shakespeare Red: An East-European Appropriation Aleksandŭr Shurbanov,Boika Sokolova Limited preview - 2001 |