Keeping Score: Music, Disciplinarity, CultureDavid Schwarz, Anahid Kassabian, Lawrence Siegel Keeping Score is a diverse collection of essays that argues for and demonstrates the current effort to redefine the methods, goals, and scope of musical scholarship. This volume gives voice to new directions in music studies, including traditional and "new" musicology, music and psychoanalysis, music and film, popular music studies, and gay and lesbian studies. These essays speak to music study from within its own language and enter into important conversations already taking place across disciplinary boundaries throughout the academy. |
Contents
PART | 2 |
The Case of AvantGarde Music Composition | 54 |
Music and Place Text and Context | 90 |
Criticism and Musical Acculturation in Antebellum America | 107 |
Adequate Modes of Listening | 129 |
Signification Interpretation and | 147 |
The Poetics and Politics of Transcription | 169 |
A Loving Lesbian Ear Listens to Progressive | 204 |
Janáčeks Jenůfa and the Tyranny of the Domestic | 229 |
At the Twilights Last Scoring | 258 |
Semiotics Psychoanalysis and | 275 |
Contributors | 299 |
Other editions - View all
Keeping Score: Music, Disciplinarity, Culture David Schwarz,Anahid Kassabian,Lawrence Siegel No preview available - 1997 |
Common terms and phrases
academic acoustic mirror aesthetic American musical analytical Aretha argues art music avant-garde Babbitt Beatles composer composition concerned conservatory contemporary context criticism Davis's disciplinary discipline of music discourse essay Ethnomusicology example film Foucault gender hear Heinrich Schenker Ibid ideology intellectual interpretation Janáček jazz Jenůfa Joseph Kerman knowledge Kostelnička language lesbian literary Liverpool masterworks meaning Miles Davis Milton Babbitt modern music theory modernist modes of listening music theory music-theoretical musical analysis musical text musicians musicology nineteenth century notation notes notion opera paradigm pedagogy Penny Lane performance piece PJ Harvey play political popular music position postmodern postmodernist practice Press prestige produced recording relation repertoire rhetoric rock music role Schenkerian scholars sense sexuality signifyin social song sound Števa structure style suggests Susan McClary symbolic symphony System of Survival tension theoretical theorists tion tonal Tori Amos tourism tradition transcription Univ voice York