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From the Classical Tradition to Reception Studies
Reception within Antiquity
Challenging Stereotypes the Contexts of Reception
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actors adaptation Aeschylus African Agamemnon analysis ancient ancient drama antiquity approach appropriation artistic aspects associated audience Cambridge century challenge classical classical texts communicate concept considered contemporary context critical cultural debate described directed discussion drama early effect Empire English especially example experience figure film forms further genre Greece Greek drama Greek Tragedy Hall Hardwick Harrison Homer ideas impact important included International interpretation involved Italy kind language later Latin literary literature London material meaning Medea move movement myth original Oxford particular past performance play poem poetic poetry poets points political practices present production published questions receiving reception studies references refiguration relation relationship represented role Roman Roman Actor Rome Scots selection sense setting significant situation social sometimes Sophocles Spartacus stage subsequent suggest texts Theatre theatrical tradition translation values Virgil York