Reception Studies |
Contents
From the Classical Tradition to Reception Studies | 1 |
Reception within Antiquity | 12 |
Challenging Stereotypes the Contexts of Reception | 32 |
Copyright | |
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adaptation Aeneid Aeschylus African Agamemnon allusion analysis ancient and modern ancient drama ancient Rome ancient texts ancient world Antigone approach appropriation Aristophanes artistic aspects associated audience Cambridge Cambridge Greek play century BCE challenge chorus Cinema classical material classical texts Classical Tradition concept contemporary context critical cultural debate Dionysus discussion Easterling Empire English epic example exempla film genre Goldhill Greece Greek and Roman Greek drama Greek plays Greek Tragedy Hardwick Harrison Heaney Heaney's Hellenism Homer impact important language Latin literary Literature London Macintosh Medea Michelakis Milton Keynes Mussolini myth Oedipus the King Oresteia Oxford paideia Philoctetes poem poetic poets political production Prometheus Published text reception of classical reception studies refiguration role Roman Actor Rome Royal National Theatre scholarship Scots Seamus Heaney slave social Sophocles source text Spartacus stage subsequent Theatre theatrical Tony Harrison's translation transmission twentieth century Virgil Walcott Wyke York