At once both to destroy and be destroy'd; O lastly over-strong against thyself! A dreadful way thou took'st to thy revenge. More than enough we know; but while things yet Eye-witness of what first or last was done, Relation more particular and distinct. MESSENGER. Occasions drew me early to this city, And as the gates I enter'd with sun-rise, The morning trumpets festival proclaim'd 1590 1595 1600 Through each high street little I had dispatch'd, 1596. Occasions drew me early &c.] As I observed before, that Milton had with great art excited the reader's attention to this grand event, so here he is no less careful to gratify it by the relation. It is circumstantial, as the importance of it required, but not so as to be tedious or too long to delay our expectation. It would be found difficult, I believe, to retrench one article without making it defective, or to add one which should not appear redundant. The picture of Samson in particular with head inclined and eyes fixed, as if he was addressing himself to that God who had given him such a measure of strength, and was summing up all his force and resolution, has a very fine effect upon the imagination. Milton is no less happy in the sublimity of his description of this grand exploit, than judicious in the choice of the circumstances preceding it. The poetry rises as the subject becomes more interesting, and one may without rant or extravagance say, that the poet seems to exert no less force of genius in describing than Samson does strength of body in executing. Thyer. Not to be absent at that spectacle. The building was a spacious theatre 1605 Half-round on two main pillars vaulted high, With seats where all the lords and each degree The other side was open, where the throng On banks and scaffolds under sky might stand; 1610 I among these aloof obscurely stood. The feast and noon grew high, and sacrifice Had fill'd their hearts with mirth, high cheer, and wine, In their state livery clad; before him pipes 1604. —absent at that spectacle] The language would be more correct, if it was absent from that spectacle. 1605. The building was a spa cious theatre Half-round on two main pillars vaulted high, &c.] Milton has finely accounted for this dreadful catastrophe, and has with great judgment obviated the common objection. It is commonly asked, how so great a building, containing so many thousands of people, could rest upon two pillars so near placed together: and to this it is answered, that instances are not wanting of far more large and capacious buildings than this, that have been supported only by one pillar. Particularly, Pliny in the fifteenth chapter of the thirty-sixth book of his natural 1615 history, mentions two theatres built by one C. Curio, who lived in Julius Cæsar's time; each of which was supported only by one pillar, or pin, or hinge, though very many thousands of people did sit in it together. See Poole's Annotations. Mr. Thyer further adds, that Dr. Shaw in his travels observing upon the eastern method of building says, that the place where they exhibit their diversions at this day is an advanced cloister, made in the fashion of a large penthouse, supported only by one or two contiguous pillars in the front, or else at the centre, and that upon a supposition therefore that in the house of Dagon, there was a cloistered structure of this kind, the pulling down the front or centre pillars only which supported it, would be attended with Archers, and slingers, cataphracts and spears. At length for intermission sake they led him At last with head erect thus cried aloud, I mean to show you of my strength, yet greater; the like catastrophe that happened to the Philistines. See Shaw's travels, p. 283. 1620 1625 1630 1635 1640 1645 1619. cataphracts] Men or horses completely armed, from καταφρασσω armis munio. As with the force of winds and waters pent, When mountains tremble, those two massy pillars He tugg'd, he shook, till down they came and drew 1650 CHORUS. 1655 Thee with thy slaughter'd foes in number more 1649. With horrible convulsion] In several editions it is printed confusion, but Mr. Thyer, Mr. Sympson, and every body saw that it should be convulsion, and so it is in Milton's own edition. And in the next line it should not be He tugged, he took, as it is absurdly in some editions, but He tugged, he shook, as in the first edition: and there are seve VOL. III. ral passages which we have corrected by the help of the first edition, without taking notice of them. 1667.in number more Than all thy life had slain before.] Judges xvi. 30. So the dead which he slew at his death, were more than they which he slew in his life. Y Among them he a spi'rit of frenzy sent, 1675 And urg'd them on with mad desire To call in haste for their destroyer; Unweetingly importun'd Their own destruction to come speedy upon them. So fond are mortal men 1680 Fall'n into wrath divine, As their own ruin on themselves t' invite, And with blindness internal struck. SEMICHORUS. But he though blind of sight, Despis'd and thought extinguish'd quite, With inward eyes illuminated, His fiery virtue rous'd From under ashes into sudden flame, And as an evening dragon came, 1674. In Silo] Where the tabernacle and ark were at that time. 1682. So fond are mortal men, &c.] Agreeable to the common maxim, Quos Deus vult perdere dementat prius. Thyer. 1685 1690 1692. And as an evening dragon came &c.] Mr. Calton says that Milton certainly dictated And not as an evening dragon came. Samson did not set upon them like an evening dragon; but |