Tainted Souls and Painted Faces: The Rhetoric of Fallenness in Victorian CultureProstitute, adulteress, unmarried woman who engages in sexual relations, victim of seduction--the Victorian "fallen woman" represents a complex array of stigmatized conditions. Amanda Anderson here reconsiders the familiar figure of the fallen woman within the context of mid-Victorian debates over the nature of selfhood, gender, and agency. In richly textured readings of works by Charles Dickens, Elizabeth Gaskell, Dante Gabriel Rossetti, and Elizabeth Barrett Browning, among others, she argues that depictions of fallen women express profound cultural anxieties about the very possibility of self-control and traditional moral responsibility. |
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Page 146
... Jenny's agency by appropriating the power of life and death to himself . That the move to apostrophize entails an ... Jenny in the third person and enacts a rather sudden syntactical shift to the sec- ond person in line 6 : goodyt Lazy ...
... Jenny's agency by appropriating the power of life and death to himself . That the move to apostrophize entails an ... Jenny in the third person and enacts a rather sudden syntactical shift to the sec- ond person in line 6 : goodyt Lazy ...
Page 151
... Jenny's exclusion from the surrounding syntax , which itself thwarts any actual inser- tion of the dreaming subject into the coveted context . The speaker's interpretation of Jenny's dream — that it gives her a satisfying sense of ...
... Jenny's exclusion from the surrounding syntax , which itself thwarts any actual inser- tion of the dreaming subject into the coveted context . The speaker's interpretation of Jenny's dream — that it gives her a satisfying sense of ...
Page 162
... Jenny's hypothetical action as the mere motion of the elements . There are other moments in which Jenny's non - response seems active , producing a kind of refutation effect against the many dis- avowals of her agency . These ...
... Jenny's hypothetical action as the mere motion of the elements . There are other moments in which Jenny's non - response seems active , producing a kind of refutation effect against the many dis- avowals of her agency . These ...
Contents
Social Science and the Great Social Evil | 22 |
SelfReading | 66 |
Agency and Exchange | 141 |
Copyright | |
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action aesthetic agency Annie anxiety approach argues Aurora Leigh autonomy Barrett Browning Barrett Browning's becomes chapter character Charles Dickens claim communicative conception consciousness constitutes critics critique David Copperfield desire determined Dickens Dickens's discourse discussion Dombey Dombey and Son Dombey's Edith Elizabeth Barrett Browning Elizabeth Gaskell encounter Esther face fall fallen woman feminine feminist fiction figure Gaskell's gender Greg Habermas human ideal identity individual insists insofar intersubjective Jenny Jenny's John Stuart Mill Laclau literary Magdalenism Mary Barton masculine melodrama Mill Mill's moral narrative normative novel perspective poem political poststructuralism poststructuralist precisely prostitute prostitute's purity reading reform relation representation reveals rhetoric of fallenness Romney Romney's Rossetti's Ruth Ruth's scene self-reading selfhood sexual social society speaker Spivak story strategic essentialism Subaltern Studies sympathetic sympathy systemic Tait tension theory transformation Urania Cottage Victorian culture virtue W. R. Greg women writes