Tainted Souls and Painted Faces: The Rhetoric of Fallenness in Victorian CultureProstitute, adulteress, unmarried woman who engages in sexual relations, victim of seduction--the Victorian "fallen woman" represents a complex array of stigmatized conditions. Amanda Anderson here reconsiders the familiar figure of the fallen woman within the context of mid-Victorian debates over the nature of selfhood, gender, and agency. In richly textured readings of works by Charles Dickens, Elizabeth Gaskell, Dante Gabriel Rossetti, and Elizabeth Barrett Browning, among others, she argues that depictions of fallen women express profound cultural anxieties about the very possibility of self-control and traditional moral responsibility. |
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Page 75
... Mark System of prison discipline , a version of which was adopted in English prisons in the 1860s , one earned a certain number of marks for good conduct and lost them for bad behavior . By accumulating marks , one achieved promotion to ...
... Mark System of prison discipline , a version of which was adopted in English prisons in the 1860s , one earned a certain number of marks for good conduct and lost them for bad behavior . By accumulating marks , one achieved promotion to ...
Page 77
... Mark Table " that had nine headings : Truth- fulness , Industry , Temper , Propriety of Conduct and Conversation ... mark ( marked in red ink , to distinguish it at a glance from the others ) , which destroys forty good marks . ” And ...
... Mark Table " that had nine headings : Truth- fulness , Industry , Temper , Propriety of Conduct and Conversation ... mark ( marked in red ink , to distinguish it at a glance from the others ) , which destroys forty good marks . ” And ...
Page 92
... mark can be traced . Yet Dickens takes pains both to rescue Florence from her class - inflected brush with " publicness " and to exempt her from the continual self - viewing to which Edith is subject . Walter returns to the scene and ...
... mark can be traced . Yet Dickens takes pains both to rescue Florence from her class - inflected brush with " publicness " and to exempt her from the continual self - viewing to which Edith is subject . Walter returns to the scene and ...
Contents
Social Science and the Great Social Evil | 22 |
SelfReading | 66 |
Agency and Exchange | 141 |
Copyright | |
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action aesthetic agency Annie anxiety approach argues Aurora Leigh autonomy Barrett Browning Barrett Browning's becomes chapter character Charles Dickens claim communicative conception consciousness constitutes critics critique David Copperfield desire determined Dickens Dickens's discourse discussion Dombey Dombey and Son Dombey's Edith Elizabeth Barrett Browning Elizabeth Gaskell encounter Esther face fall fallen woman feminine feminist fiction figure Gaskell's gender Greg Habermas human ideal identity individual insists insofar intersubjective Jenny Jenny's John Stuart Mill Laclau literary Magdalenism Mary Barton masculine melodrama Mill Mill's moral narrative normative novel perspective poem political poststructuralism poststructuralist precisely prostitute prostitute's purity reading reform relation representation reveals rhetoric of fallenness Romney Romney's Rossetti's Ruth Ruth's scene self-reading selfhood sexual social society speaker Spivak story strategic essentialism Subaltern Studies sympathetic sympathy systemic Tait tension theory transformation Urania Cottage Victorian culture virtue W. R. Greg women writes