Tainted Souls and Painted Faces: The Rhetoric of Fallenness in Victorian CultureProstitute, adulteress, unmarried woman who engages in sexual relations, victim of seduction--the Victorian "fallen woman" represents a complex array of stigmatized conditions. Amanda Anderson here reconsiders the familiar figure of the fallen woman within the context of mid-Victorian debates over the nature of selfhood, gender, and agency. In richly textured readings of works by Charles Dickens, Elizabeth Gaskell, Dante Gabriel Rossetti, and Elizabeth Barrett Browning, among others, she argues that depictions of fallen women express profound cultural anxieties about the very possibility of self-control and traditional moral responsibility. |
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Page 20
... communicative action , can we properly understand , or begin to transform , the social world . And like that of Habermas , my approach to depictions of intersubjective relations is both reconstructive and critical ; accordingly , I use ...
... communicative action , can we properly understand , or begin to transform , the social world . And like that of Habermas , my approach to depictions of intersubjective relations is both reconstructive and critical ; accordingly , I use ...
Page 207
... communicative ideal incipient in dialogical relations , then our task is not only to analyze those distortions but also to nurture the communicative ideals of recognition and respect . This is by no means to imply that such an ideal ...
... communicative ideal incipient in dialogical relations , then our task is not only to analyze those distortions but also to nurture the communicative ideals of recognition and respect . This is by no means to imply that such an ideal ...
Page 231
... communicative understanding , unless we are to imagine that such articulations take place behind the backs of social subjects . It seems to me that the turn to phronesis is itself an attempt to render more explicit those communicative ...
... communicative understanding , unless we are to imagine that such articulations take place behind the backs of social subjects . It seems to me that the turn to phronesis is itself an attempt to render more explicit those communicative ...
Contents
Social Science and the Great Social Evil | 22 |
SelfReading | 66 |
Agency and Exchange | 141 |
Copyright | |
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action aesthetic agency Annie anxiety approach argues Aurora Leigh autonomy Barrett Browning Barrett Browning's becomes chapter character Charles Dickens claim communicative conception consciousness constitutes critics critique David Copperfield desire determined Dickens Dickens's discourse discussion Dombey Dombey and Son Dombey's Edith Elizabeth Barrett Browning Elizabeth Gaskell encounter Esther face fall fallen woman feminine feminist fiction figure Gaskell's gender Greg Habermas human ideal identity individual insists insofar intersubjective Jenny Jenny's John Stuart Mill Laclau literary Magdalenism Mary Barton masculine melodrama Mill Mill's moral narrative normative novel perspective poem political poststructuralism poststructuralist precisely prostitute prostitute's purity reading reform relation representation reveals rhetoric of fallenness Romney Romney's Rossetti's Ruth Ruth's scene self-reading selfhood sexual social society speaker Spivak story strategic essentialism Subaltern Studies sympathetic sympathy systemic Tait tension theory transformation Urania Cottage Victorian culture virtue W. R. Greg women writes