Smile When the Raindrops Fall: The Story of Charley ChaseAt the age of ten, Charley Chase was singing and dancing on the street corners of Baltimore. Charley eventually became a local vaudeville attraction, but Baltimore could not contain the ambitious young man. After a brief, but memorable, stint in New York, Chase finally landed in Los Angeles in 1912. His timely arrival coincided with the birth of the film industry, and Charley Chase became a major force in the shaping of motion picture comedy. A human dynamo, Charley's talent and creativity seemed inexhaustible. As a writer/director/actor, Charley started out at Mack Sennett's Keystone Studios. Working with Fatty Arbuckle and Charlie Chaplin, Chase quickly became one of Sennett's top directors. Later, at other studios, he directed, then starred in his own series of funny and inventive two-reelers. Behind the scenes, Charley Chase was instrumental in shaping the careers of both Laurel & Hardy and The Three Stooges. Chase's personal life paralleled his film work. At first he was energetic and optimistic—as was the infant film industry itself. As the movie grew up, Charley got older too. Chase's career, marred by family problems and alcoholism, mirrored the decline of the short film. Includes photographs and a detailed filmography. |
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Page 25
... one - reelers . Sennett liked comedians who looked unusual , believing their odd appearance enhanced the visual comedy . Charley Parrott was handsome and dashing , and for once his good looks worked Movies and Wedding Bells 25.
... one - reelers . Sennett liked comedians who looked unusual , believing their odd appearance enhanced the visual comedy . Charley Parrott was handsome and dashing , and for once his good looks worked Movies and Wedding Bells 25.
Page 26
... one - reelers , he was too " normal look- ing " to make much of an on - screen impression when compared to the other , more flamboyant performers on the Sennett lot . But he continued as a writer and codirector , sometimes doing extra ...
... one - reelers , he was too " normal look- ing " to make much of an on - screen impression when compared to the other , more flamboyant performers on the Sennett lot . But he continued as a writer and codirector , sometimes doing extra ...
Page 28
... one shot with Charley dozing in the right foreground of the scene . Charley ... reelers with Charles Parrott permanently in the director's chair . Films ... one of the most prolific direc- tors on the Keystone lot . Now with a steady job ...
... one shot with Charley dozing in the right foreground of the scene . Charley ... reelers with Charles Parrott permanently in the director's chair . Films ... one of the most prolific direc- tors on the Keystone lot . Now with a steady job ...
Page 30
... reelers from this period , such as That Little Band of Gold [ 1915 ] and He Did and He Didn't [ 1916 ] , were surprisingly restrained and quite good ) . Parrott's per- formances were remarkably controlled - though he did lapse for one ...
... reelers from this period , such as That Little Band of Gold [ 1915 ] and He Did and He Didn't [ 1916 ] , were surprisingly restrained and quite good ) . Parrott's per- formances were remarkably controlled - though he did lapse for one ...
Page 33
... one of the great comic fights of all time - too bad it wasn't filmed ! On the evening of April 8 , BeBe and Charley ... reelers that had been made for one thousand dollars or less gave way to double reels with budgets of up to twenty ...
... one of the great comic fights of all time - too bad it wasn't filmed ! On the evening of April 8 , BeBe and Charley ... reelers that had been made for one thousand dollars or less gave way to double reels with budgets of up to twenty ...
Contents
Its a Lovely Day for Something | 135 |
Sons of the Desert | 143 |
On the Wrong Trek | 153 |
Have you ever seen anything so Beautiful | 159 |
Columbia | 163 |
A Firehouse Mouse | 169 |
On the Hill | 179 |
Epilogue | 185 |
57 | |
Fancy Pants and Droopy Drawers | 67 |
Jimmy Jump and Leo the Lawyer | 73 |
OneTake Charley | 81 |
An Occupational Hazard | 93 |
The Talkers and a Severe Cold | 105 |
Gangway Charley | 117 |
Rough Seas | 129 |
A Note about the Films | 187 |
Charley Chase Filmography | 191 |
Sony Credits | 239 |
Bibliography | 243 |
Index | 247 |
About the Authors | 255 |
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Common terms and phrases
actors Angeles Anita Garvin Art Lloyd Arthur Seid BeBe Billy Gilbert Billy West Bud Jamison Chaplin Charles Parrott Charley Chase Charley's Charlie Hall Chase and Hugh Chase comedies Chase series Chester Conklin Columbia comedian Del Lord Dialogue by H. M. director Edgar Kennedy Edited by Richard Edited by William Elmer Raguse Elwood Ullman feature Filmed circa funny gags girls H. M. Walker Hal Roach Harold Lloyd Harry Bernard Harry Bowen Henderson Hollywood Hugh McCollum James Finlayson James Parrott Jimmy Parrott Jimmy's Keystone Leo McCarey Leo Willis Love Marvin Hatley movie Music Nick Cogley Noah Young NOTE Oliver Hardy one-reelers Paul Parrott performed Photographed by Art play Polly produced ranch Recording Engineer reels Richard Currier Richard Jones Roach lot Roach Studios scene Snub Pollard Song Stan Laurel star Stooges Story and screenplay Supervised by F theater Thelma Todd Titles by H. M. two-reelers vaudeville William Terhune