From all direction, purpose, course, intent: This bawd, this broker, this all-changing word, But for because he hath not woo'd me yet: [Exit. ACT III. SCENE I.-The same. The French King's Tent. Enter CONSTANCE, ARTHUR, and SALISBURY. Const. Gone to be married! gone to swear a peace! False blood to false blood join'd! Gone to be friends! Shall Lewis have Blanch? and Blanch those provinces ? It is not so; thou hast misspoke, misheard; Be well advis'd, tell o'er thy tale again : It cannot be; thou dost but say, 'tis so: I trust, I may not trust thee; for thy word Is but the vain breath of a common man : Believe me, I do not believe thee, man; I have a king's oath to the contrary. Thou shalt be punish'd' for thus frighting me, y 2 broker,] i. e. Pandar. aid,] Ought we not to read aim?-M. MASON. But for] i, e. Because. . For I am sick, and capable of fears; A woman, naturally born to fears; And though now confess, thou didst but jest, With my vex'd spirits I cannot take a truce, Sal. As true, as, I believe, you think them false, Const. O, if thou teach me to believe this sorrow, As doth the fury of two desperate men, Sal. What other harm have I, good lady, done, As it makes harmful all that speak of it. Arth. I do beseech you, madam, be content. Const. If thou, that bid'st me be content, wert grim, Ugly, and sland'rous to thy mother's womb, Full of unpleasing blots and sightless stains, Lame, foolish, crook'd, swart,a prodigious, e b For I am sick, and capable of fears ;] i. e. I have a strong sensibility; I am tremblingly alive to apprehension.-MALONE. c sightless-] The poet uses sightless for that which we now express by unsightly, disagreeable to the eyes.-JOHNSON. swart,] i. e. Brown, inclining to black. prodigious,] That is, portentous, so deformed as to be taken for a fore token of evil.-JOHNSON. Patch'd with foul moles, and eye-offending marks, Sal. Pardon me, madam, I may not go without you to the kings. Const. Thou may'st, thou shalt, I will not go with thee: I will instruct my sorrows to be proud; For grief is proud, and makes his owner stout. [She throws herself on the ground. To me, and to the state of my great grief, Let kings assemble;] In Much Ado about Nothing, the father of Hero, depressed by her disgrace, declares himself so subdued by grief, that a thread may lead him. How is it that grief, in Leonato and lady Constance, produces effects directly opposite, and yet both agreeable to nature? Sorrow softens the mind while it is yet warmed by hope, but hardens it when it is congealed by despair. Distress, while there remains any prospect of relief, is weak and flexible, but when no succour remains, is fearless and stubborn; angry alike at those that injure, and at those that do not help; careless to please where nothing can be gained, and fearless to offend when there is nothing farther to be dreaded. Such was this writer's knowledge of the passions.-JOHNSON. Enter King JOHN, King PHILIP, LEWIS, BLANCH, ELINOR, Bastard, AUSTRIA, and Attendants. K. Phi. 'Tis true, fair daughter; and this blessed day, Ever in France shall be kept festival: To solemnize this day, the glorious sun Stays in his course, and plays the alchemist; Turning, with splendour of his precious eye, The meagre cloddy earth to glittering gold: The yearly course, that brings this day about, Shall never see it but a holyday. [Rising Const. A wicked day, and not a holyday!— k Const. You have beguil'd me with a counterfeit, And our oppression hath made up this league high tides,] i. e. Solemn seasons. b prodigiously be cross'd:] i. e. Be disappointed by the production of a prodigy, a monster. STEEVENS. But on this day,] That is, except on this day. k counterfeit,] Formerly this word signified not only a false coin, but a portrait. A widow cries; be husband to me, heavens! Aust. Lady Constance, peace. Const. War! war! no peace! peace is to me a war. O Lymoges! O Austria! thou dost shame That bloody spoil: Thou slave, thou wretch, thou coward: Thou ever strong upon the stronger side! Enter PANDULPH. K. Phi. Here comes the holy legate of the pope. 10 Lymoges! O Austria!] The propriety or impropriety of these titles, which every editor has suffered to pass unnoted, deserves a little consideration. Shakspeare has, on this occasion, followed the old play, which at once furnished him with the character of Faulconbridge, and ascribed the death of Richard I. to the duke of Austria. In the person of Austria he has conjoined the two wellknown enemies of Coeur-de-lion. Leopold, duke of Austria, threw him into prison, in a former expedition [1193]'; but the castle of Chaluz, before which he fell [in 1199] belonged to Vidomar, viscount of Limoges; and the archer who pierced his shoulder with an arrow (of which wound he died) was Bertrand de Gourdon. The editors seem hitherto to have understood Lymoges as being an appendage to the title of Austria, and therefore inquired no farther about it.-STEEVENS. doff-] i. e. Put off, do off. VOL. IV. |