The Continuity of Letters |
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Page 4
... writer to another , the comparison of the Greek language with the Latin or of English with French , all these and scores of other subjects like them are well enough and , indeed , important enough . But they come after , not before they ...
... writer to another , the comparison of the Greek language with the Latin or of English with French , all these and scores of other subjects like them are well enough and , indeed , important enough . But they come after , not before they ...
Page 7
... writing cannot be literature . They are even rather apt , when they read writers of perfect simplicity like Cervantes , Bunyan , or Swift , to suppose that if they wrote a book LIFE AND ART IN ENGLISH POETRY 7.
... writing cannot be literature . They are even rather apt , when they read writers of perfect simplicity like Cervantes , Bunyan , or Swift , to suppose that if they wrote a book LIFE AND ART IN ENGLISH POETRY 7.
Page 9
... writing which enabled him to deal freely both with life and with the art of his masters , and to make a new creation of his own . And there is another thing . He is the first to sound the free , fresh , natural , and easy note which we ...
... writing which enabled him to deal freely both with life and with the art of his masters , and to make a new creation of his own . And there is another thing . He is the first to sound the free , fresh , natural , and easy note which we ...
Page 12
... writers . Explicit religious utterances belong rather to the next generation which begins with Donne . But , nevertheless , can it be denied that in the great writers of the Elizabethan age , and notably in Shakespeare , there is a ...
... writers . Explicit religious utterances belong rather to the next generation which begins with Donne . But , nevertheless , can it be denied that in the great writers of the Elizabethan age , and notably in Shakespeare , there is a ...
Page 23
... writing . Indeed , it clearly does not cover all the ground covered by fine poetry . For , according to Arnold , if a poem is to be in the Grand Style , the subject of it must be serious , the treatment simple or severe , the poet a man ...
... writing . Indeed , it clearly does not cover all the ground covered by fine poetry . For , according to Arnold , if a poem is to be in the Grand Style , the subject of it must be serious , the treatment simple or severe , the poet a man ...
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Common terms and phrases
adventures Aeschylus Annette artist Barry Lyndon beauty better century certainly Cervantes character Chaucer commonplace course death delight Demogorgon divine Don Quixote doubt drama dramatist earth England English English poetry eternal fact Faery Queen faith Falstaff feeling France genius give Goethe Grand Style greater greatest Greek Harper heart Henry Hephaestus hero honour human humour Iliad imagination intellectual interest Jane Austen Jupiter king knew language literature live Lord lyric Milton mind Molière Napoleon nature never noble novel once perhaps Pindar play poem poet poet's poetic poetry political Prince Prometheus prose readers Richard Richard II scarcely scene Scott seems sense Shakespeare Shelley Shelley's simplicity Sonnets sort soul speak speech Spenser spirit stanza story tell Thackeray Thackeray's thee thing thou thought to-day true truth universal utterance Vanity Fair victory whole words Wordsworth writing Zeus
Popular passages
Page 177 - Two Voices are there ; one is of the Sea, One of the Mountains ; each a mighty Voice : In both from age to age Thou didst rejoice, They were thy chosen Music, Liberty...
Page 40 - Twilight gray had in her sober livery all things clad : Silence accompanied ; for Beast and Bird, they to their grassy couch, these to their nests, were slunk, — all but the wakeful nightingale; she, all night long, her amorous descant sung; Silence was pleased. Now...
Page 26 - One who never turned his back but marched breast forward, Never doubted clouds would break, Never dreamed, though right were worsted, wrong would triumph, Held we fall to rise, are baffled to fight better, Sleep to wake.
Page 29 - Take but degree away, untune that string, And, hark, what discord follows ! each thing meets In mere oppugnancy : the bounded waters Should lift their bosoms higher than the shores, And make a sop of all this solid globe : Strength should be lord of imbecility, And the rude son should strike his father dead : Force should be right ; or rather, right and wrong (Between whose endless jar justice resides), Should lose their names, and so should justice too.
Page 32 - This feather stirs; she lives! If it be so, It is a chance which does redeem all sorrows That ever I have felt.
Page 177 - There came a tyrant, and with holy glee Thou fought'st against him ; but hast vainly striven : Thou from thy Alpine holds at length art driven, Where not a torrent murmurs heard by thee. Of one deep bliss thine ear hath been bereft : Then cleave, O cleave to that which still is left ; For, high-souled maid, what sorrow would it be That mountain floods should thunder as before, And ocean bellow from his rocky shore, And neither awful voice be heard by thee...
Page 246 - Tis a note of enchantment ; what ails her ? She sees A mountain ascending, a vision of trees; Bright volumes of vapour through Lothbury glide, And a river flows on through the vale of Cheapside.
Page 74 - A goodly portly man, i' faith, and a corpulent of a cheerful look, a pleasing eye, and a most noble: carriage ; and, as I think, his age some fifty, or, by'r lady, inclining to threescore, and now I remember me, his name is Falstaff: if that man should be lewdly given, he deceiveth me ; for, Harry, I see virtue in his looks. If then the tree may...
Page 27 - All is best, though we oft doubt, What the unsearchable dispose Of highest wisdom brings about, And ever best found in the close.
Page 262 - Perhaps in this neglected spot is laid Some heart once pregnant with celestial fire; Hands that the rod of empire might have swayed, Or waked to ecstasy the living lyre...