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tectes, ainsi que des Académies et Ecoles, par tura, ed Architettura, giovano per l'acquiste delle Chrétien Louis Reinhold, Goetingue, 1773, 8vo., Scienze, da Vinc. Santini, printed in the third with forty-five engravings. Système des Arts volume of the same work. Orazione in Lode du Dessin, suivi d'une Introduction à l'Etude della Pittura, Scultura, ed Architettura di Giamdes Antiques, Hiéroglyphes, et Attributs allégo- battista Alessandro Moreschi, Bologna, 1781, riques modernes, by the same, Munster, 1784, 8vo. Esame ragionata sopra la Nobiltà della 880., with forty engravings. We may regard, Pittura e della Scultura, per Nicolas Passeri, as a continuation and supplement of this work, Napoli, 1783, 8vo. L'Ecole du Dessin et de la Peinture, Munster, In the Spanish language the most esteemed 1786, 8vo., with forty-five engravings : and l’Aca- works on the same subjects are-Discorsos apolodémie des beaux Arts, &c., with fourteen en- geticos en que se defiende la Ingenuidad del Arte gravings, Munster, 1788, 8vo., both by the same de la Pintura, que es liberal y noble de todos author. Principes de la Peinture, par Junker, Derechos, por Juan de Butron, Madrid, 1626, Zurich, 1775, 8vo. Académie des Arts du Des- 4to. Por el Arte de la Pintura, por D. Juani sin, par Chrétien Frédéric Prangen, Halle, 1778, Xanregui, Madrid, 1633, 4to. 2 vols., 8vo. Leçons sur les Arts du Dessin, In French— Eloge de la Peinture, par Philippe destinés aux Elèves des Académies des Arts, par Angele, Paris, 1642, 12mo. Ichnographie ; ou, H. A. Mertens, Leipsic, 1783, 8vo. Instruc- Discours sur les quatre Arts d’Agriculture, Peintion sur la Théorie et la Pratique du Dessin et ture, Sculpture, et Gravure, avec des Notes hisde la Peinture, pour les commençans de cet Art, toriques, cosmographiques, chiffres, Lettres iniAltona, 1778, in 8vo., with engravings. Biblio- tiales, Logogriphes, &c., par M. Hebert, Paris, thèque des Arts, destinée aux Peintres, Dessina- 1767, 5 vols., 12mo. teurs, Graveurs, et Sculpteurs, en forme de Let- In English-A Parallel between Poetry and tres, par C. Lang, Erlangen, 1779. The same Painting, by Dryden, Lond. 1695, 4to., inserted author has given a continuation of this work as a preface to that great poet's translation of under the title of Lettres à l'Usage des Peintres, Du Fresnoy. The various editions of the LecDessinateurs, &c., Francf. 1791 et 1792, 2 vols. tures of Reynolds, Barry, Fuseli (some passages 8vo. Magasin pour les Arts du Dessin, Munich, from whose work have been extracted in the 1791, 8vo. Théorie de la Peinture; ou, l'In- course of this article), Opie, West, &c. The struction sur la Peinture d'Histoire à l’Usage des Artist; a Collection of Essays on Art, by various Commençans, par Christophe Fesel, Wurtz- English artists, edited and conducted by Prince bourg, 1792, 8vo.

Hoare, Esq., London, 1809, 2 vols. 410. Our Among the best Latin works which treat on intention being more to direct our readers to various subjects connected with the art of paint- scarce and valuable foreign works than to well ing, or in praise of the arts in general, may be known English treatises, this portion is rendered enumerated Martin Frisius, de Erroribus Picto- necessarily brief. rum, Hafniæ, 1703, 4to. Muller, de Pictura, In the German language are to be found Dissertatio juridica, Jen. 1712, 410. Brunquell, reply to the following question :-Does Painting de Pictura honesta ac utili, Jen. 1733, 4to. C. F. possess any influence over a state ? Hamburg, Voita Berg, de Pictura famosa, Jen. 1703, 4to. 1763. Advice to young Artists to apply themFichiner, de eo quod justum est circa Picturam, selves to Literature, by H. de Sonnenfels, Vienna, Altorf, 410. Theoph. Boerner super Privilegiis 1768, 8vo. An Enquiry whether Painting proPictorum, Lipsiæ, 1751, 40. Durr Franc. Ant. duces a greater effect than Music. A Dialogue, by de Probatione per Picturas in sacris, Moguntiæ, Herder, inserted among the Miscellaneous Works 1779, 4to. Kluber Joannes Ludov. de Pictura of that author, published at Gotha, 1785, in 8vo. contumeliosa, Erlangen, 1787, 4to.

The principal Lexicons and Dictionaries on The best Italian works on the same subjects Painting are :--Dictionnaire Abrégé de Peinture are :-Trattato della Nobiltà della Pittura, com- et d'Architecture, où l'on trouve les principaux posto ad instanza della Venerab. Comp. di S. Terms de ces deux Arts, avec leur Explication, Luca, et della Nob. Acad. de' Pittori di Roma, la Vie abrégée des grands Peintres et des Archida Rom. Alberti, Roma, 1585, 4to. Another tectes célebres, et une Description succinte des edition of the same work was published at Pavia plus beaux Ouvrages de Peinture, de Sculpture, in 1604, also in 4to. The second of the Lezioni et d'Architecture, soit antiques, soit modernes, di M. Ben. Varchi, Firenze, 1549 and 1590, par l'Abbé Marsy, Paris, 1746, 2 vols. 8vo. 410., is entitled, Qual sia più nobile la Pittura o Dictionnaire portatif des beaux Arts, par Lacombe, la Scultura ? Gli Onori della Pittura, e della Paris, 1766, 8vo. Dictionnaire portatif de PeinScultura, Discorso di Gianb. Bellori, Lucca, ture, Sculpture, et Gravure, avec un Traité

pra1677, 4to. Pregi della Pittura, di Dom. Palletta, tique des différentes Manières de peindre, par Roma, 1688, 8vo. La Pittura in Giudizio, ov- D. Ant. Joseph Pernetty, Paris, 1757, 8vo. Dicvero il Bene delle oneste Pitture, ed il Male tionnaire Iconologique; ou, Introduction à la delle Oscene, di C. Gregor. Rosignoli, Venezia, Connoissance des Peintres, Sculptures, Est1696, 12mo., and another edition at Bologna, ampes, par M. Prezel, Gotha, 1758, 8vo. Di1697, also in 12mo. Le tre belle Arti in Lega zionario portatile delle belle Arti

, che contiene con l'Armi per difesa della Religione, Oraz. di quanto è di più remarchevole nella Pittura, SculVenc. Lucchesini, Roma, 1716, 8vo. Orazione tura, Intaglio, &c., colla Vita de' più celebri in Lode della Pittura, Scultura, ed Architettura, Professori delle medesime Arte, Venezia, 1758, da Nicolas Fontingueri. This tract is printed in 8vo. Nouveau Dictionnaire des Peintres, pour the second volume of the Prose degli Arcadi, acquérir une Connoissance exacte des bons Rome, 1718, 8vo. Orazione della Pittura, Scul- Tableaux anciens et modernes, avec un Appen

Sur

dix de quelques Monotrimmes, par Louis de treat of antique sculpture and painting. De Winckelmann, Aug. 1790, 8vo. (in German). l'Origine de la Peinture et des plus excellens Dictionnaire des Arts de Peinture, Sculpture, et Peintres de l'Antiquité, Paris, 1660, 410. Des Gravure, par Watelet et Levesque, Paris, 1792, Peintres anciens et de leurs Manières, in the 5 vols. 8vo. Théorie genérale des beaux Arts, tenth volume of Nonveaux Choix des Mercures. rédigée par Ordre alphabetique, par J. G. Sulzer, Joann. Fonseca, de Pictura veterum. Delle Leipsic, 1793, + vols. 8vo. (in German).

Pintura antica, da G. B. Bellori, Venice, 1607, On the preservation of pictures we may con- 410. Treatise on ancient Painting, containing sult, Recueil des Memoires et diverses Expéri- Observations on the Rise, Progress, and Decline ences, faites au Sujet de la Conservation des of that art among the Grecks and Romans, &c., Tableaux, avec un Discours sur l'Incorruptible, by Georre Turnbull; adorned with filty pieces par G. Dagly, Berlin, 1700, 8vo.

of ancient painting discovered in the ruins of On the origin, antiquity, and history of paint- old Rome, accurately engraved from drawings of ing among different nations, we may cite, Joa. Camillo Paderni, Lond. 1740, folio. Enquiry Nicolai Funcii, Diss. de Picturæ l'su et Origine, into the Causes of the extraordinary Excellency with his Dissertationes academicæ, 1746, 810., of ancient Greece in the Arts, London, 1767, 470th and following pages. Lettere dell' Ori- 8vo. In the Archeologia Litteraria of Ernesti, gine, l'so, ed Abuso della Pittura, in the Lei- in that of Martini, and in that of Siebenkees, tere scelte del Abbate Pietro Chiari, Venice, appear chapters on painting among the ancients. 1750, 8vo. page 172.

De l'Ancienneté de la Sur la Peinture des Anciens, par Falconet, in the Peinture, par l'razuier, to be found in the first sixth volume of his works, Lausanne, 1781. volume of Mémoires de l'Académie des Belles Recherches sur l'Origine, l’Esprit, et le Progres Lettres. On the Origin and Ilistory of the Art, des Arts de la Grèce, sur leur Connexion avec by Studemund. Jena, 1767, 8vo.

les Arts et la Religion des anciens Peuples de On the history of painting in general—IIistoire l'Inde, de la Perse, du reste de l'Asie, de l'Eudes Arts qui ont rapport au Dessin, divisée en rope, et de l'Egypte, London, 1783, 410. trois Livres, où il est traité de son Origine, de la Peinture des Anciens, servant de Supplement son Progrès, de sa Chute, et de sou Retablisse- à l'Histore de l'Art, par A. Riem, Berlin, 1787, ment, par Monier, Paris 1705, 8vo. The Per- 4to. Observations on the Art of Painting among fect Painter; or a llistory of the Origin, Progress, the Ancients, by Cooper, in the third volume of and Improvement of Painting, 1730, 12mo. Memoirs of the Literary and Philosophical SoIntroductio ad Historiam Artis Delineatoria, by ciety of Manchester, 1790, 8vo. Peter Ciner, included in his Dissertationes Lit- Works which treat in general of the lives of terariæ, Florence, 1742, 8vo. Essai d'une llis- painters of every age and country:- Entretiens toire des Arts du Dessin, par A. F. Busching, sur les lies et sur les Ouvrages des plus excelHamburgh, 1701, 8vo. Della Patria degli Arti lens Peintres, anciens et modernes, by André del Disegno del Gherardo d'Arco, Cremona, Felibien, Paris, 1690, 5 vols. 410., and London, 1785, 8vo. Anecdotes des Beaux Arts, conte- 1705, 4 vols. 8vo. The second part of the first nant tout ce que la Peinture, la Sculpture, la volume of the Academia tedesca deila ArchitetGravure, l'Architecture, et la lie des artistes of- tura, Scultura, e Pittura, of Sandrart, Nuremberg, frent de plus curieux et de plus piquant chez 1075, folio. Noms des Peintres les plus célètous les Peuples du Monde, depuis l'Origine de bres, anciens et modernes, Paris 1079, 12mo. ces différens Arts jusqu'à nos jours, Paris, 1771), Abrégé de la Vie des Peintres, avec des Ré8vo. 3 vols. Domenico Manni, del vero Pit- flexions sur leurs Ouvrages, par R. De Piles, tore Luca et del Tempo del suo tiorire, Florence, Paris, 17.17, 12mo. Abecedario Pittorico, o sia 1764, 4to. Dell'Errore che persiste di attribuirsi serie degli Uomini i più illustri in l'ittura, Scule le Pitture al S. Evang. by the same, Florence, tura, ed Architettura, da F. P. A. Orlandi, Bo1766, 4to.

logna, 1704, 4to, Account of the most eminent On the state of painting among the Greeks Painters, ancient and modern, continued down and Romans:- De l'Amour des beaux Arts, et to the present Times according to the Order of de l'extrême ('onsidération que les Grecs avoient their Succession, by R. Graham, London, 1716, pour ceux qui les cultivoient avec Succés, par 8vo. Table historique et chronologique des plus Caylus, &c., in the twenty-first volume of Mé- fameux Peintres anciens et modernes, par A. F. moires de l'Académie des Belles Lettres. Ilis- llarms, Brunswick, 1742, folio. Dictionnaire gétoire de la Peinture ancienne, extraite de l'His- nerale des Artistes, by fuessli, Zuric, 1767, 410. toire naturelle de Pline, avec le Texte Latin, Extraits des différens Ouvrages publics sur la corrigé sur les Manuscrits de l'ossius et sur la vie des Peintres, by M. Papillon de la Ferte, première Edition de l'enise, et traduite en Fran- l'aris, 1776, 12mo. Pet. Opmerii Opus Chroçois par 1). Durand. London, 1725, folio. We mogr. Orbis universi à Mundi Exordio usque ad may recognise, as a continuation of this work, Annum 1011, Antwerp, 1011, folio. the Treatise of the count de Caylus, on the lic- Works expressly on the ancient painters :tures of Polygnotus, on several passages of Pliny Vite de' Pittori antichi, scritte ed illustrate da relating to the Arts, on the Picture of l'enu,, by Carlo Dati, 1607, 410. Lezione deita nella AcaApelles, &c., in the 19th, 27th, 29th, and 30th, demia della Crusca intorno a' Pittori, Greci e vols. of Mémoires de l'Acad. des Inscriptions et Latini, de Filippo Baldinucci, 1092, 410. in Belles Lettres. The third and fourth parts of the tenth edition of Junius's work entitled De the work entitled Gallus Romae llospes, par L. Pictura l'eterum (Rotterdam, 1694) there will Mont Josieu, Rome, 1585, 410. (and io be found be found an extensive catalogue of the painters in the ninth volume of the Trésor of Gronovius), and other artists of antiquity.

Respecting modern painters in general we vols. 8vo. The Gentleman and Connoisseur's find details in L'Académie des Sciences et des Dictionary of Painters, containing a complete Arts, contenant les Vies et les Eloges des Hom- Collection and Account of the most distinguished mes illustres, par J. Bullart, Brussels, 1695, Artists, who have flourished in the Art of Painting folio. Le Vite de' Pittori, de' Scultori, e degli in Europe from 1250 to 1767; to which is addArchitetti moderni, con loro Ritratti al naturale, ed, a Catalogue of the Disciples of the most fada Giovanni Pietro Bellori, Rome, 1672, 4to. mous Masters, &c., by Pilkington, London Accresciuta colla Vita e Ritratto del Car. Luc. 1767, 4to. Dictionnaire des Artistes, par M Giardano, Rome, 1728, 4to. Vite de' Pittori, l'Abbé L. A. Fontenay, Paris, 1776, 2 vols. 8vo Scultori, ed Architetti moderni, da Lione Pas- Biographical Memoirs of extraordinary Painters, coli, Rome, 1730—6, 2 vols. 4to. (The names exhibiting not only Sketches of their principal of all other painters, save Italian, are dreadfully Works and professional Characters, but a variety mangled in this book). Portraits of the most of romantic Adventures and original Anecdotes, eminent painters and other famous artists that London, 1780, 12mo. Abrégé de la Vie des have flourished in Europe, curiously engraved Peintres, dont les Tableaux composent la Galerie on above 100 copper plates, from original paint- Electorale de Dresde, Dresden, 1782, 8vo. ings of Van Dyck, Jansens, Guido, Teniers, and Manuale de' Pittori, for the Year 1792, Florence, other celebrated masters; with an account of 8vo. their Lives, Characters, and most considerable Our biography will be found to contain the Works, London, 1739, 4to. Abrégé de la Vie lives of the most distinguished painters of all ages des plus fameux Peintres, avec leurs Portraits and countries, in their alphabetical places; but gravés en taille-douce, les Indications de leurs the following catalogue Raisonnée of celebrated principaux Ouvrages, quelques Réflexions sur painters, from the revival of the art to the beginleurs Charactères, et la Maniere de connoître les ning of the last century, may be found a useful Dessins et les Tableaux des grands Maîtres, par compendium to students. M. A. J. Dezallier d'Argensville, Paris, 1745, 3

Names.

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Giovanni Cimabue Certain Greeks

History

1300 60 First revived painting. Andrea Taffi

A pollonius, a Greek History 1294 81 Revived musaic. Giotti

Cimabue

History

1336 60 Quitted the stiff manner of the

Greeks. Baonamicu Buffalmacco Andrea Taffi History

1340 78 Ambrogio Lorenzetti Giotto

History

1350 83 Pietro Cavallini . Giotto

History

1364 85 Simon Memmi

Giotto

Portraits

1345 60 Andrea Orgagna Imitated Giotto History

1389 60 Tomaso Giottino Imitated Giotto History

1356 32 Paolo Uccello Antonio Venetiano . Birds, some 1432 83 First who studied perspective.

Hisiory Massolino.

: Lorenzo Ghiberti and History 1418 37 Gave more grace to his figures and Gher. Starnina

drapery. Masaccio

Massolino

History

1443 24 Fra. Giov, Angelico da Giottino

Hist. Miniatures 1455 68 Fiesole Antonella da Messina John Van Eyck History 1475 49 Introduced oil painting into Italy. Pra, Filippo Lippi Masaccio

History 1488 69 Began to paint figures larger than

life. Andrea del Castagno, Domenico Venetiano History 1480/71 Painted in oil first at Florence,

detto Degl' Impiccati Gentile del Fabriano Giovanni da Fiesole History 1412 80 Giacomo Bellini . Gentile del Fabriano History

1470 Gentile Bellini Giacomo their fa- History

1591 80 ther

History 1512 90 Cosmo Rosselli

History

148468 Domenico Ghirlandaio Alessand. Baldovinetti History 1493 44 Lively coloring, genteel designing,

and good airs. Andrea Verocchio Giacomo Squrcione . History

1488 56 Observation of perspective. Andrea Mantegna

History

1517 66 Filippo Lippi

Fra. Philippo his fa- History 1505 69

ther, and Sandro

Boticelli
Pietro Perugino . Andrea Verocchio History

|1524 78 Bernardino Pinturicchio Pietro Perugino History

1513 59 Francesco Francia Marco Zoppo History 1518 68 First considerable Master of the Bo

lognese school. Bartolomeo Ramenghi, Francesco Francia · History 1541 48 Soft and fleshy coloring.

detto Il Bagnacavallo Innocenzo Francuzzi, Francesco Francia History

Correct drawing. detto da Imola

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Francesco Turbido, detto Giorgione

Portraits

152181 Il Mauro Luca Signorelli Piet. della Francesca History

1521 82 Lionardo da Vinci

List. and Port. 1317 75 Exquisite designing.
Giorgio Giorgione

Tinitated
Lionardo's History & Por- 1511 33 Management of the clair-obscure,
traits

! and colorins. Antonio da Correggio .

History & Por- 1534 40 Divine coloring and morbidroza of traits

his fesh; angelical grace and jorol ous airs of his figures, and clair

obscure, Mariotto Albertinelli Cosmo Roselli History

1520 45 Baccio, detto Fra. Bar-'('osnio Roselli History

1517 18 tolomen di S. Marco Pietro di Cosimo Cosmo Roselli Grotes.& monst.1521 80 Raphaellino del Garbo Filippo Lippi . History

1529 53 Michel Angiolo Buona- Domenico Ghirlandaio History

1564 90 Great correctness of design, grand, roti

and terrible subjects, protound

knowledge of the anatomical part. Raffaelle Sanzio d'Ur- Pietro Perugino : cor- History & Por-, 1520 37 In every part of painting, but chiefly 1 bino rected his manner traits

in the thought, composition, exupon seing

pression, and drawing.
works of Lionardo
da Vinci & Michael

An; elo
Titiano Vecelli
Giovanni Bellini History & Por- 1576 99 The clair-obscure and all the beaujes
traits

of coloring. Domenico Poligo Domenico Ghirlandaio History

1525 52 Timoteo Urbino

Raffaelle

History

1524 54 The same as his master. Vicenzo da San Gemi. Railaelle

History

1527 52 niano Lorenzo di Credi Andrea Verocchio, History

1530 imitated Lionardo

da Vinci Balthazar Peruzzi

Hist, buildings :15:36 55 Giovanni Francesco Pen-Ralacile

History

1.528 40 Good imitation of his master and ni, detto il Fattore

great despatch. Giulio Romano

Raffaelle

History

1546 54 Vivid and poetical fancy, and power

ful thought. Peligrino di Modena Raffaelle

History

1538 Pierino Ruonacorvi, dct. Ralaelle

1517 17 to Perin del Vago Giovanni da Udina Raffaelle

Grotesques 11564 70 Animals, flowers, and fruits. Andrea del Sarto Pietro di Cosimo History, Por: 1530.42 Natural and gracıful airs, and cor.

traits

rect drawing ; a bright manner of

coloring Francia Bigio Mariotto Albertinelli History

41 Painted in company with and like

Andrea. Sebastiano, detto Fradel Giov. Bellini; Il Gi- History, Por. 1547 62 Painted in the strong and correci Piombo orgione, M. Angco, traits

inanner of this last, and colured

better. Orazio Sammachini Il Bagnacavallo, Inno- llistory, 1577 15

cenzo d'Imola Lorenzetto Sabattini

The same

History Prospero Fontana

The same

History, Portr. Lavinia Fontana Prospero her fa' her History, Portr. 1602 50 Pelestrino Tibaldi 11 Bagnacavallo, Inno. Ilistory 1592 70' A strony Michael Angelo manner,

cenzo d'Imola Primaticcio, detto Il Bo. The same; Giulio Ro- History 1570 30 Genteclness and strenuous imagina. logna

tion. Nicolo Bolognese, detto Primaticcio

History 1372 60 Messer Nicolo | Dosso

Lorenzo Costa, Titian History, lands. Bernazzano da Milano

Animals, land- 1550

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Giov. Martino da l'dina Giov. Bellini
Peligrino da san Danielo The same
Giov. Ant. Regillo, detto, Giorgione

Licinio da Pordenone
\Girolaing de Trevigi
Polidoro da Caravaggio Raffaelle

History

1564 70
History.
History, Por 1540 56 Fine coloring.

traits
Hist. buildings (1544'36
Thistory

1543,51 The correctnesss of design and imita

tion of the antique chiefy in chia

ro-scuro.

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11 Maturino

Raffaelle
Hisiory 1527 37 The same ; they always painted to-

geiher. Francesco Mazzuolo det- Imitated Raffaelle History 1540 36 Great delicacy and genteelness of to Il Parmegiano

drawing. Girolamo Mezzuoli Francesco, his cousin History

Always imirated his master. Giacomo Palma, detto Titian and others History, Portr. 1596 48 Warm and mellow tints.

Il Vecchio Lorenzo Lotto

Imitated Bellini and History, Portr. 154436

Giorgione Francesco Monsignori Bellini

Portraits

1519 64 Domenico Beccafumio Imitated Pietro Peru- History

1549 65 Meccarino

giao Giacomo Pontormo Lionardo da Vinci, Al- History

1558 65 bertinelli, Andrea

del Sarto Girolamo Genga

Pietro Perugino

History

1551 75 Giov. Antonio da Ver

History

1554 zelli, detto Il Sodoma Bastiano Aristotile

History

1551 70
Benvenuto Garofalo Baldini, Lorenzo Costa History 1559 78 Like Raffaelle.
Girolami da Carpi
Garofalo, he imitated History

1556 55
Coreggio
Giov. Prancesco Bezzi Pelegrino Tibaldi. History

1571 detto Il Nosadella Ercole Procaccini

History Bartolomeo and Passerotti The same

History tre agli Francesco Salviati Andrea del Sarto History

1563 54 Giorgio Vasari

History, Portr. 1584 68
Daniel Ricciarelli, detto Il Sodoma; Baldasar History 11566 57 Strong sense of character.
da Volterra

Peruzzi
Taddeo Zucchero Studied Raffaelle History, Portr. 1566 37
Frederico Zucchero

History, Portr. 1609 66 Painted with his brother.
Bartolomeo Cesi .
I Nosadella History

79 Dionigi Calvart Prospero Fontana History

1619 54 John of Bruges

Hubert Van Eyck

History, Portr. 1470 Said to have invented oil painting. Albert Durer

Hupse Martin History, Portr. 1528 57 Quintin Matsys, called

History, Portr. 1529 69 Nature, high finishing. the Smith of Antwerp Lucas Jacob, called Luca Cornelius Engelbert History, Portr. 1533

d'Ollanda Peter Brueghel, called Peter Koek

1570 60 Old Brueghel . John Holben, called

History, Portr. (1444 46 Great nature, extreme finishing. Hans Holben Roger Vandensyde

John Van Eyck History John Schorel

Jacob Cornil

History

1562 67 Matthias Cock

Landscape 1465 65 Martin Heemskirke John Schorel .

Droll figures

1754 76 Francois Floris, called Lambart de Liege History

1570 50
Franc-Flore
Francesco Vecelli Titian, his brother Portraits 1579 66
Orazio Vecelli

Titian, his father History, Portr.
Nadalino di Murano Titian

Portraits, 1588 75 Damiano Mazza . Titian

History, Portr. Girolamo di Titiano Titian

History, Portr.

Coloring Paris Bordone

Titian

History, Portr. Andrea Schiavone Titian

History

158260 Alessandro Bonvincino, Titian, imitated Raf- History 1564 50 detto Il Moretto

faelle Girolamo Romanino Titian

History

156763 11 Muttano

Titian, Tad. Zucchero Landsc. Portr. 1590/62
Pirro Ligorio
Giulio Romano Antique monu-1573 80

and

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buildings Dom. Giulio Clovio Giulio Romano Miniature, His- 1578 80 Chaste and genteel coloring, some

tory

what of M. Ang. in the drawing. Il Bronzino, Angelo-Al. Giacomo Pontormo . History, Portr. 1580 69

lori Allessandro Allori Bronzino, his uncle . History

1607 72 Giacomo Sementi Dionigi Calvart

History
1625 45

2 I
Vol. XVI.

ments

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