Page images
PDF
EPUB

tectes, ainsi que des Académies et Ecoles, partura, ed Architettura, giovano per l'acquiste delle Chrétien Louis Reinhold, Goetingue, 1773, 8vo., Scienze, da Vinc. Santini, printed in the third with forty-five engravings. Système des Arts volume of the same work.' Orazione in Lode du Dessin, suivi d'une Introduction à l'Etude della Pittura, Scultura, ed Architettura di Giamdes Antiques, Hiéroglyphes, et Attributs allégo- battista_Alessandro Moreschi, Bologna, 1781, riques modernes, by the same, Munster, 1784, 8vo. Esame ragionata sopra la Nobiltà della 880., with forty engravings. We may regard, Pittura e della Scultura, per Nicolas Passeri, as a continuation and supplement of this work, Napoli, 1783, 8vo. L'Ecole du Dessin et de la Peinture, Munster, In the Spanish language the most esteemed 1786, 8vo., with forty-five engravings: and l'Aca- works on the same subjects are-Discorsos apolodémie des beaux Arts, &c., with fourteen en- geticos en que se defiende la Ingenuidad del Arte gravings, Munster, 1788, 8vo., both by the same de la Pintura, que es liberal y noble de todos author. Principes de la Peinture, par Junker, Derechos, por Juan de Butron, Madrid, 1626, Zurich, 1775, 8vo. Académie des Arts du Des- 4to. Por el Arte de la Pintura, por D. Juan sin, par Chrétien Frédéric Prangen, Halle, 1778, Xanregui, Madrid, 1633, 4to. 2 vols., 8vo. Leçons sur les Arts du Dessin, In French-Eloge de la Peinture, par Philippe destinés aux Elèves des Académies des Arts, par Angele, Paris, 1642, 12mo. Ichnographie ; ou, H. A. Mertens, Leipsic, 1783, 8vo. Instruc- Discours sur les quatre Arts d'Agriculture, Peintion sur la Théorie et la Pratique du Dessin et ture, Sculpture, et Gravure, avec des Notes hisde la Peinture, pour les commençans de cet Art, toriques, cosmographiques, chiffres, Lettres iniAltona, 1778, in 8vo., with engravings. Biblio- tiales, Logogriphes, &c., par M. Hebert, Paris, thèque des Arts, destinée aux Peintres, Dessina- 1767, 5 vols., 12mo. teurs, Graveurs, et Sculpteurs, en forme de Let- In English-A Parallel between Poetry and tres, par C. Lang, Erlangen, 1779. The same Painting, by Dryden, Lond. 1695, 4to., inserted author has given a continuation of this work as a preface to that great poet's translation of under the title of Lettres à l'Usage des Peintres, Du Fresnoy. The various editions of the LecDessinateurs, &c., Francf. 1791 et 1792, 2 vols. tures of Reynolds, Barry, Fuseli (some passages 8vo. Magasin pour les Arts du Dessin, Munich, from whose work have been extracted in the 1791, 8vo. Théorie de la Peinture; ou, l'Iné course of this article), Opie, West, &c. The struction sur la Peinture d'Histoire à l'Usage des Artist ; a Collection of Essays on Art, by various Commençans, par Christophe Fesel, Wurtz- English artists, edited and conducted by Prince bourg, 1792, 8vo.

Hoare, Esq., London, 1809, 2 vols. 410. Our Among the best Latin works which treat on intention being more to direct our readers to various subjects connected with the art of paint- scarce and valuable foreign works than to well ing, or in praise of the arts in general, may be known English treatises, this portion is rendered enumerated Martin Frisius, de Erroribus Picto- necessarily brief. rum, Hafniæ, 1703, 4to. Muller, de Pictura, In the German language are to be founda Dissertatio juridica, Jen. 1712, 410. Brunquell, reply to the following question :-Does Painting de Pictura honesta ac utili, Jen. 1733, 4to. C. F. possess any influence over a state ? Hamburg, Voita Berg, de Pictura famosa, Jen. 1703, 4to. 1763. Advice to young Artists to apply themFichtner, de eo quod justum est circa Picturam, selves to Literature, by H. de Sonnenfels, Vienna, Altorf, 410. Theoph. Boerner super Privilegiis 1768, 8vo. An Enquiry whether Painting proPictorum, Lipsiæ, 1751, 40. Durr Franc. Ant. duces a greater effect than Music. A Dialogue, by de Probatione per Picturas in sacris, Moguntiæ, Herder, inserted among the Miscellaneous Works 1779, 4to. Kluber Joannes Ludov. de Pictura of that author, published at Gotha, 1785, in 8vo. contumeliosa, Erlangen, 1787, 4to.

The principal Lexicons and Dictionaries on The best Italian works on the same subjects Painting are :--Dictionnaire Abrégé de Peinture are :— Trattato della Nobiltà della Pittura, com- et d'Architecture, où l'on trouve les principaux posto ad instanza della Venerab. Comp. di S. Terms de ces deux Arts, avec leur Explication, Luca, et della Nob. Acad. de' Pittori di Roma, la Vie abrégée des grands Peintres et des Archida Rom. Alberti, Roma, 1585, 4to. Another tectes célebres, et une Description succinte des edition of the same work was published at Pavia plus beaux Ouvrages de Peinture, de Sculpture, in 1604, also in 4to. The second of the Lezioni et d'Architecture, soit antiques, soit modernes, di M. Ben. Varchi, Firenze, 1549 and 1590, par l'Abbé Marsy, Paris, 1746, 2 vols. 8vo. 4to., is entitled, Qual sia più nobile la Pittura o Dictionnaire portatif des beaux Arts, par Lacombe, la Scultura? Gli Onori della Pittura, e della Paris, 1766, 8vo. Dictionnaire portatif de PeinScultura, Discorso di Gianb. Bellori, Lucca, ture, Sculpture, et Gravure, avec un Traité pra1677, 4to. Pregi della Pittura, di Dom. Palletta, tique des différentes Manières de peindre, par Roma, 1688, 8vo. La Pittura in Giudizio, ov- D. Ant. Joseph Pernetty, Paris, 1757, 8vo. Dicvero il Bene delle oueste Pitture, ed il Male tionnaire Iconologique; ou, Introduction à la delle Oscene, di C. Gregor. Rosignoli, Venezia, Connoissance des Peintres, Sculptures, Est1696, 12mo., and another edition at Bologna, ampes, par M. Prezel, Gotha, 1758, 8vo. Di1697, also in 12mo. Le tre belle Arti in Lega zionario portatile delle belle Arti, che contiene con l'Armi per difesa della Religione, Oraz. di quanto è di più remarchevole nella Pittura, SculVenc. Lucchesini, Roma, 1716, 8vo. Orazione tura, Intaglio, &c., colla Vita de' più celebri in Lode della Pittura, Scultura, ed Architettura, Professori delle medesime Arte, Venezia, 1758, da Nicolas Fontingueri. This tract is printed in 8vo. Nouveau Dictionnaire des Peintres, pour the second volume of the Prose degli Arcadi, acquérir une Connoissance exacte des bons Rome, 1718, 8vo. Orazione della Pittura, Scul- Tableaux anciens et modernes, avec un Appen-,

Delle

dix de quelques Monogrammes, par Louis de treat of antique sculpture and painting. De Winckelmann, Aug. 1796, 8vo. (in German). l'Origine de la Peinture et des plus excellens Dictionnaire des Arts de Peinture, Sculpture, et Peintres de l'Antiquité, Paris, 1600, 4to. Des Gravure, par Watelet et Levesque, Paris, 1792, Peintres anciens et de leurs Manicres, in the 5 vols. 8vo. Théorie genérale des beaux Arts, tenth volume of Nonveaux Choix des Mercures. rédigée par Ordre alphabétique, par J. G. Sulzer, Joann. Fonseca, de Pictura veterum. Leipsie, 1793, + vols. 8vo. (in German). Pittura antica, da G. B. Bellori, Venice, 1697, On the preservation of pictures we may con

4to. Treatise on ancient Painting, containing sult, Recueil des Mémoires et diverses Expéri- Observations on the Rise, Progress, and Decline ences, faites au Sujet de la Conservation des of that art among the Grecks and Romans, &c., Tableaux, avec un Discours sur l'Incorruptible, by Georre Turnbull; adorned with fifty pieces par G. Dagly, Berlin, 1706, 8vo.

of ancient painting discovered in the ruins of On the origin, antiquity, and history of paint- old Rome, accurately engraved from drawings of ing among different nations, we may cite, Joa. Camillo Paderni, Lond. 1740, folio. Enquiry Nicolai Funcii, Diss. de Picturæ l'su et Origine, into the Causes of the extraordinary Excellency with his Dissertationes academicæ, 1746, 8vo., of ancient Greece in the Arts, London, 1767, 470th and following pages. Lettere dell'Ori- 8vo. In the Archæologia Litteraria of Ernesti, gine, l'so, ed Abuso della Pittura, in the Let- in that of Martini, and in that of Siebenkees, tere scelte del Abbate Pietro Chiari, l'enice, appear chapters on painting among the ancients. 1750, 8vo. page 172.

De l'Ancienneté de la Sur la Peinture des Anciens, par Falconet, in the Peinture, par l'razuier, to be found in the first sixth volume of his works, Lausanne, 1781. volume of Mémoires de l'Académie des Belles Recherches sur l'Origine, l’Esprit, et le Progres Lettres. On the Origin and History of the Art, des Arts de la Grèce, sur leur Connexion avec by Studemund. Jena, 1767, 8vo.

les Arts et la Religion des anciens Peuples de On the history of painting in general-Histoire l'Inde, de la Perse, du reste de l'Asie, de l'Eudes Arts qui ont rapport au Dessin, divisée en rope, et de l'Egypte, London, 1785, 410. Sur trois Livres, où il est traité de son Origine, de la Peinture des Anciens, servant de Supplement son Progrès, de sa Chute, et de son Rétablisse- à l'Histore de l'Art, par A. Riem, Berlin, 1787, ment, par Monier, Paris 1705, 8vo. The Per- 4to. Observations on the Art of Painting among fect Painter ; or a llistory of the Origin, Progress, the Ancients, by Cooper, in the third volume of and Improvement of Painting, 1730, 12.no. Memoirs of the Literary and Philosophical SoIntroductio ad Ilistoriam Artis Delineatoria, by ciety of Manchester, 1790, 8vo. Peter Ciner, included in his Dissertationes Lit- Works which treat in general of the lives of terariæ, Florence, 1742, 8vo. Essai d'une His- painters of every age and country:— Entretiens toire des Arts du Dessin, par A. F. Busching, sur les l'ies et sur les Ouvrages des plus excelIlamburgh, 1761, 8vo. Della Patria degli Arti lens Peintres, anciens et modernes, by André del Disegno del Gherardo d'Arco, Cremona, Felibien, Paris, 1696, 5 vols. 410., and London, 1785, 8vo. Anecdotes des Beaux Arts, conte- 1705, 4 vols. 8vo. The second part of the first nant tout ce que la Peinture, la Sculpture, la volume of the Academia tedesca deila ArchitetGravure, l'Architecture, et la l'ie des artistes of- tura, Scultura, e Pittura, of Sandrart, Nuremberg, frent de plus curieux et de plus piquant chez 1675, folio. Noms des Peintres les plus célètous les Peuples du Monde, depuis l'Origine de bres, anciens et modernes, Paris 1079, 12mo. ces différens Arts jusqu'à nos Jours, Paris, 1770, Abrégé de la Vie des Peintres, avec des Ré8vo. 3 vols. Domenico Manni, del vero Pit- Hexions sur leurs Ouvrages, par R. De Piles, tore Luca et del Tempo del suo fiorire, Florence, Paris, 1747, 12mo. Abecedario Pittor:co, o sia 1764, 4to. Dell'Errore che persiste di attribuirsi serie degli Uomini i più illustri in Pittura, Scule le Pitture al S. Evang. by the same, Florence, tura, ed Architettura, da F. P. A. Orlandi, Bo1766, 4to.

logna, 1704, 410, Account of the most eminent On the state of painting among the Greeks Painters, ancient and modern, continued down and Romans:- De l'Amour des beaux Arts, et to the present Times according to the Order of de l'extrême Considération que les Grecs avoient their Succession, by R. Graham, London, 1716, pour ceux qui les cultivoient avec Succés, par 8vo. Table historique et chronologique des plus Caylus, &c., in the twenty-first volume of Mié- fameux Peintres anciens et modernes, par A. F. moires de l'Académie des Belles Lettres. Ilis- Harms, Brunswick, 1742, folio. Dictionnaire getoire de la Peinture ancienne, extraite de l'His- nérale des Artistes, by Fuessli, Zuric, 1767, 410. toire naturelle de Pline, avec le Texte Latin, Extraits des différens Ouvrages publics sur la corrigé sur les Manuscrits de l'ossius et sur la vie des l'eintres, by M. Papillon de la Ferte, première Edition de l'enise, et traduite en Fran- Paris, 1776, 12mo. Pet. Opmerii Opus Chroçois par D. Durand. London, 1725, folio. We mogr. Orbis universi à Mundi Exordio usque ad may recognise, as a continuation of this work, Annum 1611, Antwerp, 1011, folio. the Treatise of the count de Caylus, on the Pic- Works expressly on the ancient painters: tures of Polygnotus, on several passages of Pliny Vite de' Pittori antichi, scritte ed illustrate da relating to the Arts, on the Picture of Venu,, by Carlo Dati, 1667, 4to. Lezione detta nella AcaApelles, &c., in the 19th, 27th, 29th, and 30th, demia della Crusca intorno a' Pittori, Greci e vols. of Mémoires de l'Acad. des Inscriptions et Latini, de Filippo Baldinucci, 1692, 4t0. In Belles Lettres. The third and fourth parts of the tenth edition of Junius's work entitled De the work entitled Gallus Rome llospes, par L. Pictura l'eterum (Rotterdam, 1094) there will Mont Josieu, Rome, 1585, 410. (and io be found be found an extensive catalogue of the painters in the ninth volume of the Trésor of Gronovius), and other artists of antiquity.

Respecting modern painters in general we vols. 8vo. The Gentleman and Connoisseur's find details in L'Académie des Sciences et des Dictionary of Painters, containing a complete Arts, contenant les Vies et les Eloges des Hom- Collection and Account of the most distinguished mes illustres, par J. Bullart, Brussels, 1695, Artists, who have flourished in the Art of Painting folio. Le Vite de' Pittori, de' Scultori, e degli in Europe from 1250 to 1767; to which is addArchitetti moderni, con loro Ritratti al naturale, ed, a Catalogue of the Disciples of the most fada Giovanni Pietro Bellori, Rome, 1672, 4to. mous Masters, &c., by Pilkington, London Accresciuta colla Vita e Ritratto del Car. Luc. 1767, 4to. Dictionnaire des Artistes, par M Giardano, Rome, 1728, 4to. Vite de' Pittori, l'Abbé L. A. Fontenay, Paris, 1776, 2 vols. 8vo Scultori, ed Architetti moderni, da Lione Pas- Biographical Memoirs of extraordinary Painters, coli, Rome, 1730—6, 2 vols. 4to. (The names exhibiting not only Sketches of their principal of all other painters, save Italian, are dreadfully Works and professional Characters, but'a variety mangled in this book). Portraits of the most of romantic Adventures and original Anecdotes, eminent painters and other famous artists that London, 1780, 12mo. Abrégé de la Vie des have flourished in Europe, curiously engraved Peintres, dont les Tableaux composent la Galerie on above 100 copper plates, from original paint- Electorale de Dresde, Dresden, 1782, 8vo. ings of Van Dyck, Jansens, Guido, Teniers, and Manuale de' Pittori, for the Year 1792, Florence, other celebrated masters; with an account of 8vo. their Lives, Characters, and most considerable Our biography will be found to contain the Works, London, 1739, 4to. Abrégé de la Vie lives of the most distinguished painters of all ages des plus fameux Peintres, avec leurs Portraits and countries, in their alphabetical places; but gravés en taille-douce, les Indications de leurs the following catalogue Raisonnée of celebrated principaux Ouvrages, quelques Réflexions sur painters, from the revival of the art to the beginleurs Charactères, et la Manière de connoître les ning of the last century, may be found a useful Dessins et les Tableaux des grands Maîtres, par compendium to students. M. A. J. Dezallier d'Argensville, Paris, 1745, 3

[blocks in formation]

.

[ocr errors]
[ocr errors]

.

.

[ocr errors]

.

[ocr errors]
[ocr errors]
[ocr errors]
[ocr errors]

Giovanni Cimabue Certain Greeks History 1300 60 First revived painting.
Andrea Taffi

Apollonius, a Greek History 1294 81 Revived musaic.
Giotti

Cimabue
History 1336 60 Quitted the stiff manner of the

Greeks.
Buonamicu Buffalmacco Andrea Taffi History

1340 78 Ambrogio Lorenzetti Giotto

History

1350 83 Pietro Cavallini . Giotto

History

1364 85 Simon Memmi. Giotto

Portraits

1345 60 Andrea Orgagna Imitated Giotto History 1389 60 Tomaso Giottino Imitated Giotto History

1356 32 Paolo Uccello Antonio Venetiano . Birds, some 1432 83 First who studied perspective.

Hisiory Massolino.

: Lorenzo Ghiberti and History 1418 37 Gave more grace to his figures and Gher. Starnina

drapery. Masaccio

Massolino

History

1443 24 Fra. Giov, Angelico da Giottino

Hist.Miniatures 1455 68 Fiesole Antonella da Messina John Van Eyck History 1475 49 Introduced oil painting into Italy. Fra. Filippo Lippi Masaccio

History 1488 69 Began to paint figures larger than

life. Andrea del Castagno, Domenico Venetiano History 148071 Painted in oil first at Florence,

detto Degl' Impiccati Gentile del Fabriano Giovanni da Fiesole History 1412 80 Giacomo Bellini . Gentile del Fabriano History

1470 Gentile Bellini

159180 Giovanni Bellini

ther
History

1512 90 Cosmo Rosselli.

History

148468 Domenico Ghirlandaio Alessand. Baldovinetti History 1493 44 Lively coloring, genteel designing,

and good airs. Andrea Verocchio Giacomo Squrcione . History 148856 Observation of perspective. Andrea Mantegua

History

1517 66 Filippo Lippi Pra, Philippo his fa- History 1505 69

ther, and Sandro

Boticelli
Pietro Perugino . Andrea Verocchio History 152478
Bernardino Pinturicchio Pietro Perugino History

1513 59 Francesco Francia Marco Zoppo.

History 151868 First considerable Master of the Bo

lognese school. Bartolomeo Ramenghi, Francesco Francia History

1541 48 Soft and fleshy coloring. detto Il Bagnacavallo Innocenzo Francuzzi, Francesco Francia . History

Correct drawing. detto da Imola

{ Gieberno their fa- History

.

[ocr errors]
[ocr errors]

.

[graphic]
[ocr errors]

Francesco Turbido, detto Giorgione

Portraits

152181 Il Mauro Luca Signorelli Piet. della Francesca History

1521 82 Lionardo da Vinci

Hist. and Port. 1317 75 Exquisite designing. Giorgio Giorgione Imitated Lionardo's History & Por- 1511 33 Management of the clair-obscure,

traits

and coloring. Antonio da Correggio .

History & Por- 1534 40 Divine coloring and morbidezza of traits

his flesh; angelical grace and joy ous airs of his figures, and clair

obscure. Mariotto Albertinelli. Cosmo Roselli History

1520.45 Baccio, detto Fra. Bar-Cosmo Roselli History

151748 tolomeo di S. Marco Pietro di Cosimo Cosmo Roselli Grotes.& monst. 1521 80 Raphaellino del Garbo Filippo Lippi . History

1529 53 Michel Angiolo Buona- Domenico Ghirlandaio History 1564 90 Great correctness of design, grand roti

and terrible subjects, profound

knowledge of the anatomical part. Raffaelle Sanzio d’Ur- Pietro Perugino : cor- History & Por- 1520 37 In every part of painting, but chiefly 1 bino rected his manner traits

in the thought, composition, ex. upon seing the

pression, and drawing.
works of Lionardo
da Vinci & Michael

Anyelo
Titiano Vecelli
Giovanni Bellini History & Por- 1576 99 The clair-obscure and all the beau:ies
traits

of coloring. Domenico Puligo Domenico Ghirlandaio History 1525 52 Timoieo Urbino

Raffaelle

History

1524 54 The same as his master. Vicenzo da San Gemi. Raffaelle

History

1527 52 niano Lorenzo di Credi Andrea Verocchio, History 1530

imitated

Lionardo

da Vinci Balthazar Peruzzi

Hist, buildings 1536 55 Giovanni Francesco Pen- Raffaelle

History

1528 40 Good imitation of his master and ni, detto il Fattore

great despatch. Giulio Romano

Raffaelle

History

1546 54 Vivid and poetical fancy, and power

ful thought. Peligrino di Modena Raffaelle

Ilistory 1538 Pierino Buonacorvi, det. Rafaelle

. History

1547 47 to Perin del Vago Giovanni da Udina Raffaelle

Grotesques 1564 70 Animals, flowers, and fruits. Andrea del Sarto Pietro di Cosimo History, Por- 1530 42 Natural and graceful airs, and cor

traits

rect drawing; a bright mannerri

coloring Francia Bigio Mariotto Albertinelli History . . 41 Painted in company with and like

Andrea. Sebastiano, detto Fradel Giov. Bellini; Il Gi- History, Por- 1547 62 Painted in the strong and correct Piombo orgione, M. Angelo traits

manner of this last, and colured!

better. Orazio Sammachini Il Bagnacavallo, Inno- History 1577 45

cenzo d'Imola Lorenzetto Sabattini

The same

History Prospero Fontana

The same

History, Portr. Lavinia Fontana Prospero her fa: her History, Portr. 1602 50 Pelestrino Tibaldi 11 Bagnacavallo, Inno. History 1592 70'A strong Michael Angelo manner.

cenzo d'Imola Primaticcio, detto Il Bo. The same; Giulio Ro- History 1570 80 Genteclness and strenuous imaginalogna

tion. Nicolo Bolognese, detto Primaticcio History 1372 60

Messer Nicolo In Dosso

Lorenzo Costa, Titian History, lands. Bernazzano da Milano

Animals, land- 1550

scape, & fruits Giov. Martino da Udina Giov, Bellini

History

1564 70 Peligrino da san Danielo The same

History. Giov. Ant. Regillo, detto Giorgione

History,

Por. 1540 56 Fine coloring. Licinio da Pordenone

traits Girolamo de Trevigi

Hist. buildings 1544 36 Polidoro da Caravaggio Raffaelle

History

1543 51 The correctnesss of design and imita

tion of the antique chiefly in chiaro-scuro.

[blocks in formation]
[ocr errors]

.

[ocr errors]

.

The same

.

[ocr errors]

.

.

.

n Naturino Raffaelle

History

1527 37 The same ; they always painted to

gether. Francesco Mazzuolo det- Imitated Raffaelle History 1540 36 Great delicacy and genteelness of to II Parmegiano

drawing. Girolamo Mezzuoli Francesco, his cousin History

Always imitated his master. Giacomo Palma, detto Titian and others History, Portr. 1596 48 Warm and mellow tints.

Il Vecchio Lorenzo Lotto

Imitated Bellini and History, Portr. 1544 36

Giorgione Francesco Monsignori Bellini

Portraits

1519 64 Domenico Beccafumio Imitated Pietro Peru- History

1549 65 Meccarino

gino Giacomo Pontormo Lionardo da Vinci, Al-History 1558 65

bertinelli, Andre:

del Sarto Girolamo Genga Pietro Perugino History

155175 Giov. Antonio da Ver

History

1554 zelli, detto Il Sodama Bastiano Aristotile

History

155170 Bensenuto Garofalo . Baldini, Lorenzo Costa History 1559 78 Like Raffaelle. Girolami da Carpi . Garofalo, he imitated History

· 1556 55 Coreggio Giov. Prancesco Bezzi Pelegrino Tibaldi History 1571

detto Il Nosadella Ercole Procaccini

History Bartolomeo and Passerotti The same

History tre figli Francesco Salviati Andrea del Sarto History

1563 54 Giorgio Vasari The same

History, Portr. 1584 68
Daniel Ricciarelli, detto Il Sodoma; Baldasar History |1566 57 Strong sense of character.
da Volterra

Peruzzi
Taddeo Zucchero Studied Raffaelle History, Portr. 1566 37
Frederico Zucchero

History, Portr. 1609 66 Painted with his brother.
Bartolomeo Cesi.

n Nosadella:
History

79 Dionigi Calvart Prospero Fontana History

1619 54 Hubert Van Eyck History, Portr. 1470 Said to have invented oil painting. Albert Durer

Hupse Martin. History, Portr. 1528 57 Quintin Matsys, called

History, Portr. 1529 69 Nature, high finishing. the Smith of Antwerp Lucas Jacob, called Luca Cornelius Engelbert History, Portr. 1533

d'Ollanda Peter Brueghel, called Peter Koek

1570 60 Old Brueghel . John Holben,

History, Portr. (1444 46 Great nature, extreme finishing.
Hans Holben
Roger Vandensyde

John Van Eyck History
John Schorel
Jacob Cornil

History 1562 67
Matthias Cock

Landscape 1465 65
Martin Heemskirke
John Schorel.

Droll figures

1754 76 Francois Floris, called Lambart de Liege History

157050
Franc-Flore
Francesco Vecelli Titian, his brother Portraits 157966
Orazio Vecelli

|Titian, his father History, Portr. Nadalino di Murano Titian

Portraits, 158875 Damiano Mazza. Titian

History, Portr. Girolamo di Titiano Titian

History, Portr. Coloring. Paris Bordone

Titian

History, Portr. Andrea Schiavone Titian

John of Bruges

.

.

called

.

[ocr errors]

.

.

[ocr errors][ocr errors]

History

158260 Alessandro Bonvincino, Titian, imitated Raf- History, 1564 501 detto Il Moretto

faelle Girolamo Romanino Titian

History 156763 ni Mattano

Titian, Tad, Zucchero Landsc. Portr. 1590/62
Pirro Ligorio
Giulio Romano Antique monu-1573 80)

ments and

buildings Dom. Giulio Clovio Giulio Romano Miniature, His- 1578 80 Chaste and genteel coloring, some

tory

what of M. Ang. in the drawing. 0 Bronzino, Angelo-A1- Giacomo Pontormo . History, Portr. 158069

lori Allessandro Allori Bronzino, his uncle . History

1607 72 Giacomo Sementi

Dionigi Calvart

History
1625 45

2 I
Vol. XVI.

.

« PreviousContinue »