Chinese Shadow Theatre: History, Popular Religion, and Women Warriors

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McGill-Queen's Press - MQUP, 2007 - Art - 343 pages
In her study of Chinese shadow theatre Fan Pen Li Chen documents and corrects misconceptions about this once-popular art form. Drawing on extensive research and fieldwork, she argues that these plays served a mainly religious function during the Qing dynasty and that the appeal of women warrior characters reflected the lower classes' high tolerance for the unorthodox and subversive. Chinese Shadow Theatre includes several rare transcriptions of oral performances, including a didactic play on the eighteen levels of Hell, and Investiture of the Gods, a sacred saga, and translations of three rare, hand-copied shadow plays featuring religious themes and women warrior characters. Chen examines the relationship between historical and fictional women warriors and those in military romances and shadow plays to demonstrate the significance of both printed works and oral transmission in the diffusion of popular culture. She also shows that traditional folk theatre is a subject for serious academic study by linking it to recent scholarship on drama, popular religion, and popular culture.
 

Contents

An Introduction to Shadow Theatre
3
History and Myths
14
The Role of Religion
60
Women Warriors in Shadow Plays
104
Three Opening Blessings 三出頭
151
NonStandard Orthography
199
Collections of Shadow Playscripts
207
Main Plays of the Various Chinese Shadow Traditions
218
Shadow Plays Featuring Women Warriors
227
Notes
235
Bibliography
295
Index
333
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About the author (2007)

Fan Pen Li Chen is assistant professor, Chinese studies, SUNY-Albany, and the author of Visions for the Masses: Chinese Shadow Plays from Shaanxi and Shanxi.