Locating Renaissance Art
Renaissance art history is traditionally identified with Italian centers of production, and Florence in particular. Instead, this book explores the dynamic interchange between European artistic centers and artists and the trade in works of art. It also considers the impact of differing locations on art and artists and some of the economic, political, and cultural factors crucial to the emergence of an artistic center.
During c.1420-1520, no city or court could succeed in isolation and so artists operated within a network of interests and local and international identities. The case studies presented in this book portray the Renaissance as an exciting international phenomenon, with cities and courts inextricably bound together in a web of economic and political interests.
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altarpiece Angelico Angelos antique architecture artists Attivita Culturali basilica Bellini Botticelli Bramante Bramante's Bruges Brussels Byzantine Byzantine art C-print Campbell Cardinal cartoons cathedral centre Chapel Chapter Chatzidakis Christ church colours commissioned Constantinople contemporary Cretan Crete culture decoration depicted detail Domenico Donato Bramante Duke example exhibition Eyck Eyck's Federigo fifteenth century figures Florence Florentine Francesco di Giorgio fresco Gentile Bellini Gillian Wearing Giovanni Greek guild icon Italian Italy Jacopo Jacopo della Quercia John Loggia Lorenzo Medici Medici bank Michelangelo Milan Ministero National Portrait Gallery Netherlandish painting Oil on canvas Ottoman painter Palace Palazzo papal patron Peter Petrus Christus Photo photographs Piccolomini Pietro Plate Pope portraiture post-Byzantine produced Renaissance art Rome Saint San Marco Sandro Botticelli Santa Maria Scala scene sculpture Siena Sienese St Peter's surviving tapestries tempera on panel tradition triptych University Press Unknown weaver Urbino Vassilaki Vatican Vecchietta Venetian Venice Virgin Weyden workshop